[...] Thus we existed together in a sort of crazy mysterious precarious mutual toleration. At intervals she repeated that she wanted to go home, but she accepted my firm refusals passively, and this was encouraging. Of course with every hour that passed her fear of returning must increase, and this in itself gave me hope. Surely a moment must come when the amount of her fear would automatically make her mine?
[...] Thus we existed together in a sort of crazy mysterious precarious mutual toleration. At intervals she repeated that she wanted to go home, but she accepted my firm refusals passively, and this was encouraging. Of course with every hour that passed her fear of returning must increase, and this in itself gave me hope. Surely a moment must come when the amount of her fear would automatically make her mine?
I awoke suddenly. The moon was shining into my bedroom, where I had omitted to pull down the blind. I could hear the splash of the sea and a very faint rattle of the stones which the waves were gently clawing as they withdrew from the cauldron. It must be low tide. I could hear also, or sense, a vast void, a dome of silence, within which my heart was beating exceedingly fast. I felt suffocated and had to sit up abruptly and gasp for breath. I remembered, as I now did whenever I awoke, with a pang of anguish and love and fear, that Hartley was in the house. At the same time I felt the most terrible dread, a premonition of some catastrophe, some horror, or indeed the certainty that it had already occurred. I began to get out of bed, trembling violently, and fumbled for my candle. I lit it and then stood up and listened. The void dark house was ominously quiet. I very quickly opened my bedroom door and looked down the landing. There seemed to be a dim light coming from the alcove, but perhaps it was a trick of the moon. I listened and seemed to hear a beating sound, a heavy noise, deep and accelerating, very very far away. I moved slowly forward, putting each foot down carefully so as not to make the boards creak. I could now see quite clearly Hartley’s door and the key in the lock. I wanted to reach it, to put my hand onto the key, but I was afraid to hurry, afraid to enter that terrible room. I got the key into my hand and turned it and stepped in through the doorway holding my candle. The mattress on the floor, at which I always looked on entering, was empty, the bedclothes disordered. Hartley was gone—I stared about, ready to cry out with panic fear. And then I saw her—she was standing in the corner. I thought, how odd I had forgotten how tall she is. Then I thought she is standing on something, how odd, she must be up on the chair or the table. Then I saw that she was suspended from the lamp bracket. She had hanged herself.
this passage really got me [it was a dream]
I awoke suddenly. The moon was shining into my bedroom, where I had omitted to pull down the blind. I could hear the splash of the sea and a very faint rattle of the stones which the waves were gently clawing as they withdrew from the cauldron. It must be low tide. I could hear also, or sense, a vast void, a dome of silence, within which my heart was beating exceedingly fast. I felt suffocated and had to sit up abruptly and gasp for breath. I remembered, as I now did whenever I awoke, with a pang of anguish and love and fear, that Hartley was in the house. At the same time I felt the most terrible dread, a premonition of some catastrophe, some horror, or indeed the certainty that it had already occurred. I began to get out of bed, trembling violently, and fumbled for my candle. I lit it and then stood up and listened. The void dark house was ominously quiet. I very quickly opened my bedroom door and looked down the landing. There seemed to be a dim light coming from the alcove, but perhaps it was a trick of the moon. I listened and seemed to hear a beating sound, a heavy noise, deep and accelerating, very very far away. I moved slowly forward, putting each foot down carefully so as not to make the boards creak. I could now see quite clearly Hartley’s door and the key in the lock. I wanted to reach it, to put my hand onto the key, but I was afraid to hurry, afraid to enter that terrible room. I got the key into my hand and turned it and stepped in through the doorway holding my candle. The mattress on the floor, at which I always looked on entering, was empty, the bedclothes disordered. Hartley was gone—I stared about, ready to cry out with panic fear. And then I saw her—she was standing in the corner. I thought, how odd I had forgotten how tall she is. Then I thought she is standing on something, how odd, she must be up on the chair or the table. Then I saw that she was suspended from the lamp bracket. She had hanged herself.
this passage really got me [it was a dream]
‘I haven’t started yet. I never told you this at the time, I thought I never would. You made me pregnant. I got rid of the child.’
I drew a circle in the dust on the radiator of the car. ‘Why didn’t you tell me?’
‘Because you weren’t there to tell, you’d gone, gone off with Lizzie or whoever was the next dream girl. God, the sickening casual brutality of men—the women who are left behind to make agonizing decisions alone. I made that decision alone. Christ, how I wish I hadn’t done it. I was crazy. I did it partly ‘Because you weren’t there to tell, you’d gone, gone off with Lizzie or whoever was the next dream girl. God, the sickening casual brutality of men—the women who are left behind to make agonizing decisions alone. I made that decision alone. Christ, how I wish I hadn’t done it. I was crazy. I did it partly out of hatred of you. Why the hell didn’t I keep that child. He’d have been nearly grown up by now.’
‘I haven’t started yet. I never told you this at the time, I thought I never would. You made me pregnant. I got rid of the child.’
I drew a circle in the dust on the radiator of the car. ‘Why didn’t you tell me?’
‘Because you weren’t there to tell, you’d gone, gone off with Lizzie or whoever was the next dream girl. God, the sickening casual brutality of men—the women who are left behind to make agonizing decisions alone. I made that decision alone. Christ, how I wish I hadn’t done it. I was crazy. I did it partly ‘Because you weren’t there to tell, you’d gone, gone off with Lizzie or whoever was the next dream girl. God, the sickening casual brutality of men—the women who are left behind to make agonizing decisions alone. I made that decision alone. Christ, how I wish I hadn’t done it. I was crazy. I did it partly out of hatred of you. Why the hell didn’t I keep that child. He’d have been nearly grown up by now.’
I had deliberately declared, for my maddened wounded mind, an interim. It was indeed clear that what had happened had been engineered against my will by James. If I had kept my nerve, if I had persevered, if I had only had the sense to take her right away at the start, Hartley would have abandoned herself to me. She would have given up, she would have given in, at first with the weak despair of one in whom the hope of happiness had simply been killed. It was my task and my privilege to teach her the desire to live, and I would yet do so. I, and I only, could revive her; I was the destined prince. Perhaps in a way, I reflected, it was just as well to let her go back, this time, for a short period. My shock tactics would not after all have proved useless, she would have time to reflect, to compare two men and evolve a concept of a different future. The lessons I had tried to teach her would not be lost. A dose of Ben, after having been with me, after having had the seeds of liberty sown in her mind, might very well wake her up to the possibility, then the compelling desirability, of escape. A dose of Ben would make her concentrate at last. It would in fact be better thus, because she would make her own clear decision, not simply acquiesce in mine. If she could feel a little less frightened, a little less trapped, she would reflect and she would decide to come. My mistake had been to act so suddenly and so relentlessly. I ought never to have locked her up, I saw that now. I could easily have kept her, for a short time, by strong persuasions. Then I could have touched her reason. As it was she was too shocked to take it all in. I had given her the role of prisoner and victim, and this in itself had numbed her powers of reflection. Now at least, at ‘home’ in that horrible den, she would be able to think. He could not always batter her mind and supervise her body. I would wait. She would come. I would not leave the house. She might come at any hour of the day or night. And, I thought, with a final twist, yes, and if she does not come I shall do what I said to James, I shall simply start the whole thing again from the beginning.
I had deliberately declared, for my maddened wounded mind, an interim. It was indeed clear that what had happened had been engineered against my will by James. If I had kept my nerve, if I had persevered, if I had only had the sense to take her right away at the start, Hartley would have abandoned herself to me. She would have given up, she would have given in, at first with the weak despair of one in whom the hope of happiness had simply been killed. It was my task and my privilege to teach her the desire to live, and I would yet do so. I, and I only, could revive her; I was the destined prince. Perhaps in a way, I reflected, it was just as well to let her go back, this time, for a short period. My shock tactics would not after all have proved useless, she would have time to reflect, to compare two men and evolve a concept of a different future. The lessons I had tried to teach her would not be lost. A dose of Ben, after having been with me, after having had the seeds of liberty sown in her mind, might very well wake her up to the possibility, then the compelling desirability, of escape. A dose of Ben would make her concentrate at last. It would in fact be better thus, because she would make her own clear decision, not simply acquiesce in mine. If she could feel a little less frightened, a little less trapped, she would reflect and she would decide to come. My mistake had been to act so suddenly and so relentlessly. I ought never to have locked her up, I saw that now. I could easily have kept her, for a short time, by strong persuasions. Then I could have touched her reason. As it was she was too shocked to take it all in. I had given her the role of prisoner and victim, and this in itself had numbed her powers of reflection. Now at least, at ‘home’ in that horrible den, she would be able to think. He could not always batter her mind and supervise her body. I would wait. She would come. I would not leave the house. She might come at any hour of the day or night. And, I thought, with a final twist, yes, and if she does not come I shall do what I said to James, I shall simply start the whole thing again from the beginning.
‘Oh I don’t care,’ said Peregrine, ‘I wish you were dead. I thought of calling you out, only then I thought you might kill me instead, because you drink less than I do. I suppose honour is satisfied now anyway, and I won’t have to offer you any more drinks, thank God, and I won’t even want to tell you what a four-letter man you are. You’re an exploded myth. And you still think you’re Genghis Khan! Laissez-moi rire. I can’t think why I let you haunt me all these years, I suppose it was just your power and the endless spectacle of you doing well and flourishing like the green bay tree. Now you’re old and done for, you’ll wither away like Prospero did when he went back to Milan, you’ll get pathetic and senile, and kind girls like Lizzie will visit you to cheer you up. At least they will for a while. You never did anything for mankind, you never did a damn thing for anybody except yourself. If Clement hadn’t fancied you no one would ever have heard of you, your work wasn’t any bloody good, it was just a pack of pretentious tricks, as everyone can see now that they aren’t mesmerized any more, so the glitter’s fading fast and you’ll find yourself alone and you won’t even be a monster in anybody’s mind any more and they’ll all heave a sigh of relief and feel sorry for you and forget you.’
‘Oh I don’t care,’ said Peregrine, ‘I wish you were dead. I thought of calling you out, only then I thought you might kill me instead, because you drink less than I do. I suppose honour is satisfied now anyway, and I won’t have to offer you any more drinks, thank God, and I won’t even want to tell you what a four-letter man you are. You’re an exploded myth. And you still think you’re Genghis Khan! Laissez-moi rire. I can’t think why I let you haunt me all these years, I suppose it was just your power and the endless spectacle of you doing well and flourishing like the green bay tree. Now you’re old and done for, you’ll wither away like Prospero did when he went back to Milan, you’ll get pathetic and senile, and kind girls like Lizzie will visit you to cheer you up. At least they will for a while. You never did anything for mankind, you never did a damn thing for anybody except yourself. If Clement hadn’t fancied you no one would ever have heard of you, your work wasn’t any bloody good, it was just a pack of pretentious tricks, as everyone can see now that they aren’t mesmerized any more, so the glitter’s fading fast and you’ll find yourself alone and you won’t even be a monster in anybody’s mind any more and they’ll all heave a sigh of relief and feel sorry for you and forget you.’
[...] Oh God, if I had only told Titus, don’t swim there, it’s dangerous. If there’s any swell you can’t get out. Never swim in a rough sea, dear boy, this sea’s a killer. But the past refused to come back, as it did in dreams, to be remade. Titus walked in my dreams in the brightness of his youth, which was now made eternal. Or else I dreamed that he was dead and felt joy on waking. I took Hartley’s letter out and pressed it to my brow and prayed to her that she would save me out of the desolation and the wreck.
[...] Oh God, if I had only told Titus, don’t swim there, it’s dangerous. If there’s any swell you can’t get out. Never swim in a rough sea, dear boy, this sea’s a killer. But the past refused to come back, as it did in dreams, to be remade. Titus walked in my dreams in the brightness of his youth, which was now made eternal. Or else I dreamed that he was dead and felt joy on waking. I took Hartley’s letter out and pressed it to my brow and prayed to her that she would save me out of the desolation and the wreck.
My watch had stopped again, but the sky had an evening look with a lot of orange clouds pierced by holes of very cold very pale blue. I went downstairs and made some tea and then began drinking wine. I began to think about Hartley but cautiously, as if trying out the thoughts to see whether they would drive me mad with pain. They had to be thought, I had to take it in. I had seen the empty house, the postcard from Sydney. I contemplated her, seeing her young bland face looking at me, now removed as if behind a gauze curtain. She quietly invited me to suffer. There was a great space now, a great silent hall in which this suffering could take place. There was no urgency now, nothing to plan, nothing to achieve. What shall I do with it, I asked her, what shall I do now with my love for you which you so terribly revived by reappearing in my life? Why did you come back, if you could not content me? What can I do now with the great useless machine of my love which has no wholesome work to do? I can do nothing for you any more, my darling. I wondered if I would be fated to live with this love, making of it a shrine which could not now be desecrated. Perhaps when I was living alone and being everyone’s uncle like a celibate priest I would keep this fruitless love as my secret chapel. Could I then learn to love uselessly and unpossessively and would this prove to be the monastic mysticism which I had hoped to attain when I came away to the sea?
My watch had stopped again, but the sky had an evening look with a lot of orange clouds pierced by holes of very cold very pale blue. I went downstairs and made some tea and then began drinking wine. I began to think about Hartley but cautiously, as if trying out the thoughts to see whether they would drive me mad with pain. They had to be thought, I had to take it in. I had seen the empty house, the postcard from Sydney. I contemplated her, seeing her young bland face looking at me, now removed as if behind a gauze curtain. She quietly invited me to suffer. There was a great space now, a great silent hall in which this suffering could take place. There was no urgency now, nothing to plan, nothing to achieve. What shall I do with it, I asked her, what shall I do now with my love for you which you so terribly revived by reappearing in my life? Why did you come back, if you could not content me? What can I do now with the great useless machine of my love which has no wholesome work to do? I can do nothing for you any more, my darling. I wondered if I would be fated to live with this love, making of it a shrine which could not now be desecrated. Perhaps when I was living alone and being everyone’s uncle like a celibate priest I would keep this fruitless love as my secret chapel. Could I then learn to love uselessly and unpossessively and would this prove to be the monastic mysticism which I had hoped to attain when I came away to the sea?
Of course this chattering diary is a façade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretences are not only consolations but may even be productive of a little ersatz courage.
Of course this chattering diary is a façade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretences are not only consolations but may even be productive of a little ersatz courage.
Clement was a long time dying. They had the headlines set up in type for weeks. I lay on the bed beside her and stroked her face, which had become, just very lately, so much more wrinkled with pain and fear. My fingers can still remember those soft wrinkles and the tears that quietly filled them. She said she wanted to die in a storm of noise and for days we had the hi-fi turned up playing Wagner and we drank whisky and together we waited. It was the strangest waiting I ever remember for it was and it was not waiting. There was a sort of intense timelessness in the way in which we kept each other company. Our fear divided us, her fear, my fear, of the event: two different sharp fears which we had to overcome by a constant force of mutual attention, laying our hands upon each other’s hearts. We became tired and we turned off the noise and we wept and still we waited. My God, Clement’s tears, how much I had seen of them before and how much they had sickened me. Now I felt they would make a saint of me, and perhaps for a month they almost did. In the end she died when I was asleep. Every morning I had thought I might find her dead, but had then seen her breathing, the little rhythmic rising and falling of the bedclothes that covered her body which had become so shrunken and small. Then one day there was no movement and I saw her eyes open and her face changed.
That time of attentive mourning for her death was quite unlike the black blank horror of the thing itself. We had mourned together, trying to soothe each other’s pain. But that shared pain was so much less than the torment of her vanishing, the terrible lived time of her eternal absence. How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.
Clement was a long time dying. They had the headlines set up in type for weeks. I lay on the bed beside her and stroked her face, which had become, just very lately, so much more wrinkled with pain and fear. My fingers can still remember those soft wrinkles and the tears that quietly filled them. She said she wanted to die in a storm of noise and for days we had the hi-fi turned up playing Wagner and we drank whisky and together we waited. It was the strangest waiting I ever remember for it was and it was not waiting. There was a sort of intense timelessness in the way in which we kept each other company. Our fear divided us, her fear, my fear, of the event: two different sharp fears which we had to overcome by a constant force of mutual attention, laying our hands upon each other’s hearts. We became tired and we turned off the noise and we wept and still we waited. My God, Clement’s tears, how much I had seen of them before and how much they had sickened me. Now I felt they would make a saint of me, and perhaps for a month they almost did. In the end she died when I was asleep. Every morning I had thought I might find her dead, but had then seen her breathing, the little rhythmic rising and falling of the bedclothes that covered her body which had become so shrunken and small. Then one day there was no movement and I saw her eyes open and her face changed.
That time of attentive mourning for her death was quite unlike the black blank horror of the thing itself. We had mourned together, trying to soothe each other’s pain. But that shared pain was so much less than the torment of her vanishing, the terrible lived time of her eternal absence. How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.
James said that I must re-enact my love for Hartley, and that then it would crumble to pieces like something in a fairy tale when the clock strikes twelve. Was it just a necessary charade and is such re-enacted love just a machinery for getting rid of an old resentment? Did I simply want to take her away from Ben, as I had wanted to take Rosina away from Perry? Of course Titus’s death made Hartley impossible for me, that part at least of the cold lesson, the revelation of human vanity, has remained. And am I now actually beginning to wonder how much I really loved her even at the start? The sad fact was that Hartley was not really very intelligent. What a dull humourless pair we seem, looking back, without spirit or style or a sense of fun. All those things were what I learnt from Clement. Did I after all mistake dullness for goodness because my mother hated Aunt Estelle?
Why have I written down these blasphemies all of a sudden? This is late night nonsense.
James said that I must re-enact my love for Hartley, and that then it would crumble to pieces like something in a fairy tale when the clock strikes twelve. Was it just a necessary charade and is such re-enacted love just a machinery for getting rid of an old resentment? Did I simply want to take her away from Ben, as I had wanted to take Rosina away from Perry? Of course Titus’s death made Hartley impossible for me, that part at least of the cold lesson, the revelation of human vanity, has remained. And am I now actually beginning to wonder how much I really loved her even at the start? The sad fact was that Hartley was not really very intelligent. What a dull humourless pair we seem, looking back, without spirit or style or a sense of fun. All those things were what I learnt from Clement. Did I after all mistake dullness for goodness because my mother hated Aunt Estelle?
Why have I written down these blasphemies all of a sudden? This is late night nonsense.