But back to my phonecall, because inhering in it is the cultural ghost of the whole perplex of women waiting in agony to be phoned by some man or other. I didn’t leave Africa to come back here with the covert purpose of waiting for a phonecall that would set me dancing and playing maracas. I left to leave. In junior high we were forced to read a short story about a girl who meets a boy when she goes ice skating and who then goes home and waits in agony for days for him to call. This is a famous story by a woman named Maureen Daly, who got elevated into the very top level of women’s magazines by it. The story is called Seventeen, and I think she was sixteen when she wrote it. The story won prizes. I had a very strong reaction to it. It sank into my soul and I vowed never to be her or anything like her. I vowed this. Also — and this is something I just now realized, thanks to the phonecall that’s driving me to the edge — it has to do with why, when I could have, I didn’t go after Nelson and stop him while he was still on his horse and heading for Tikwe. I had time. And I started to, but somehow I couldn’t do it. I realize that I was very moved, but in the wrong direction, by Jean Peters running out to stop Emiliano Zapata from going someplace he was determined to go. I may be confusing two different scenes, in one of which she presses a freshly ironed shirt on him, pleadingly, or tries to. I hated her. This would never be me. I wasn’t going to be Jean Peters in Viva Zapata when in fact the sensibility on the horse was who I really was. That was me.