Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 11 months ago

the solids in Uccello

—Max seems to have a good sense of spatial values, said a youth on their right, weaving aside to allow Esme to pass, —but his solids can’t compare, say, with the solids in Uccello. And where is abstract without solids, I ask you?

—p.306 The Recognitions PART II (279) by William Gaddis
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3 years, 11 months ago

the Self which had ceased to exist

He turned the radio on, and adjusted his hearing, so that he heard only a comforting confusion of sound. An electric reading lamp, capable at a turn of a finger of three degrees of intensity, stood (just out of reach) beside a large chair. Behind was a veneered secretary of anonymous century and un…

—p.287 PART II (279) by William Gaddis
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3 years, 11 months ago

filling a need they had manufactured themselves

The small apartment was as inoffensive as himself. Like the defiantly patternless botch of colors he wore upon his necktie, signal of his individuality to the neckties that he met screaming the same claim of independence from the innominate morass of their wearers, the apartment’s claims to distinc…

—p.285 PART II (279) by William Gaddis
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3 years, 11 months ago

the fragment of sky which the buildings permitted

Consequently there was no reason for him to stand idly in the wet, looking about and questioning the sky, when he came out of that office building. Little good would it have done him had he bothered. Tons of concrete and other opaque building materials stood between him and that impudent portion of…

—p.282 PART II (279) by William Gaddis
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3 years, 11 months ago

to work in the sight of God

—It’s not. It’s not, damn it, I . . . when I’m working, I . . . Do you think I do these the way all other forging has been done? Pulling the fragments of ten paintings together and making one, or taking a . . . a Dürer and reversing the composition so that the man looks to the right instead of left…

—p.250 PART I (1) by William Gaddis