For a long time, Douglas had wished that he was the sort of man who could derive pleasure from the thought that Miranda was now with an ugly man. He could tell people that he used to be married to Miranda Shelby, the Wittgenstein scholar, and now she was with an ugly man. But the truth was, he didn’t even understand what she meant by with her. He only knew what it meant to be without. And to be without her was to see her always, as if the very symbols of his misery had married themselves to the designs of life. It was for the world never to answer his pleas.

But should he see Miranda now, he would know finally what to say. If a man becomes better too late, he’d ask, was he worse than if he never got better at all?