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Bookmarker tag: topic/love (26 notes)

Granta 140: State of Mind
by Sigrid Rausing

I cannot read this man’s mind
(missing author)

I have been living with the same person for thirty-six years. I cannot read this man’s mind. He has anterooms in his personality I strongly suspect I have never seen. Mysteries abound. And yet time has produced an uncanny mental mirroring between us. A friend tells a story, and it triggers an immediate, identical association in each of us. Before my husband opens his mouth, I know what he will say or before I speak, he knows what I will say. The link between the heard story and our spontaneous double response is rarely obvious and why our two heads have summoned the same material at the same instant strikes us as inexplicable. It happens again and again and more and more. It may be that two minds with years of talk and grumbling and fighting and laughing and all-around bumping into each other behind them have states of mind in common. The winds rise, and the clouds begin to move, and the sun comes out at just the same time in two heads rather than one.

aww

—p.57 | State of Mind | created Nov 01, 2019

Collected Stories
by James Wood, Janis Bellow, Saul Bellow

they could pool their wretched mortalities
by Saul Bellow

[...] If he'd forgive her bagpipe udders and estuary leg veins, she'd forgive his unheroic privates, and they could pool their wretched mortalities and stand by each other for better or worse.

—p.44 | The Bellarosa Connection | created Dec 04, 2019

Dark Matter
by Blake Crouch

like some piece of machinery has just seized in my chest
by Blake Crouch

I find myself moving toward you through the grass, carrying a new glass of wine, and when your eyes avert to mine, it feels like some piece of machinery has just seized in my chest. Like worlds colliding. As I draw near, you take the glass out of my hand as if you had previously sent me off to get it and smile with an easy familiarity, like we've known each other forever. You try to introduce me to Dillon, but the skinny-jeaned artist, now effectively cockblocked, makes his excuses and leaves.

Then it's just the two of us standing in the shade of the hedgerow, and my heart is going like mad. I say, "I'm sorry to interrupt, but it looked like you might need rescuing," [...]

I only remember pieces of what was said in our first moments together. Mainly how you laugh when I tell you I'm an atomic physicist, but not derisively. As if the revelation truly delights you. I remember how the wine had stained your lips. I've always known, on a purely intellctual level, that our separateness and isolation are an illusion. We're all made of the same thing - the blown-out pieces of matter formed in the fires of dead stars. I've just never felt hat knowledge in my bones until that moment, there, with you. And it's because of you.

—p.244 | created Jan 28, 2020

The Paris Review Book of People with Problems
by The Paris Review

the first kiss plummeted him down a hole
by Denis Johnson

The first kiss plummeted him down a hole and popped him out into a world he thought he could get along in - as if he’d been pulling hard the wrong way and was now turned around headed downstream. They spent the whole afternoon among the daisies kissing. He felt glorious and full of more blood than he was supposed to have in him.

When the sun got too hot, they moved under a lone jack pine in the pasture of jeremy grass, he with his back against the bark and she with her cheek on his shoulder. The white daisies dabbed the field so profusely that it seemed to foam. He wanted to ask for her hand now. He was afraid to ask. She must want him to ask, or surely she wouldn’t lie here with him, breathing against his arm, his face against her hair-her hair faintly fragrant of sweat and soap ... "Would you care to be my wife, Gladys?” he astonished himself by saying.

—p.186 | Train Dreams | created Apr 27, 2020

The Best American Short Stories 2004
by Katrina Kenison, Lorrie Moore

the punctuation marks of a marriage
(missing author)

There are some nights when Sid is dozing there that she feels frightened. She puts her hand on his chest to feel his heart. She puts her cheek close to his mouth to feel the breath. She did the same to Sally and Tom when they were children, especially with Tom, who came first. She was up and down all night long in those first weeks, making sure that he was breathing, still amazed that this perfect little creature belonged to them. Sometimes Sid would wake and do it for her, even though his work as a grocery distributor in those days caused him to get up at five a.m. The times he went to check, he would return to their tiny bedroom and lunge toward her with a perfect Dr. Frankenstein imitation: "He's alive!" followed by maniacal laughter. In those days she joined him for a drink just as the sun was setting. It was their favorite time of day, and they both always resisted the need to flip on a light and return to life. The ritual continued for years and does to this day. When the children were older they would make jokes about their parents, who were always "in the dark," and yet those pauses, the punctuation marks of a marriage, could tell their whole history spoken and unspoken.

—p.279 | Intervention | created Jun 25, 2020

Granta 151: Membranes
by Sigrid Rausing

worry that they will take you with them
by Granta

The husband watches the wife sleep. The house is nicest whenever she is asleep because he worries less about her and knows for a fact that she is resting, and for a little while at least he manages to forget that she is dying. This is more bearable than watching her lie awake and worry about dying. The husband is unsure if he has loved anyone in his life, at least in the way he thought he would love when he was younger, but now he thinks that maybe this is what love is supposed to be; you build a life around a person and when they threaten to go, you worry and worry that they will take you with them. If this is it, then he would prefer to go back to being a stranger to his wife.

—p.90 | Hair | created Aug 01, 2020

Milosz's ABC's
by Czesław Miłosz

I had no idea that this is called love
by Czesław Miłosz

[...] I was, I think, eight years old. The old folks gossiped and entrusted me to a young girl, who was to show me the park. We walked along the paths, crossed some little bridges which had railings made of birch poles - I remember that well. Then it happened. I looked at her thin bare shoulders, the narrowness of her arms above the elbow, and an emotion I had never experienced, a tenderness, a rapture, unnamable, welled up in my throat. I had no idea that this is called love. I think she must have said something, explaining, but I said not a word, strucky dumb by what had suddenly come over me.

—p.186 | created May 09, 2022

Selected Poems 1956-1968
by Leonard Cohen

The Rest Is Dross
by Leonard Cohen

We meet in a hotel
with many quarters for the radio
surprised that we've survived as lovers
not each other's
but lovers still
with outrageous hope and habits in the craft
which embarrass us slightly
as we let them be known
the special caress the perfect inflammatory word
the starvation we do not tell about
We do what only lovers can
make a gift out of necessity
Looking at our clothes
folded over the chair
I see we no longer follow fashion
and we own our own skins
God I'm happy we've forgotten nothing
and can love each other
for years in the world

—p.129 | Flowers for Hitler | created Dec 17, 2021

I Had It for a Moment
by Leonard Cohen

I had it for a moment
I knew why I must thank you
 I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
 No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
 Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
 Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
 I had a wonderful reason for not merely courting you
It was tied up with the newspapers
 I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
 they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations could separate us
 I was ready to beg for mercy
Now I'm getting into humilitation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
 I'll study you later
So many people want to cry quietly beside you

—p.135 | Flowers for Hitler | created Dec 17, 2021

A Cross Didn't Fall on Me
by Leonard Cohen

A cross didn't fall on me
when I went for hot dogs
and the all-night Greek
slave in the Silver Gameland
didn't think I was his brother
Love me because nothing happens

I believe the rain will not
make me feel like a feather
when it comes tonight after
the streetcars have stopped
because my size is definite
Love me because nothing happens

Do you have any idea how
many movies I had to watch
before I knew surely
that I would love you
when the lights woke up
Love me because nothing happens

Here is a headline July 14
in the city of Montreal
Intervention décisive de Pearson
a la conference du Commonwealth
That was yesterday
Love me because nothing happens

Stars and stars and stars
keep it to themselves
Have you ever noticed how private
a wet tree is
a curtain of razor blades
Love me because nothing happens

Why should I be alone
if what I say is true
I confess I mean to find
a passage or forge a passport
or talk a new language
Love me because nothing happens

I confess I meant to grow
wings and lose my mind
I confess that I've
forgotten what for
Why wings and a lost mind
Love me because nothing happens

—p.182 | Parasites of Heaven | created Dec 17, 2021

I Stepped into an Avalanche
by Leonard Cohen

I stepped into an avalanche
It covered up my soul
When I am not this hunchback
I sleep beneath a hill
You who wish to conquer pain
Must learn to serve me well

You strike my side by accident
As you go down for gold
The cripple that you clothe and feed
Is neither starved nor cold
I do not beg for company
in the centre of the world

When I am on a pedestal
you did not raise me there
your laws do not compel me
to kneel grotesque and bare
I myself am pedestal
For the thing at which you stare

You who wish to conquer pain
must learn what makes me kind
The crumbs of love you offer me
are the crumbs I've left behind
Your pain is no credential
It is the shadow of my wound

I have begun to claim you
I who have no greed
I have begun to long for you
I who have no need
The avalanche you're knocking at
is uninhabited

Do not dress in rags for me
I know you are not poor
Don't love me so fiercely
When you know that you are not sure
It is your world beloved
It is your flesh I wear

this is also a song but i think i like the poem version better

—p.217 | Parasites of Heaven | created Dec 17, 2021

You Do Not Have to Love Me
by Leonard Cohen

You do not have to love me
just because
you are all the women
I have ever wanted
I was born to follow you
every night
while I am still
the many men who love you

I meet you at a table
I take your fist between my hands
in a solemn taxi
I wake up alone
my hand on your absense
in Hotel Discipline

I wrote all these songs for you
I burned red and black candles
shaped like a man and a woman
I married the smoke
of two pyramids of sandalwood
I prayed for you
I prayed that you would love me
and that you would not love me

—p.223 | New Poems | created Dec 17, 2021

School of the Arts
by Mark Doty

Heaven for Helen
by Mark Doty

Helen says heaven, for her,
would be complete immersion
in physical process,
without self-consciousness —

to be the respiration of the grass,
or ionized agitation
just above the break of a wave,
traffic in a sunflower’s thousand golden rooms.

Images of exchange,
and of untrammeled nature.
But if we’re to become part of it all,
won’t our paradise also involve

participation in being, say,
diesel fuel, the impatience of trucks
on August pavement,
weird glow of service areas

along the interstate at night?
We’ll be shiny pink egg cartons,
and the thick treads of burst tires
along the highways in Pennsylvania:

a hell we’ve made to accompany
the given: we will join
our tiresome productions,
things that want to be useless forever.

But that’s me talking. Helen
would take the greatest pleasure
in being a scrap of paper,
if that’s what there were to experience.

Perhaps that’s why she’s a painter,
finally: to practice disappearing
into her scrupulous attention,
an exacting rehearsal for the larger

world of things it won’t be easy to love.
Helen I think will master it, though I may not.
She has practiced a long time learning to see.
I have devoted myself to affirmation,

when I should have kept my eyes on the ground

ah i like this

—p.1 | created Dec 18, 2021

The Spice-Box of Earth
by Leonard Cohen

YOU ALL IN WHITE
by Leonard Cohen

Whatever cities are brought down,
I will always bring you poems,
and the fruit of orchards
I pass by.

Strangers in your bed,
excluded by our grief,
listening to sleep-whispering,
will hear their passion beautifully explained,
and weep because they cannot kiss
your distant face.

Lovers of my beloved,
watch how my words put on her lips like clothes,
how they wear her body like a rare shawl.
Fruit is pyramided on the window-sill,
songs flutter against the disappearing wall.

The sky of the city
is washed in the fire
of Lebanese cedar and gold.
In smoky filigree cages
the apes and peacocks fret.
Now the cages do not hold,
in the burning street man and animal
perish in each other’s arms,
peacocks drown around the melting throne.

Is it the king
who lies beside you listening?
Is it Solomon or David
or stuttering Charlemagne?
Is that his crown
in the suitcase beside your bed?

When we meet again,
you all in white,
I smelling of orchards,
when we meet—

But now you awaken
and you are tired of this dream.
Turn toward the sad-eyed man.
He stayed by you all the night.
You will have something
to say to him.

aaahhh

—p.9 | created Dec 23, 2021

Blow Your House Down: A Story of Family, Feminism, and Treason
by Gina Frangello

I couldn’t be that vulnerable
by Gina Frangello

For the anthology Homewrecker, in which A had a story years before becoming an Adulteress herself, the editor, Daphne Gottlieb, wrote: “I am a few years older now and I know this: There are tastes of mouths I could not have lived without; there are times I’ve pretended it was just about the sex because I couldn’t stand the way my heart was about to burst with happiness and awe and I couldn’t be that vulnerable . . . That waiting to have someone’s stolen seconds can burn you alive. That the shittiest thing you can do in the world is lie to someone you love; also that there are certain times you have no other choice—not honoring this fascination, this car crash of desire, is also a lie. That there is power in having someone risk everything for you. That there is nothing more frightening than being willing to take this freefall. That it is not as simple as we were always promised. Love—at least the pair-bonded, prescribed love—does not conquer all.”

—p.7 | created Dec 27, 2021

The Vegetarian
by Han Kang

nothing even remotely resembling love
by Han Kang

“I don’t deserve you,” he used to say, before they were married. “Your goodness, your stability, how calm you always are — the way you just get on with things, and make it look so easy…”

Respect — that was what she’d taken his words to connote, but might they not in fact have been intended as a confession, that whatever it was he felt for her, it was nothing even remotely resembling love?

yikes

—p.132 | created Aug 06, 2022

Crossroads
by Jonathan Franzen

it was worth it, after all, to have aged thirty years
by Jonathan Franzen

Sadness made Bradley look even older. Talking about any subject but the two of them was all it took—all it had ever taken—to illuminate their unsuitability for each other. What was best and most essential in her had been wasted on him. The converse was probably also true. She’d been too disturbed in Los Angeles to even know what love was. The real love had come later, in Arizona, and she was pierced, now, by homesickness for New Prospect. For the dear, creaky parsonage. Daffodils in the yard, Becky steaming up the bathroom, Russ buffing his shoes for a funeral. It was worth it, after all, to have aged thirty years. It was worth it to have taken the arduous steps to arrive in Bradley’s house, because the reward was clarity: God had given her a way of being. God had given her four children, a role she was skilled at playing, a husband who shared her faith. With Bradley, there had really only ever been fucking.

—p.513 | created Aug 06, 2022

Sea State
by Tabitha Lasley

the moment you realize you can no longer pretend
by Tabitha Lasley

IT TAKES TWO REVELATIONS TO LEAVE A PERSON YOU’VE ONCE loved. There is the moment you realize you no longer love him. And there is the moment you realize you can no longer pretend. The length of time between the two varies, depending on your capacity for deceit, your tolerance for fraud. [...]

—p.11 | created Mar 08, 2023

Patricia Highsmith: Her Diaries and Notebooks: 1941-1995
by Patricia Highsmith

there are some people we like instantly
by Patricia Highsmith

6/22/41

There are some people we like instantly, before they have even had a chance to flatter us (which is the greatest encouragement to liking a person), because they have that quality of seeing in us what we desire to be, what we are trying to be, and of not seeing that which we are at the moment. We feel that they understand us, we begin to feel that we have attained what we desire ourselves to be, and being made happy by this we inevitably are very fond of the people who can make us feel this way.

jesus

—p.50 | 1941–1950: Early Life in New York, and Different Ways of Writing | created Oct 08, 2022

The Paris Review Issue 137
by The Paris Review

flat out told me she didn’t love me anymore
by Rick Bass

I remember the year Martha said she didn’t love me any more. The baby was seven. The baby is a genius, we think. We knew it even then. She learned to read by the time she was three, and could also tell the difference between a buck track and a doe track. She’s an utter joy to be around. She, as much as the landscape around us, and in which we live, reminds us to love one another. But that year that Martha flat out told me she didn’t love me anymore—that was a tough one. I suppose in their own way, each year is tough, just as each of them is beautiful, but we didn’t know what to do about that one.

You can’t manufacture love: you can’t build it back up like a fire. You start out with a certain amount, and then hope it is strong enough and lasting enough to sustain itself against the hard winters and the assault of time. And it changes; it fluctuates —it either gets stronger or weaker. And sometimes all of the center can just go out. That core, that base, can just get cold, and stay cold, for too long. It’s one of the dangers.

It got right down to the very end. I was going to leave. It was as if my guts were open: as if ravens and eagles were already feeding on my heart. Still, I was going to let her— them —go. Off to that new direction in life that would not include me any more.

But we muscled through it; somehow we got back into love, or were perhaps carried back into it, unconscious, on a sled, as if pulled through the night by some higher being. The spring came, and we were still alive, and when the woods and meadows turned green again, we started to love each other again.

A harsh winter like that one never came back. Or has not, yet.

—p.32 | Two Deer | created Jul 21, 2023

n+1 Issue 40: Hindsight
by n+1

most loves depend on such confusion
(missing author)

After a few years of this work, through her acquaintance with young staffers involved in the audit’s administration, the mother met her husband. She preferred not to go into detail about the husband. He was young and attractive and they fell in love, though the mother would admit now that she had been so young she could not perfectly distinguish one strong feeling from another, and they were probably each, in some part, mistaking their excitement about the lives they had begun with excitement for each other. It was also true, though, that most loves depend on such confusion, or perhaps even consist in it — of choosing to give someone else credit for what we have become.

—p.83 | Compensation | created Jul 19, 2023

Three Women
by Lisa Taddeo

a continuum of things you must prepare for
by Lisa Taddeo

How silly, she was thinking, to use the word ready. When can you be ready for anything? Or is life, in fact, a continuum of things you must prepare for, and only with perfect preparation can you exist in the present?

reminds me of what irina was saying about being ready for love

—p.55 | created Nov 29, 2022

How to Be Normal
by Phil Christman

don’t settle
by Phil Christman

But you have to have had the vision in the first place. In the time between meeting and dating Ashley, I had dated, among a few others, another woman who developed brain cancer early in our relationship, when we would normally be figuring out what we were to each other. After her diagnosis, I decided that I was obviously living in the story where I would devote myself to my poor, brave girlfriend because the alternate story, where she got sick and we broke up, was too sordid to contemplate. (I had also absorbed some odd scholarly notions about the newness and nonnecessity of companionate love between life partners.)

Of course, we broke up. For months I maintained the facade, to myself and to her, that ours was a great love affair, till one afternoon I couldn’t—I folded up like a tent. The effect of my attempt to be generous was mostly that she had to spend her last romantic relationship on an undiagnosed anxiety patient who was engaging in an attempt to be good. I denied her the chance to be fallen in love with. It may be the worst thing I’ve ever done. This may have been too eccentric of a mistake to be worth enjoining other people not to make it, but just in case: Don’t do this. It’s one of several reasons, too, that I’m depressed at how often single people, particularly women, are told to settle. Most straight men I know could stand to question their own physical preferences, learn to notice how often these are not indigenous to ourselves but overwritten on our sexuality by mass media and boy training. (“You like her? She’s a six at best.”) But otherwise, to them and to everyone else, I say: don’t settle. Marriage is hard enough. And it’s an incredibly contemptuous thing to do to another human being.

—p.194 | How To Be Married | created Mar 28, 2023

she sees that person so intensely that I am renewed
by Phil Christman

Ashley looks at this shambles of a person every day and sees someone else. She sees that person so intensely that I am renewed. I can never deserve this; all I can do is try to return the favor. When she has dashed herself against some bureaucracy for days and weeks to secure some small mercy for someone else and has failed to do so, I tell her, because it’s true, that I don’t know anyone else who does as much good for as many people as she does. I shovel snow. I clean the bathroom. Most of all, I see the more than there is in her that is in her. As she sees the more in me than there is in me that is in me. We will help each other remember it, till the error that is time is corrected and all those flickers stay in place.

<3

—p.196 | How To Be Married | created Mar 28, 2023

I Hotel
by Karen Tei Yamashita

your friend is your needs answered
by Karen Tei Yamashita

8.2 Your friend is your needs answered. She is your field, which you sow with love and reap with thanksgiving. And she is your board and your fireside. For you come to her with your hunger, and you seek her for peace.

8.3 When your friend speaks his mind you fear not the "nay" in your own mind, nor do you withhold the "aye." And when he is silent your heart ceases not to listen to his heart; for without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unclaimed.

8.4 When you part from your friend, you grieve not; for that which you love most in her may be clearer in her absence, as the mountain to the climber is clearer from the plain.

8.5 And let there be no purpose in friendship save the deepening of the spirit. For love that seeks aught but the disclosure of its own mystery is not love but a net cast forth; and only the unprofitable is caught.

<3

—p.347 | 1972: Inter-national Hotel | created Nov 08, 2023

I do not offer the old smooth prizes
by Karen Tei Yamashita

9.1 Olivia said:

I do not offer the old smooth prizes,
but offer rough new prizes.
These are the days that must happen to us.
We shall not heap up what is called riches;
we shall scatter with lavish hand all that we earn or achieve.
However sweet the laid-up stores,
however convenient the dwellings,
we shall not remain there.
However sheltered the port,
and however calm the waters,
we shall not anchor there.
However welcome the hospitality that welcomes us,
we are permitted to receive it but a little while.
Afoot and lighthearted, take to the open road,
healthy, free, the world before us,
the long brown path before us,
leading wherever we choose.
Comrade, I give you my hand!
I give you my love, more precious than money.
I give you myself before preaching or law.
Will you give me yourself?
Will you come travel with me?
Shall we stick by each other as long as we live?

ugh

—p.348 | 1972: Inter-national Hotel | created Nov 08, 2023