Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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7 years, 9 months ago

habitual detail vs dynamic detail

To this end, Flaubert perfected a technique that is essential to realist narration: the confusing of habitual detail with dynamic detail. Obviously, in that Paris street, the women cannot be yawning for the same length of time as the washing is quivering or the newspapers lying on the tables. Flaub…

—p.34 How Fiction Works Flaubert and Modern Narrative (32) by James Wood
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7 years, 9 months ago

who died so rarely it was even annoying

There is a final refinement of free indirect style--we should now just call it authorial irony--when the gap between an author's voice and a character's voice seems to collapse altogether; when a character's voice does indeed seem rebelliously to have taken over the narration altogether. 'The town …

—p.19 Narrating (5) by James Wood
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7 years, 9 months ago

the three eras of literary criticism

Life Before Theory (or the Time of Tweed). Roughly 1930-1975. The scholar's life was predominantly male and upper-class (less so from the middle-sixties on). [...] Ideologically, the dominant was New Criticism and its modernist cult of the aesthetic. Literature as religion. There was also, signific…

—p.117 The Future of Fiction Writing the Life Postmodern (112) by Curtis White
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7 years, 9 months ago

Generation X

[...] Many of the books currently being manufactured as part of a "Generation X" "movement" have at their dead cold centers the vacillating heart of the advertising executive. Kept aloft--that is, "relevant"--by a constant barrage of moronic platitudes concerning the meaninglessness of life (as if …

—p.95 Specially Marked Packages (91) by Christopher Sorrentino
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7 years, 9 months ago

part of the lingua franca

There's also the possibility that in a society as deracinated and stripped of tradition and continuity [...] as our own, the void that emptily exists where common experience would ordinarily repose is filled by elements of popular culture so anchored to a specific time that they become part of the …

—p.92 Specially Marked Packages (91) by Christopher Sorrentino