topic/love
Leonard Cohen,
Shirley Hazzard,
Lauren Elkin,
Jeffrey Eugenides,
James Salter,
Karen Tei Yamashita,
Jonathan Franzen,
Liv Ullmann,
Lucia Berlin
the other side of heartbreak
6/22/41
There are some people we like instantly, before they have even had a chance to flatter us (which is the greatest encouragement to liking a person), because they have that quality of seeing in us what we desire to be, what we are trying to be, and of not seeing that which we are at the moment. We feel that they understand us, we begin to feel that we have attained what we desire ourselves to be, and being made happy by this we inevitably are very fond of the people who can make us feel this way.
jesus
[...] he didn't want this to be just another seduction. He wanted her to be the way out of the wasteland of seduction he'd been living in.
sad
[...] Andreas was overwhelmed by the contrast between love and lust. Love turned out to be soul-crippling, stomach-turning, weirdly clasutrophobic; a sense of endlessness bottled up inside him, endless weight, endless potential, with only the small outlet of a shivering pale girl in a bad rain jacket to escape through. Touching her was the farthest thing from his mind. The impulse was to throw himself at her feet.
His name is Weisz, like vice, and he is that, a wicked indulgence and something that grips me. I’ve never had such big hands on my body. We sit together in his office and he plays me his records and then he puts his hands on my body.
I am in love with him, I am in love with his shirt, with the way that it sits just so lightly on his torso, his collar that sits away just so from his neck. I’ve never actually wanted to rip someone’s clothes off before. He has a wife at home so I have to be careful or she’ll be wondering why all the buttons on his shirt popped off at the same time.
Desire makes us others to ourselves, the maestro says, and he is right, I am not myself when I desire Max, I am myself-with-Max, quite another person from myself when I’m without him.
Max went with me to see the maestro today, at the faculté de droit. He spoke before, I don’t know, a couple hundred people, mostly students training to be analysts, but also scholars in other fields, and even, I heard, some actors. He’s a man of science who speaks like a mystic. Every word has its weight, as if he were dropping iron plumbs into a sea to anchor his thoughts. He delivers his speech like he’s performing Molière at the Comédie-Française. It is often hard to follow. Today he talked about jouissance, and love, and the Other, and I stroked the inside of Max’s wrist with my finger, afraid to outright hold his hand, and then the maestro said there is no woman, and that it is the instinct of the mother that prevails in her, not her own sexual pleasure, which turns around the phallus, and that man cannot enjoy woman’s body because he is too busy enjoying his own enjoyment, and while I have known men like that, indeed sex with Henry has sometimes felt like that, it has not always been so, and I wrote it all down and put a question mark next to it and Max shrugged and I wanted to talk to him about it afterward but afterward he took me back to his office and I forgot all about the maestro and whether or not there are women with their own sexual desires because I was inside my desire, and soon Max was too.
jesus
I thought what I had with Henry was the sustaining love, and with Max just pleasure, self-abandon, time out of time. I was wrong on both counts. But everything I feel or have felt for both of them is this eros, this thing I want to make more of. More of it, more of us, all of us. This child that is the knowledge of beauty and of its shadows, to sustain us through the alienation of desire, the inevitable confrontation with danger and disease, and with the end.
My father, Jonathan says, is a womanising bastard. I love him but it’s true, he’s a bastard. He doesn’t see it that way, he says he loves easily and well, but he’s a serial cheater. He cheated on my mother, he cheated on my stepmother, he cheated on his first wife, and he invented a whole intellectual framework to justify it. He’s slept with his students his whole career. He’s completely unethical.
I let this sink in. But I’m not sure that what I’m doing – what we’re doing – is unethical. My instinct is that it isn’t. That something about living ethically together is bound up in not judging our desires, or controlling and punishing them. But maybe that’s just me justifying it.
So you think it has to be justified.
I’m not sure. Do you?
I’m not sure either.
Is it possible that infidelity isn’t something you commit but something that creeps up, a series of inoffensive doors you open, so by the time you find yourself in front of the one that counts, the one that matters, that changes everything, you are too far gone? You are so deep in it but you got so deep in a kind of innocence. I think for a moment. Maybe the problem is the word. Infidelity. I never noticed before but it makes you an infidel, believing in the wrong god. But really it’s another kind of fidelity – to yourself, to your dream of yourself, to the other people you love. I get out my phone and look up the etymology. See? it’s an Old French word, that has to do with a lack of faith. But I have so much faith. I am full of faith.
ahhhh
Helen says heaven, for her,
would be complete immersion
in physical process,
without self-consciousness —
to be the respiration of the grass,
or ionized agitation
just above the break of a wave,
traffic in a sunflower’s thousand golden rooms.
Images of exchange,
and of untrammeled nature.
But if we’re to become part of it all,
won’t our paradise also involve
participation in being, say,
diesel fuel, the impatience of trucks
on August pavement,
weird glow of service areas
along the interstate at night?
We’ll be shiny pink egg cartons,
and the thick treads of burst tires
along the highways in Pennsylvania:
a hell we’ve made to accompany
the given: we will join
our tiresome productions,
things that want to be useless forever.
But that’s me talking. Helen
would take the greatest pleasure
in being a scrap of paper,
if that’s what there were to experience.
Perhaps that’s why she’s a painter,
finally: to practice disappearing
into her scrupulous attention,
an exacting rehearsal for the larger
world of things it won’t be easy to love.
Helen I think will master it, though I may not.
She has practiced a long time learning to see.
I have devoted myself to affirmation,
when I should have kept my eyes on the ground
ah i like this
We meet in a hotel
with many quarters for the radio
surprised that we've survived as lovers
not each other's
but lovers still
with outrageous hope and habits in the craft
which embarrass us slightly
as we let them be known
the special caress the perfect inflammatory word
the starvation we do not tell about
We do what only lovers can
make a gift out of necessity
Looking at our clothes
folded over the chair
I see we no longer follow fashion
and we own our own skins
God I'm happy we've forgotten nothing
and can love each other
for years in the world
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations could separate us
I was ready to beg for mercy
Now I'm getting into humilitation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you