by
Sally Rooney
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Instead of thinking gigantic thoughts, I tried to focus on something small, the smallest thing I could think of. Someone once made this pew I'm sitting on, I thought. Someone sanded the wood and varnished it. Someone carried it into the church. Someone laid the tiles on the floor, someone fitted the windows. Each brick was placed by human hands, each hinge fitted on each door, every road surface outside, every bulb in every streetlight. And even things built by machines were really built by beings, who built the machines initially. And human beings themselves, made by other humans, struggling to create happy children and families. Me, all the clothing I wear, all the language I know. Who put me in this church, thinking these thoughts? Other people, some I know very well and others I have never met. Am I myself, or am I them? Is this me, Frances? No, it is not me. It is the others. Do I sometimes hurt and harm myself, do I abuse the unearned cultural privilege of whiteness, do I take the labor of others for granted, have I sometimes exploited a reductive iteration of gender theory to avoid serious moral engagement, do I have a troubled relationship with my body, yes. Do I want to be free of pain and therefore demand that others also live free of pain, the pain that is mine and therefore also theirs, yes, yes.
When I opened my eyes I felt that I had understood something, and the cells of my body seemed to light up like millions of glowing points of contact, and I was aware of something profound. Then I stood up from my seat and collapsed.
labour theory of value lol
reminds me of some of the more thoughtful commentaries on the notre dame burning - sure you can rejoice in its burning as a symbol of colonialism, but also, who made the church? the french proletariat. and all are now dead
Maybe niceness is the wrong metric, I said.
Of course it's really about power, Bobbi agreed. But it's harder to work out who has the power, so instead we rely on "niceness" as a kind of stand-in. I mean this is an issue in public discourse. We end up asking like, is Israel "nicer" than Palestine. You know what I'm saying.
I know. I could have told you and I didn't. But at some level I still see you as the person who broke my heart and left me unfit for normal relationships.
You underestimate your own power so you don't have to blame yourself for treating other people badly. You tell yourself stories about it. Oh well, Bobbi's rich, Nick's a man, I can't hurt these people. If anything they're out to hurt me and I'm defending myself.
Bobbi and Frances
The restaurants and bars all had miniature Christmas trees and fake sprigs of holly in the windows. A woman went past holding the hand of a tiny blond child who was complaining about the cold.
I waited for you to call me, I said.
Frances, you told me you didn't want to see me any more. I wasn't going to harass you after that.
I stopped randomly outside an off-license, looking at the bottles of Cointreau and Disaronno stacked up in the window like jewels.
love the way she sandwiches the convo in between observations
(ofc, the real revelation here is the miscommunication)
I got up from the bench. It was too cold to sit outside. I wanted to be warm again. Lit from below, empty branches scratched at the sky.
I didn't think it had to be, I said.
You know, you're saying that, but you obviously weren't happy that I loved someone else. It's okay, it doesn't make a bad person.
But I loved someone else.
Yeah, I know, he said. But you didn't want me to.
I wouldn't have minded, if ...
I tried to think of a way to finish this sentence without saying: if I were different, if I were the person I wanted to be. Instead I just let it fall off into silence. I was so cold.
I closed my eyes. Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.
[...] Minor regrets, like asking that woman Margaret whether she played chess, horrible, and major regrets like declining or rather failing to say anything at his own father’s funeral. Major regrets like devoting his life to competitive chess only to watch his rating drop steadily over several years to the point where, etc. He’s been over all that before, the irretrievability of the past, what’s done being done, and now is not the time in any case. Instead he’s going to eat the small chocolate bar he brought with him in his suitcase and drink a cup of coffee. It’s good to visualise these actions in advance, how he’ll unwrap the chocolate bar, what the coffee will taste like, whether it will be served with a saucer or just in a cup by itself. These are the right kinds of things for him to think about at this moment: precise things, tangible, replete with sensory detail. And then the games will begin.
</3
[...] Most of the time she can go through life interacting pleasantly with the people around her, pleasantly and superficially, never thinking or wanting to think about the profound and so carefully concealed sexual personalities of others. But it is not possible all the time to be so unconscious of other people, the disguised aspects of their lives. This young man with the braces on his teeth, who spends his weekends visiting arts centres to play chess in front of spectators, carrying a cheap black suitcase around and leaving it in the corners of rooms, this young man also has sexual thoughts and feelings, almost certainly, almost everyone does, especially at the age of twenty-two. He’s still looking at her even now. Why did she say the word ‘passionate’ to him when they were talking? And why did he repeat it so many times, three or even four times? Is the word ‘passionate’, or is it not, basically an obscene item of vocabulary? No, it isn’t. But is it like a small bandage placed over an item of vocabulary that is in fact obscene? Maybe, yes. A word with blood running through it, a red word. In casual conversation it’s better to use words that are grey or beige. Where did it come from, then, this word ‘passionate’? She knows where. From that so firmly suppressed feeling, present all along, that when he looks at her, when he speaks to her, he is addressing not only the superficial but also the deep concealed parts of her personality – without meaning to, without knowing how not to. Looking at her, his eyes communicate: I know that you are a person with desires, and so am I, even if I am helpless to do anything about this knowledge. Has she, unconsciously, half-consciously, been enjoying the little interplay between their respective roles? His repressed but perceptible impatience with the other men, his attentiveness towards her, his quiet searching looks, the colour that rose to his face just now. Beside them the other men are talking about a famous chess player from the nineteenth century. You know he was Irish, Ollie says. His father was an Irishman. Murphy. The others disagree about that. Ivan sits drinking from his glass and looking at Margaret, she can feel the pressure of his eyes on the side of her face still, while she goes on pretending to listen, pretending to smile. Finally she turns and meets his gaze. They look at one another without speaking. Belonging, it could not be clearer, to the same camp, separate from the rest. And he puts his glass down on the table. Clearing his throat he says to the others: Listen, thank you. I’ll see you in the morning. They all want to congratulate him again, and slap him on the back, and Margaret needs a minute anyway to put her raincoat back on, and to find her scarf hanging over the back of a chair.
Would you like to come inside? he asks.
Doubtingly, he goes on looking at her, as if to say he’s sorry to ask, and he waits for her to answer. There’s something so vulnerable in his look, in his tone of voice. Is there anything she can say to explain? About her job, and how much older she is, and her life situation. But her explanations will only sound like lies. Nobody when they’re rejected believes it’s really for extraneous reasons. And it almost never is for extraneous reasons, because mutual attraction – which even makes sense from the evolutionary perspective – is simply the strongest reason to do anything, overriding all the contrary principles and making them fall away into nothing. She lets her eyes drop down for just a fraction of a second to his hands, which are resting in his lap: fine-looking, sensitive hands, she noticed that earlier, when he was playing chess.
Okay, she says.
I don’t know, he says. The one thing I said to myself in the car was, if she comes inside with you, don’t start talking to her about chess. It takes up too much of my life already, to be quite honest. Like to say the absolute truth, I spend too much time on it, because I’m not even that good. Although it makes me really sad to admit that. You know, a lot of people told me I was letting it take up too much time, and I just thought they didn’t understand. But now I think, maybe I’ve really wasted a lot of my life. Like when other people were out having fun, getting girlfriends or whatever, I was at home basically reading. You have to read a lot of opening theory – that’s the beginning of a game, the first moves. Which have all been played before, so you just have to learn them. It’s not even that interesting, but it has to be done. So you have all these openings that come from books, and you have all these endgame strategies, which can be honestly kind of formulaic. And you’re learning all this for what? Just to get to an okay position in the middle game and try to play some decent chess. Which most of the time I can’t even do anyway. Sometimes I think, if I could go back to age fifteen, I would just give up. I was already pretty good then, I haven’t gotten much better. And I could have used that time to get more of a social life. I don’t lie in bed every night just thinking about chess, you know. I won’t go into detail on what I do think about, but I can tell you it’s usually not related to chess at all.
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