Consequently there was no reason for him to stand idly in the wet, looking about and questioning the sky, when he came out of that office building. Little good would it have done him had he bothered. Tons of concrete and other opaque building materials stood between him and that impudent portion of blue.

In the fragment of sky which the buildings permitted above him flags were being lowered. For the full day they had floated, as much as the rain would allow, heraldic devices of marvelous power, far more impressive than a fiery cross, or the six balls of the Medici. A great bell signaled a telephone company which was omnipotent. Three strokes of white lightning on a blue ground hailed an electric company which controlled the allegiances of an office force equal to the medieval duchy of Mantua. The whole scene was lit by electricity, escaping statically in incandescent bulbs and, in splendidly colored fluidity adding a note of metaphysical (Bergsonian) hilarity to the air of well-curbed excitement, in tubes of glass cleverly contorted to spell out cacophonous syllables of words from a coined language, and names spawned in the estaminets of Antwerp. Any natural light which fell in from the sky, pale in impotence, was charitably neglected; but that sky, as has been noted, was a safe distance away.

The small apartment was as inoffensive as himself. Like the defiantly patternless botch of colors he wore upon his necktie, signal of his individuality to the neckties that he met screaming the same claim of independence from the innominate morass of their wearers, the apartment’s claims to distinction were mass-produced flower-and hunting-prints, filling a need they had manufactured themselves, heavy furniture with neither the seductive ugliness of functional pieces nor the isolate dumb beauty of something chosen for itself: in matching, they fulfilled their first requirement, as did the hopeless style of his brown pleated trousers which matched his brown coat, double-breasted over a chest resigned to be forever hidden like a thing of shame, whitening to yellowness with the years so that to show it now would be indeed offensive. It was a part of the body which he had never learned to use, never having been so poor that he was forced to feel the strain and growth of its muscles in the expansion of labor; nor rich enough to feel it liberated in those games (requiring courts, eighteen-hole courses, bridle-paths) which rich people played. Totally unconscious of itself except when something went wrong, that body served only to keep his identity intact, and was kept covered, like this room, to offend no one.

He turned the radio on, and adjusted his hearing, so that he heard only a comforting confusion of sound. An electric reading lamp, capable at a turn of a finger of three degrees of intensity, stood (just out of reach) beside a large chair. Behind was a veneered secretary of anonymous century and unavowed design, holding protected behind glass an assortment of books published by the hundred-thousand, treatises on the cultivation of the individual self, prescriptions of superficial alterations in vulgarity read with excruciating eagerness by men alone in big chairs, the three-way lamp turned to its wildest brilliance as they fingered those desperate blazons of individuality tied in mean knots at their throats, fastened monogrammed tie-clasps the more firmly, swung keys on gold-plated monogram-bearing (“Individualized”) key-chains, tightened their arms against wallets in inside pockets which held the papers proving their identity beyond doubt to others and in moments of Doubt to themselves, papers in such variety that the bearer himself became their appurtenance, each one contemplating over words in a book (which had sold four million copies: How to Speak Effectively; Conquer Fear; Increase Your Income; Develop Self-Confidence; “Sell” Yourself and Your Ideas; Improve Your Memory; Increase Your Ability to Handle People; Win More Friends; Improve Your Personality; Prepare for Leadership) the Self which had ceased to exist the day they stopped seeking it alone.

in that penumbra of Science called chemistry

skipping across the edges of other sounds to attempt escape through the jalousies of the Venetian blinds

she entered to inhabit them a little while, until they became submerged, finding sanctuary in that part of herself which she looked upon distal and afraid, a residence as separate and alien, real or unreal

As the afternoon ended, Otto was walking alone, south, on Madison Avenue, his own face expressing an extreme of the concentration of vacancy passing all around him, the faces of office messengers, typists turned out into the night air, dismally successful young men, obnoxious success in middle age, women straining at chic and accomplishing mediocrity who had spent the afternoon spending the money that their weary husbands had spent the afternoon making, the same husbands who would arrive home minutes after they did, mix a drink, and sit staring in the opposite direction. With his dispatch case, and an unkind thought for everyone he knew, Otto carried his head high. Affecting to despise loneliness, still he looked at the unholy assortment streaming past him as though hopefully to identify one, rescue some face from the anonymity of the crowd with instantly regretted recognition, and so rescue himself. He even strongly considered conversation with strangers; and with this erupted the thought of his father whom he had arranged to telephone, and appoint a place for their first meeting. With this, Otto took sudden new interest in every very successful middle-aged man who passed, coveting diamond stickpins, a bowler hat, an ascot tie, and even (though he would have been shocked enough if this were “Dad”) a pair of pearl-gray spats. It was a problem until now more easily left unsolved; and be damned to Oedipus and all the rest of them. For now, the father might be anyone the son chose. The instant their eyes met in forced recognition, it would be over.

—Max seems to have a good sense of spatial values, said a youth on their right, weaving aside to allow Esme to pass, —but his solids can’t compare, say, with the solids in Uccello. And where is abstract without solids, I ask you?

Those were the outward signs. But like every legitimate terror, this obsession with expendability ran through every instant of his body’s life. Stanley had haircuts infrequently, and even then only a trim. He did not wash often. People must suspect this. What did they think? But better, perhaps: let them think what they would. Every abrasive contact with the wash cloth and caustic soap must wear down the body a little. But here came another enigma: if washing wore things out, what of clothes? He always wore a shirt just one more day, not only making it last but keeping his supply of clean ones (and some never worn) ready. But when, eventually, the one he wore went to the laundry, wasn’t it necessary to use the most harsh soaps and treatment to get it clean? Therefore wasn’t it wearing out faster?

Stanley moved suddenly, sitting up as though to break a spell. He sat rigid on the edge of the bed, clenching his teeth as though to discipline the activity of his mind, which he could hardly stir during the day when he tried to work. How could Bach have accomplished all that he did? and Palestrina? the Gabrielis? and what of the organ concerti of Corelli? Those were the men whose work he admired beyond all else in this life, for they had touched the origins of design with recognition. And how? with music written for the Church. Not written with obsessions of copyright foremost; not written to be played by men in worn dinner jackets, sung by girls in sequins, involved in wage disputes and radio rights, recording rights, union rights; not written to be issued through a skull-sized plastic box plugged into the wall as background for seductions and the funnypapers, for arguments over automobiles, personalities, shirt sizes, cocktails, the flub-a-dub of a lonely girl washing her girdle; not written to be punctuated by recommendations for headache remedies, stomach appeasers, detergents, hair oil . . . O God! dove sei Fenestrula?

Otto came out upon the street muttering imprecations of a general, pointless nature

—Like that incredible book you published, what was it? Valentine went on, looking over the array on the table. —“Soul-searching” the reviewers called it. By some poor fellow who joined a notorious political group, behaved treasonably? And after satisfying that peculiar accumulation of guilt which he called his conscience by betraying everyone in sight, joined a respectable remnant of the Protestant church and settled down to pour out his . . .

—It’s already sold half a million, Brown said patiently. —That’s what people want now, soul-searching.

—Soul-searching! Valentine repeated. —People like that haven’t a soul to search. You might say they’re searching for one. The only ones they seem to find are in some maudlin confessional with the great glob of people they really consider far less intelligent than themselves, they call that humility. Stupid people in whom they pretend to find some beautiful quality these people know nothing about. That’s called charity. No, he said and shrugged impatiently, turning with his hands clasped behind him. —These people who hop about from one faith to another have no more to confess than that they have no faith in themselves.

Beyond the lucent spire the sky was patched with small clouds which did not move, no more than the ragged-edged patches of snow, reflecting here that celestial course of the sun which he trod on earth.

The sun was high enough now to fill the dining room with its light, over the dark dining table, and the low table under the window, and warm on the back of his neck when he woke moving nothing but his eyelids, opened upon the bowl of cold oatmeal before him, and nothing there else but a spoon. He did stare at the bowl and the spoon for a moment, or a minute, in that waking suspension of time when co-ordination is impossible, when every fragment of reality intrudes on its own terms, separately, clattering in and the mind tries to grasp each one as it passes, sensing that these things could be understood one by one and unrelated, if the stream could be stopped before it grows into a torrent, and the mind is engulfed in the totality of consciousness. [...] Then perfect diamonds, and so across that brink of unbearable loneliness, and fully awake, startled only with the quiet, and the sunlight bearing flecks of silent motion. If there had been a dream, it was gone back where it came from, to refurbish its props, to be recast probably, possibly rewritten, given a new twist to put it across, make it memorable to the audience and acceptable to the censor, all that, but the same old director, same producer, waiting to dissemble the same obscenities before the same captive audience, waiting, again, the first curtain of sleep. [...]

provoked by its sedulous silence

Just now this present was being cajoled toward a disfigurated future by a man with a woman tattooed on his left arm. She reposed there so long as he talked or listened; but when he interrupted to raise his glass, she was strangled. Though she had been suffering this treatment for many years, she bore it with the same surprise contorting her blue face whenever it was repeated; and when it was done, she returned to the same pose of unsuspecting tranquillity. (True, she was not entirely innocent: turned at another angle, and a portion of her covered up, she was capable of a pose which none who did not know her might have suspected from her placid countenance.) —The Resurrectionists! said he; and she was strangled.

—He came to see me.

—So I gather. When, last night?

—Otto, that isn’t nice, she said, sobered, disappointed.

—I’m sorry. Otto, suddenly, could not afford to be left so: he had withdrawn as a woman withdraws, to be followed. There was no pursuit in Esme’s eyes, as she turned them from him. —Esme, I’m sorry.

He sat staring at her face turned half from him. Then he reached up and turned it to him with one hand. Esme looked frightened. —Why are you beautiful? he demanded. Her eyes opened more widely, and she tried to lower her face. —Why are you? he repeated, looking at her. She did pull her chin back, and lower her face, silent. —Because you . . . I look at your face, this flesh and bone so many inches high and wide, and the nose sticking out and the . . . the punctures of nostrils, and your lips and I . . . and those two things that are eyes, and I . . . why should that be beautiful, anyhow. What is it? . . . and Otto’s voice was suddenly constricted, —What is beauty . . . He cleared his throat, —that your face should be beautiful? . . .

Otto approached with his head down, as though it were weighed so by the rampage going on inside, and his features declined to the edges of his face, the look of one seeking something, or perhaps someone, a person he could talk this over with, someone who had suffered good intentions put to bad use by others, and would understand (by which Otto, talking to himself, meant sympathize); someone sensitive (he meant weak) enough to appreciate, and experienced (he meant bitter) enough to justify his dilemma. Stanley appeared in the interior rampage, bowed, understanding, sensitive, experienced: he raised his eyes and Stanley appeared, talking with (untrustworthy) Max and (odious) Anselm.

escaping, abandoning his companions to that lugubrious assault

offered in the most piking and meretricious traffic millions of times a day

Historians, anxious to rescue some semblance of a system from the chaos of the past, point out that since the dawn of civilization, the center of civilization has moved westward: from Polycrates’ Asian island and Solon’s Athens to Constantine’s Roman Empire nine centuries later, on to Charlemagne’s Frankish labyrinth, ever onward to Canute the Dane at the millennium, across the Channel to the fourteenth-century England of Edward III it came, gathered its breath there (while word of renascence breathed behind in Italy) for three centuries, readying for the leap across the sea to shores of a New World, where early settlers (having thrown off that yoke of tyrannical ignorance, religious persecution) promoted a culture founded in pure reason, and introduced their civilized art to the Indians, forging wampum of porcelain and bone. They prospered. Hard work was the only expression of gratitude their deity exacted and money might be expected to accrue as testimonial; though Pennsylvania decreed the pillory, with the ears nailed to it and cut off, and a complement of thirty-nine lashes and a fine, these dedicated beings did not quail. But like so many of the mystic contrivances devised by priesthoods which slip, slide, and perish in lay hands, this too became a cottage industry: tradesmen, barbers, and barkeeps issued money, keeping up as best they could with the thousand different banks who were doing the same thing. Before the war which was fought to preserve the Union, a third of the paper money in circulation was counterfeit, and another third the issue of what were generously termed “irresponsible” banks. Meanwhile inspectors went from one bank to another, following the security bullion which was obligingly moved from the bank they had just inspected to the one where they next arrived; and the importunate public, demanding the same assurance, was satisfied with boxes rattling broken glass. Merchants kept “counterfeit detectors” under their counters, and every bill offered them in payment was checked against this list of all counterfeits in circulation, and notes rendered worthless by the disappearance of the evanescent banks which had issued them.

—He’s right, for Christ sake, everybody suffers, the crime is in this world you suffer and it doesn’t mean a God-damned thing, it doesn’t fit anywhere. You can stand any suffering if it means something, Anselm went on rapidly, but still as though suppressing some specific thing which filled his mind. —The only time suffering’s unbearable is when it’s meaningless, he finished, muttering.

At that Otto raised an eyebrow and licked his lip, preparing to quote the lines with which Gordon reduced Priscilla toward the close of Act II, the scene in the doorway of the summer cottage which glittered before him even now, as though in production. GORDON: Suffering, my dear Priscilla, is a petty luxury of mediocre people. You will find happiness a far more noble, and infinitely more refined . . .

—You remember what Montherlant has to say, Max interrupted them. —Le bonheur est un état bien plus noble et bien plus raffiné que la souffrance . . . His French was unprofessional and surprisingly clear. Otto muttered impatiently at being interrupted the moment he had started to speak, and turned to ask Stanley if he had ever read any of Vainiger, as Max finished, —le petit luxe des personnes de médiocre qualité.

they stood there motionless as plants, Valentine in epinastic curve as the expression on his face unfolded to immediacy, and bent him down over the growth from the lower surfaces before him

Why, this . . . pelagian atmosphere of yours, you know

The first thing she saw when she entered her apartment was the unnatural radiance of the sunlamp. Agnes Deigh paused there, still holding her keys, as though to appreciate fully the affliction before her, worse second by second as she hesitated, considering what might have happened had she not arrived; even perhaps that there was still time for her to leave, quietly as she had come, back into the transfigurating weather: but before she was able to contain this possibility sufficient to examine it, and find there one of those mortal shocks with which life rarely presents us opportunity to abandon the bonds of circumstances woven with such care, and start off upon any of a thousand alternative courses among which, like the needle in the haystack, lies the real one: habit betrays us, as it betrayed Agnes Deigh. She put a hand on the Swede’s shoulder, and made a sound.

the pattern was so conservative, and the material so fine, that this seemed rather a mark of luxuriance than some deliberate hebetude on the part of the giver

She had, indeed, got a stern look on her face which none of them had ever seen; but as quick as it had come, it softened to one of weary disappointment. Then she said thoughtfully, not looking at anyone, —The people who demand pity of you hate you afterward for giving it. They always hate you afterward. She watched him plod across the room as though in deep snow.

—I’m a writer, he answered.

—Oh. What sort of thing do you do? Esther asked, dropping the weight of his hand, and looking down as though she expected to see it drop to the floor.

—Write.

—Yes, but . . . ah . . . fiction?

—My book has been translated into nineteen languages.

—I must know it, Esther said. —I must know of it.

—Doubt it, said the modest author. —Never been published.

—But you said . . .

—I’ve translated it myself. Nineteen languages. Only sixty-six more to go, not counting dialects. It’s Celtic now. A lovely language, Celtic. It only took me eight months to learn Celtic. It ought to go in Celtic.

—You mean be published?

—Yes, published in Celtic. Sooner or later I’ll hit a language where they’ll publish it. Then I can retire to the country. That’s all I want, to retire to the country. Erse is next.

—It must be an awfully dirty book, said Buster.

Mr. Crotcher gave him a look of firm academic hatred which no amount of love, in any expression, could hope to erase. —It is a novel about ant life, he said.

And that it isn’t just expiation, but . . . that’s why it is crucial, because this is the only way we can know ourselves to be real, is this moral action, you understand don’t you, the only way to know others are real

—I think it went away, the toothache, it didn’t last, but my work, it’s an organ concerto but it isn’t finished yet.

—But you’ve been working on it for months.

—For years, he said. —And you know, I look at the clean paper that I’m saving to write the finished score on, and then I look at the pile of . . . what I’ve been working on, and, well I can see it all right there, finished. And yet, well . . . you know I never read Nietzsche, but I did come across something he said somewhere, somewhere where he mentioned “the melancholia of things completed.” Do you . . . well that’s what he meant. I don’t know, but somehow you get used to living among palimpsests. Somehow that’s what happens, double and triple palimpsests pile up and you keep erasing, and altering, and adding, always trying to account for this accumulation, to order it, to locate every particle in its place in one whole . . .

The critic straightened up, unprepared for this sally, without time to recover his own walls, he withdrew instantly behind contravallations of mistrust.

—You should have known, Bildow cried out at him as he slogged toward them.

—Whut?

—This, this . . . poem, this thing of Max’s, you wrote that essay on Rilke last spring, you . . .

—Rilke, but that was on Rilke, Rilke the man, an essay on Rilke the man . . .

The critic approached, moving with the steps of one in a familiar medium, disdaining claims of time past and future, both contained in this limicolous present.

Undisciplined lights shone through the night instructed by the tireless precision of the squads of traffic lights, turning red to green, green to red, commanding voids with indifferent authority: for the night outside had not changed, with the whole history of night bound up in it had not become better nor worse, fewer lights and it was darker, less motion and it was more empty, more silent, less perturbed, and like the porous figures which continued to move against it, more itself.

Mr. Inononu stood a stolid five feet and four inches from the ground

And I might say, he added with slight asperity, —it’s not entirely a pose.

they stood side by side, sustaining a perilous abeyance between them, and weighing the room before them in the balance

They were silent and attentive while he put the glasses back on, and said, peremptorily, —Come with me, I’ve got something to show you

Muffled caterwauling came from the radio.

Basil Valentine first looked to the foot of the stairs, there saw nothing but the still caparisoned bulk.

—And you! what do you want? Basil Valentine burst out, advancing again as this figure before him moved backwards up the room, not unsteady, but from side to side, back toward the staircase and the hulk flung at its foot. —Yes, your by all that’s ugly! And you, handling you like a jewel, he went on, his voice rising. —You and your work, your precious work, your precious van der Goes, your precious van Eyck, your precious not van Eyck but what I want! And your precious Chancellor Rolin, look at him there, look at him. Yes, why didn’t you paint him into a Virgin and Child and Donor? Do you think it’s any different now? That that fat-faced Chancellor Rolin wasn’t just like him? Yes, swear to me by all that’s ugly! Valentine hissed, and got breath. —Vulgarity, cupidity, and power. Is that what frightens you? Is that all you see around you, and you think it was different then? Flanders in the fifteenth century, do you think it was all like the Adoration of the Mystic Lamb? What about the paintings we’ve never seen? the trash that’s disappeared? Just because we have a few masterpieces left, do you think they were all masterpieces? What about the pictures we’ve never seen, and never will see? that were as bad as anything that’s ever been done. And your precious van Eyck, do you think he didn’t live up to his neck in a loud vulgar court? In a world where everything was done for the same reasons everything’s done now? for vanity and avarice and lust? and the boundless egoism of these Chancellor Rolins? Do you think they knew the difference between what was bizarre and what was beautiful? that their vulgar ostentation didn’t stifle beauty everywhere, everywhere? the way it’s doing today? Yes, damn it, listen to me now, and swear by all that’s ugly! Do you think any painter did anything but hire himself out? These fine altarpieces, do you think they glorified anyone but the vulgar men who commissioned them? Do you think a van Eyck didn’t curse having to whore away his genius, to waste his talents on all sorts of vulgar celebrations, at the mercy of people he hated?

A small figure clutching a filthy dollar bill fixed him with a strabismic stare.

—You’re just looking for her? It’s . . . her you came for, then? His arms were moving in the dark as though he could scarcely keep himself upright in the thick gloom which seemed to have risen about them. —But I’ve been looking for you! he burst out. And then he did go off balance on the ice, taking a step back from the eyes which had penetrated him and emptied his face. —And she . . . he got out, recovering his balance with another step back, —I don’t know. I don’t know where she is, he said, and repeated it slowly, but as clear, —I don’t know where she is . . . hesitated, and stood still. And when he raised his eyes, looking east toward the hospital, he was alone in the street. The wind had gone down, and the still cold was unbearable. He stood numb, surrounded by ice, among the frozen giants of buildings, as though to dare a step would send him head over heels in a night with neither hope of morning to come nor heaven’s betrayal of its triumphal presence, in the stars.

With contumely masked as charity on the one hand, and charity proffered as indifference by the other

this panegyric upon Julian written by Himerius