project/panopticon-epigraphs
Alyssa Battistoni,
Italo Calvino,
John Steinbeck,
McKenzie Wark,
Clifford Odets,
Simone de Beauvoir,
Vivian Gornick,
C.L.R. James,
Michael Ondaatje
Hackers create the possibility of new things entering the world. Not always great things, or even good things, but new things. In art, in science, in philosophy and culture, in any production of knowledge where data can be gathered, where information can be extracted from it, and where in that information new possibilities for the world produced, there are hackers hacking the new out of the old. While we create these new worlds, we do not possess them. That which we create is mortgaged to others, and to the interests of others, to states and corporations who monopolize the means for making worlds we alone discover. We do not own what we produce—it owns us.
The vectoralist class wages an intensive struggle to dispossess hackers of their intellectual property. Patents and copyrights all end up in the hands, not of their creators, but of a vectoralist class that owns the means of realizing the value of these abstractions. The vectoralist class struggles to monopolize abstraction. For the vectoral class, “politics is about absolute control over intellectual property by means of warlike strategies of communication, control, and command.”*
"There isn't time for cakes," said Dritto, pushing him aside. "We've got to hurry." And he went ahead, twisting the beam of his flashlight around in the dark. Everywhere it touched it lit up rows of shelves, and on the shelves rows of trays, and on the trays rows of cakes of every conceivable shape and color, tarts filled with cream that glittered like candle wax, piles of sugar-coated buns, and castles of almond cakes.
It was then that a terrible worry came over Baby, the worry of not having time to eat all he wanted, of being forced to make his escape before he had sampled all the different kinds of cakes, of having all this land of milk and honey at his disposal for only a few minutes in his whole life. And the more cakes he discovered, the more his anxiety increased, so that every new corner and every fresh view of the shop that was lit up by Dritto's flashlight seemed to be about to shut him off.
He flung himself at the shelves, choking himself with cakes, cramming two or three inside his mouth at a time, without even tasting them; he seemed to be battling with the cakes, as if they were threatening enemies, strange monsters besieging him, a crisp and sticky siege which he must break through by the force of his jaw. The slit halves of the big sugared buns seemed to be opening yellow throats and eyes at him, the cream horns to be blossoming like flowers of carnivorous plants; for a horrible moment Baby had the feeling that it was he who was being devoured by the cakes.
Baby, meanwhile, in order to have both hands free, had constructed a kind of lampshade from tray cloths and pieces of nougat. He then espied some large cakes with "Happy Birthday" written on them. He circled them, studying the plan of attack; first he reviewed them with a finger and licked off a bit of chocolate cream, then he buried his face inside and began biting them from the middle, one by one.
But he still felt a kind of frenzy, which he did not know how to satisfy; he could not discover any way of enjoying everything completely. Now he was crouching on all fours over a table laden with tarts; he would have liked to lie down in those tarts, cover himself with them, never have to leave them. But five or ten minutes from now it would be all over; for the rest of his life pastry shops would be out of bounds to him again, forever, like when he was a child squashing his nose against the windowpane. If only, at least, he could stay there three or four hours ...
[...] Baby seemed beside himself; he was biting into doughnuts, picking at raisins, licking syrups, plastering himself all over and leaving sticky marks on the showcases and counters. He found that he no longer had any desire for cakes—in fact a feeling of nausea was beginning to creep up from the pit of his stomach—but he refused to take it seriously, he simply could not give up yet. And the doughnuts began to turn into soggy pieces of spongecake, the tarts to flypaper, the cakes to asphalt. Now he saw only the corpses of cakes lying putrefying on their marble slabs, or felt them disintegrating like turgid glue inside his stomach.
neil and the steak lol
London eyed him cautiously, as though his mind slowly circled Mac’s mind. “What do you get out of it?” he asked.
“Money, you mean? Not a damn thing.”
“Then what do you do it for?”
“Well, it’s hard to say—you know how you feel about Sam an’ all the guys that travel with you? Well, I feel that way about all the workin’ stiffs in the country.”
“Guys you don’t even know?”
“Yes, guys I don’t even know. Jim here’s just the same, just the same.”
“Sounds crazy as hell,” said London. “Sounds like a gag. An’ you don’t get no money?”
“You don’t see no Rolls-Royces around, do you?”
“But how about after?”
“After what?”
“Maybe after this is over you’ll collect.”
“There ain’t no after,” Mac said. “When this one’s done, we’ll be in another one.”
Mac lowered his voice. He moved close and put his hand on London’s knee. “Listen,” he said. “I guess we’re goin’ to lose this strike. But we raised enough hell so maybe there won’t be a strike in the cotton. Now the papers say we’re just causing trouble. But we’re getting the stiffs used to working together; getting bigger and bigger bunches working together all the time, see? It doesn’t make any difference if we lose. Here’s nearly a thousand men who’ve learned how to strike. When we get a whole slough of men working together, maybe—maybe Torgas Valley, most of it, won’t be owned by three men. Maybe a guy can get an apple for himself without going to jail for it, see? Maybe they won’t dump apples in the river to keep up the price. When guys like you and me need a apple to keep our God damn bowels open, see? You’ve got to look at the whole thing, London, not just this little strike.”
London was staring painfully at Mac’s mouth, as though he tried to see the words as they came out. “That’s kind of reva—revolution, ain’t it?”
“Sure it is. It’s a revolution against hunger and cold. The three guys that own this valley are going to raise hell to keep that land, and to keep dumping the apples to raise the price. A guy that thinks food ought to be eaten is a God damned red. D’you see that?”
Mac said sharply, “You think we’re too important, and this little bang-up is too important. If the thing blew up right now it’d be worth it. A lot of the guys’ve been believing this crap about the noble American working-man, an’ the partnership of capital and labor. A lot of ’em are straight now. They know how much capital thinks of ’em, and how quick capital would poison ’em like a bunch of ants. An’ by Christ, we showed ’em two things—what they are, an’ what they’ve got to do. And this last little ruckus showed ’em they could do it. Remember what the ’Frisco strike did to Sam? Well, all these guys’ll get to be a little like Sam.”
“But do you think they’ve got brains enough to see it?”
“Not brains, Jim. It don’t take brains. After it’s all over the thing’ll go on working down inside of ’em. They’ll know it without thinking it out.”
That was the style, the accent of Toussaint and his men. The British and the Spaniards could not defeat it. All they could offer was money, and there are periods in human history when money is not enough.
<3
After that month in Cairo she was muted, read constantly, kept more to herself, as if something had occurred or she realized suddenly that wondrous thing about the human being, it can change. She did not have to remain a socialite who had married an adventurer. She was discovering herself. It was painful to watch, because Clifton could not see it, her self-education. She read everything about the desert. She could talk about Uweinat and the lost oasis, had even hunted down marginal articles.
I was a man fifteen years older than she, you understand. I had reached that stage in life where I identified with cynical villains in a book. I don’t believe in permanence, in relationships that span ages. I was fifteen years older. But she was smarter. She was hungrier to change than I expected.
for pano i maybe dont want this specific passage but i want something similar about people being able to change