The small apartment was as inoffensive as himself. Like the defiantly patternless botch of colors he wore upon his necktie, signal of his individuality to the neckties that he met screaming the same claim of independence from the innominate morass of their wearers, the apartment’s claims to distinction were mass-produced flower-and hunting-prints, filling a need they had manufactured themselves, heavy furniture with neither the seductive ugliness of functional pieces nor the isolate dumb beauty of something chosen for itself: in matching, they fulfilled their first requirement, as did the hopeless style of his brown pleated trousers which matched his brown coat, double-breasted over a chest resigned to be forever hidden like a thing of shame, whitening to yellowness with the years so that to show it now would be indeed offensive. It was a part of the body which he had never learned to use, never having been so poor that he was forced to feel the strain and growth of its muscles in the expansion of labor; nor rich enough to feel it liberated in those games (requiring courts, eighteen-hole courses, bridle-paths) which rich people played. Totally unconscious of itself except when something went wrong, that body served only to keep his identity intact, and was kept covered, like this room, to offend no one.