[...] Last three designs he proposed to the Führer all were visually in the groove, beautifully New German, except that none of the buildings will stay up. They look normal enough, but they are designed to fall down, like fat men at the opera falling asleep into someone's lap, shortly after the last rivet is driven, the last forms removed from the newly set allegorical statue. This is Olsch's "deathwish" problem here, as the little helpers call it: it rates a lot of gossip in the commissary at meals, and beside the coffee urns out on the gloomy stone loading docks. . . . [...]