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[...] “Firstly,” he said, “tell me the difference between tragedy and comedy.”

Francisco Rodríguez said, “Solemnity versus humor. Gravity versus lightness.”

“False,” Denton Thrasher said. “A trick. There’s no difference. It’s a question of perspective. Storytelling is a landscape, and tragedy…

Silence. No scoffing. The boys were still.

An unknown room in Lotto illuminated. Here, the answer to everything. You could leave yourself behind, transform into someone you weren’t. You could strike the most frightening thing in the world—a roomful of boys—silent. Lotto had gone vague since his …

Lotto’s formidable memory revealed itself when he was two years old, and Antoinette was gratified. [Dark gift; it would make him easy in all things, but lazy.] One night Sallie read him a children’s poem before bed, and in the morning, he came down to the breakfast room and stood on a chair and bel…

Of course, she went to the bungalows when summoned. She met television actors and comics and baseball players and even that swivel-hipped singer once, during the years he’d made himself over into a film star. They made promises, but not one made good. No jets would be sent for her. No tête-à-têtes …

The question—“If not the police, then who?”—also betrays a misunderstanding of the abolitionist tradition. For most abolitionist thinkers—most notably, among the feminists in this tradition, Angela Davis and Ruth Wilson Gilmore—the proposal is not, needless to say, that the angry energies of those …