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inspo/interiority

Sally Rooney, Don DeLillo, Frank Conroy, David Foster Wallace, Ursula K. Le Guin, Jonathan Franzen, Vladimir Nabokov, Mary Karr, Rachel Kushner

not descriptions of the physical world but of whatever is going on in the writer's mind

Instead of thinking gigantic thoughts, I tried to focus on something small, the smallest thing I could think of. Someone once made this pew I'm sitting on, I thought. Someone sanded the wood and varnished it. Someone carried it into the church. Someone laid the tiles on the floor, someone fitted the windows. Each brick was placed by human hands, each hinge fitted on each door, every road surface outside, every bulb in every streetlight. And even things built by machines were really built by beings, who built the machines initially. And human beings themselves, made by other humans, struggling to create happy children and families. Me, all the clothing I wear, all the language I know. Who put me in this church, thinking these thoughts? Other people, some I know very well and others I have never met. Am I myself, or am I them? Is this me, Frances? No, it is not me. It is the others. Do I sometimes hurt and harm myself, do I abuse the unearned cultural privilege of whiteness, do I take the labor of others for granted, have I sometimes exploited a reductive iteration of gender theory to avoid serious moral engagement, do I have a troubled relationship with my body, yes. Do I want to be free of pain and therefore demand that others also live free of pain, the pain that is mine and therefore also theirs, yes, yes.

When I opened my eyes I felt that I had understood something, and the cells of my body seemed to light up like millions of glowing points of contact, and I was aware of something profound. Then I stood up from my seat and collapsed.

labour theory of value lol

reminds me of some of the more thoughtful commentaries on the notre dame burning - sure you can rejoice in its burning as a symbol of colonialism, but also, who made the church? the french proletariat. and all are now dead

—p.282 by Sally Rooney 7 years, 3 months ago

I got up from the bench. It was too cold to sit outside. I wanted to be warm again. Lit from below, empty branches scratched at the sky.

I didn't think it had to be, I said.

You know, you're saying that, but you obviously weren't happy that I loved someone else. It's okay, it doesn't make a bad person.

But I loved someone else.

Yeah, I know, he said. But you didn't want me to.

I wouldn't have minded, if ...

I tried to think of a way to finish this sentence without saying: if I were different, if I were the person I wanted to be. Instead I just let it fall off into silence. I was so cold.

—p.305 by Sally Rooney 7 years, 3 months ago

I closed my eyes. Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.

—p.307 by Sally Rooney 7 years, 3 months ago

He'd always wanted to become quantum dust, transcending his body mass, the soft tissue over the bones, the muscle and fat. The idea was to live outside the given limits, in a chip, on a disk, as data, in whirl, in radiant spin, a consciousness saved from void.

The technology was imminent or not. It was semimythical. It was the natural next step. It would never happen. It is happening now, an evolutionary advance that needed only the practical mapping of the nervous system onto digital memory. It would be the master thrust of cyber-capital, to extend the human experience toward infinity as a medium for corporate growth and investment, for the accumulation of profits and vigorous reinvestment.

But his pain interfered with his immortality. It was crucial to his distinctiveness, too vital to be bypassed and not susceptible, he didn't think, to computer emulation. The things that made him who he was could hardly be identified much less converted to data, the things that lived and milled in his body, everywhere, random, riotous, billions of trillions, in the neurons and peptides, the throbbing temple vein, in the veer of his libidinous intellect. So much come and gone, this is who he was, the lost taste of milk licked from his mother's breast, the stuff he sneezes when he sneezes, this is him, and how a person becomes the reflection he sees in a dusty window when he walks by. He'd come to know himself, untranslatably, through his pain. He felt so tired now His hard-gotten grip on the world, material things, great things, his memories true and false, the vague malaise of winter twilights, untransferable, the pale nights when his identity flattens for lack of sleep, the small wart he feels on his thigh every time he showers, all him, and how the soap he uses, the smell and feel of the concave bar make him who he is because he names the fragrance, amandine, and the hang of his cock, untransferable, and his strangely achy knee, the click in his knee when he bends it, all him, and so much else that's not convertible to some high sublime, the technology of mind-without-end.

—p.207 by Don DeLillo 6 years, 6 months ago

And yet: what if she didn’t? What exactly would be gained by dragging him through Bradley Grant, through Santa, through the abortion, through Rancho Los Amigos? She could clear her conscience by groveling in the dirt, but was it really a kindness to her husband? Now that Perry’s calamity had brought Russ back to her, might it not be better to simply love him and serve him? He was like a boy, and a boy needed structure in his life, and wasn’t remorse a kind of structure? She would never be simple, but she could give him the gift of thinking he’d wronged her more than she’d wronged him. Might this not be kinder than dumping her complexities on him?

It could have been Satan asking, but she didn’t think it was, because the temptation didn’t feel evil. It felt more like punishment. To not confess her sins to Russ—to renounce her chance to be chastised, maybe pitied, maybe even forgiven—would be to carry the burden for the remainder of her life. The unending burden of being alone with what she knew.

—p.530 by Jonathan Franzen 4 years, 1 month ago

[...] Then there is live music played by an energetic group of men in their midtwenties to late thirties, including Rob on bass. But it turns out I hate the music, which is mostly screaming and loud drums. It reminds me of high school. For a moment, I feel sad for them, these grown men holding on to their teenage years, but then I feel sad for myself, because I don’t have anything that I am as excited about as they are about their band and its ear-piercing music. Carrying this sadness, which feels both delicate and heavy, like a big glass mirror, I decide it’s time for me to go.

—p.225 by Alexandra Chang 6 years, 3 months ago

I think I'm actually starting to understand. I was hell-bent on being an effective humanitarian in Cambodia and Somalia. But a naïve fog is finally lifting. Revealed is a train wreck of illusions, the depravity of someone else's war, the futility of a competence still-born there. To understand this you have to become this.

Butare, Southern Rwanda, April 1995

—p.217 Condition Delta (191) by Kenneth Cain 8 years, 11 months ago

I set out to save lives and have ended up collecting the dead. Somewhere along the line, I lost sight of treating people and became obsessed with my own grandiose ideals of service. But there is no redemption in this. I've worked myself into the ground only to end up doing the very thing my parents begged me to avoid. I've ended up serving myself.

All that is left now is to hold on for that day, sometime after the first snowfall, when my deputy will radio me from the grave with the news that our backhoe has finally hit undisturbed earth at the bottom and the last of the dead are back above ground. When I receive that message, I'll drive out into the stubble of the cornfields, stand alone on the edge, and stare down into that gaping hole one last time. Then I'll get go of this millstone of belief and ideals that's breaking my neck, watch it tumble down and sink slowly into the mud at the bottom. I've had it with our humanitarian hubris. Let the dead bury the dead.

Afterward I'll give the final order of my brief but eventful forensic career, this time to the engineer. Bulldoze in this hole and bury my youthful illusions. Then I'll crack open a beer and drink a toast. Farewell death, you son of a bitch. Here's to the rest of my life.

Srebrenica, July 1996

—p.255 Condition Echo (249) by Andrew Thomson 8 years, 11 months ago

We actually set out to save the world. That is what was insane — not ten-year-old warlords with bad breath and voodoo fetishes in Liberia, not Matt's assassin, not the boss in Somalia who set us up for an ambush in exchange for a fifteen percent kickback on the judges' salaries, not the Hutu militias who butchered a minority who had repressed them or the Tutsi survivors who executed the suspects — but me, for thinking I could enter a war and personally restore order.

So that's the easy answer: forswear idealism; resign myself to a sad maturity; put away the things of youth; be thankful I survived and move on. But that's horseshit too, a craven capitulation. I'm not ready to let the youthful part of myself go yet. If maturity means becoming a cynic, if you have to kill the part of yourself that is naïve and romantic and idealistic — the part of yourself you treasure most — to claim maturity, is it not better to die young but with your humanity intact? If everyone resigns themselves to cynicism, isn't that exactly how vulnerable millions end up dead?

When the Cold Was ended, the power of freedom, democracy and hope weren't abstract concepts; they were palpable in the Iraqi desert, across the Berlin Wall, in Tiananmen Square, atop Yeltsin's tank. That hope crescendoed for us in Cambodia. So we piled into Somalia, Haiti, and Bosnia — missionaries, mercenaries, and madmen with no understanding of the history, politics, or culture but with Land Cruisers, military-issue radios, malaria pills, and the sure knowledge that we were on the right side of history.

What a feeling. Andrew wanted to bind the wounds of innocent war victims, hoping to find grace. Heidi embraced the freedom-born-of-emergency determined to liberate herself and, in the process, as many women as she could touch. I planned to harness the power of an ascendant America to personally undo the Holocaust. Don't laugh. We were young. We weren't the first, and won't be the last, to venture forth overseas with grand ideas.

Then eighteen Rangers fell in Somalia and suddenly history started moving in the wrong direction. Rwanda, Haiti, and Bosnia were all in flames, burning the remains of our innocence. One million civilians we promised to protect died on our watch. There are many competing versions of this story — U.S., UN, NATO, EU. But we were there and capital letters always lie and our version has no meaning if no one renders it.

So I make the conscious choice to believe again: we did not misspend our youth. At least we can bear witness. I did save lives and I did earn my way into Dr. Andrew's club. The act of rendering is therefore mine. l won the right, I am the owner of that privilege.

There is a plaque in the Garden of the Righteous at Yad Vashem, the Holocaust memorial museum In Jerusalem, which reads, 'The Jewish people will never forget the righteous among the nations who endangered their lives in order to save Jews from the Nazi murderers and their collaborators. In their praiseworthy deeds they saved the honor of mankind.' I have a copy of these words over my desk and I look at them every day on my way out. Who saved the honor of mankind in Rwanda? Or Bosnia? Or, God help us, Liberia? But I have another quote from the exit of Yed Vashem over my desk, which reads, 'Son of man, keep not silent, forget not deeds of tyranny, cry out at the disaster of a people, recount it unto your children and they unto theirs from generation to generation.'

I don't know who saved the honor of mankind during my time in the field, but I do know that an ancestral memory of tyranny commands me to keep not silent.

There is no ambiguity here. I am a witness. I have a voice. I have to write it down.

this passage hit me at a pivotal moment in my self-development as a writer and I can still feel its influence even today

—p.294 Return to Normal (281) by Kenneth Cain 8 years, 11 months ago

No, I told not a soul. I may have been only ten years of age, but even I knew that confessing to being spied upon by a snazzily dressed senior citizen who flitted into and out of reality was not a clever move. My adolescence came and went, but still I felt no need to 'explain' the Watcher to myself. Lots of things in the world we don't understand. Endocrinology. Airline ticket pricing. Spousal intentions. Life trundles on regardless. The Watcher was just an occasional blip in my otherwise normal existence. Very occasional, very normal. [...]

i love the interlude - so charming

—p.241 Repeats (239) by David Mitchell 6 years, 4 months ago