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inspo/self-deprecation

Martin Amis, Miranda July, Mary Karr, Lauren Oyler, A S Hamrah, Viet Thanh Nguyen, Thomas Pynchon, Jay McInerney, Karen Tei Yamashita

particularly wry or poignant examples of self-awareness

I was in no condition to talk about plans or think about them, and yet an hour later there I was thinking as I sat in an RER train car rumbling toward a northern suburb. While I stared out at the grim prison blocks of apartment buildings and tried to hold myself together, I wondered if it was true, if the Eiffel Tower was just a Gallic erection thrusting forth from the supine French body, shooting off bursts of clouds, seen and invisible at the same time.

Was it so obvious that it was not obvious?

Was the French empire simply exposing itself for all to see?

Was the Eiffel Tower any different from the Washington Monument, the white missile erupting from the American capital, foreshadowing all the nuclear missiles buried in silos across the American landscape?

[...]

My neighbor got up and moved to another seat.

—p.99 by Viet Thanh Nguyen 4 years, 5 months ago

Earlier in the day, while killing some hours by circling in blue ballpoint ink every uppercase M in the front section of a month-old New York Times, Chip had concluded that he was behaving like a depressed person. Now, as his telephone began to ring, it occurred to him that a depressed person ought to continue staring at the TV and ignore the ringing—ought to light another cigarette and, with no trace of emotional affect, watch another cartoon while his machine took whoever" s message.

That his impulse, instead, was to jump to his feet and answer the phone—that he could so casually betray the arduous wasting of a day—cast doubt on the authenticity of his suffering. He felt as if he lacked the ability to lose all volition and connection with reality the way depressed people did in books and movies. It seemed to him, as he silenced the TV and hurried into his kitchen, that he was failing even at the miserable task of falling properly apart.

lol

—p.88 by Jonathan Franzen 3 years, 3 months ago

The cashier looked at the picture, then at me, then back to Welles in the magazine. She looked up again at my young, beardless face and my full head of black hair, which was clearly visible because I was not wearing a hat or a cape. “Is that you?” she asked, pointing at the photo.

“No!” I blurted out. “That’s Orson Welles!”

“Oh,” she said, scanning a can of pinto beans. I put the magazine back on the rack where I found it, gathered my grocery bags, and left through the automatic doors. Wow, I thought, that was a lesson in the artist-critic divide.

amazing

—p.xiv Introduction (xi) by A S Hamrah 3 years, 3 months ago

My anger had cooled, but now it gathered momentum again and I tore down to the theatre to kill Hammaren. We met unexpectedly in an angle of the corridor, literally bumping into each other. We both found this extremely comical and started to laugh. Torsten embraced me and I at once appointed him in my heart the father-figure I had lacked since God had abandoned me. He took on the role and played it conscientiously during the years I stayed in his theatre.

—p.151 by Ingmar Bergman 1 year, 2 months ago

'That was a courageous thing you did,' Lucie said.

'What?'

'Denouncing all those horrors.'

'If that takes courage, then there are thousands of heroes in France,' Henri said. 'When you attack the Soviet Union nowadays, you don't run any risk of being shot.'

She examined Henri, looking slightly perplexed. 'Yes, but you more or less established a position for yourself on the left. That affair must have compromised it.'

'But think of the positions I can now find on the right!'

'Right, left, those are outmoded notions,' Dudule said. 'What people have to be made to understand is that the collaboration of capital and labour is necessary for the country's recovery. You did a useful piece of work in disposing of one of the myths opposed to their reconciliation.'

the darkness of this joke oh boy

—p.418 by Simone de Beauvoir 1 year, 1 month ago

Thursday, 17 December.

The cat is sitting by the door. Evidently it wants to go out. I sit by the door also, watching it. It is as if our hostilities (the hostilities of cat and mouse) have already begun. This is a feline that I purchased at a fair. A charismatic man was giving kittens away. You didn’t dare look at him because . . . oh but you looked at him and now he’s calling you over, he’s smiling, he’s touching your arm a bit. He remembers you from somewhere. He’s telling you about kittens and then you’re in the car on the way home and everyone is cooing stupidly and passing the thing around.

When my wife comes home I am still sitting there. The cat is still sitting there. Nothing has changed. At least two hours have passed. I think in some ways I have gained the cat’s respect, although of course the gain in that regard is counterbalanced by my wife’s dismay. What are you doing on the floor? I begin to tell her but think better of it.

the same vibe that i get in kafka, dostoevsky, baudrillard's diaries

—p.87 Diary of a Country Mouse (85) by Jesse Ball 5 years, 9 months ago

Why couldn't Rachel be a little more specific about the type of person she was? Goodness knew; if she were a hippie I'd talk to her about her drug experiences, the zodiac, tarot cards. If she were left-wing I'd look miserable, hate Greece, and eat baked beans straight from the tin. If she were the sporty type I'd play her at... chess and backgammon and things. No, don't tell me she's the very girl to show me what egotistical folly it is to compartmentalize people in this sad way; don't tell me she's going to sort me out, take me on, supply the cognitio and comic resolution. I couldn't bear it.

lol

—p.46 Quarter to eight: the Costa Brava (27) by Martin Amis 3 years, 3 months ago

With comb and fingertips I styled my pubic hairs. It was a good idea to spruce myself up for Rachel, the reason being that one honestly did never know. One night last July: at 10.5, in Belsize Park tube station, a girl was telling me to go away before she called the police; at 10.17 I was lying on the floor -between untouched cups of still quite hot tea - helping her off with her greasy panties. Admittedly the girl was quite hideous, had smelled unclothed of open wounds and graveyards, etc., but you still never knew. It was a theory of Geoffrey's that pretty girls liked sex more than rough ones. Take Gloria, whom I had seen only yesterday. What an excellent time I was having in London. Oxford seemed years away, like childhood.

—p.47 Quarter to eight: the Costa Brava (27) by Martin Amis 3 years, 3 months ago

So I am nineteen years old and don't usually know what I'm doing, snap my thoughts out of the printed page, get my looks from other eyes, do not overtake dotards and cripples in the street for fear I will depress them with my agility, love watching children and animals at play but wouldn't mind seeing a beggar kicked or a little girl run over because it's all experience, dislike myself and sneer at a world less nice and less intelligent than me. I take it this is fairly routine?

—p.213 Midnight: coming of age (213) by Martin Amis 3 years, 3 months ago

I'D LIKE TO TELL YOU A STORY of an Oneida show and see if you can place it in our fifteen-year history. I imagine it will be instructive to anyone with any kind of fantasy about being in a band.

i love this intro

—p.81 Heads Ain't Ready (81) missing author 7 years, 6 months ago