Of course this chattering diary is a façade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretences are not only consolations but may even be productive of a little ersatz courage.

Clement was a long time dying. They had the headlines set up in type for weeks. I lay on the bed beside her and stroked her face, which had become, just very lately, so much more wrinkled with pain and fear. My fingers can still remember those soft wrinkles and the tears that quietly filled them. She said she wanted to die in a storm of noise and for days we had the hi-fi turned up playing Wagner and we drank whisky and together we waited. It was the strangest waiting I ever remember for it was and it was not waiting. There was a sort of intense timelessness in the way in which we kept each other company. Our fear divided us, her fear, my fear, of the event: two different sharp fears which we had to overcome by a constant force of mutual attention, laying our hands upon each other’s hearts. We became tired and we turned off the noise and we wept and still we waited. My God, Clement’s tears, how much I had seen of them before and how much they had sickened me. Now I felt they would make a saint of me, and perhaps for a month they almost did. In the end she died when I was asleep. Every morning I had thought I might find her dead, but had then seen her breathing, the little rhythmic rising and falling of the bedclothes that covered her body which had become so shrunken and small. Then one day there was no movement and I saw her eyes open and her face changed.

That time of attentive mourning for her death was quite unlike the black blank horror of the thing itself. We had mourned together, trying to soothe each other’s pain. But that shared pain was so much less than the torment of her vanishing, the terrible lived time of her eternal absence. How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.

James said that I must re-enact my love for Hartley, and that then it would crumble to pieces like something in a fairy tale when the clock strikes twelve. Was it just a necessary charade and is such re-enacted love just a machinery for getting rid of an old resentment? Did I simply want to take her away from Ben, as I had wanted to take Rosina away from Perry? Of course Titus’s death made Hartley impossible for me, that part at least of the cold lesson, the revelation of human vanity, has remained. And am I now actually beginning to wonder how much I really loved her even at the start? The sad fact was that Hartley was not really very intelligent. What a dull humourless pair we seem, looking back, without spirit or style or a sense of fun. All those things were what I learnt from Clement. Did I after all mistake dullness for goodness because my mother hated Aunt Estelle?

Why have I written down these blasphemies all of a sudden? This is late night nonsense.

And I seem to see her now, forever disfigured by that filth, untidy, frowzy, dirty, old.

Sometimes I sit and wonder whom I should leave my money to. Perhaps I had better start giving it away now. I have sent a cheque to the Buddhist Society and another to the Arbelow Peace Foundation, and will shortly amaze young Erasmus Blick, who is getting married, by my generosity. His Hamlet is still running, I still haven’t seen it. I imagine I shall leave all the oriental stuff to the British Museum, in fact they can have the books now. And I shall leave James’s poems to Toby. Why this anxiety to tidy up? Do I imagine I am going to die soon? Not really—yet it is as if that fall into the sea did damage me after all, not with body damage but with some sort of soul damage. Perhaps James died of soul damage? I am perfectly healthy and do not feel that I am becoming an ‘elderly party’, but I notice that people are beginning to treat me as if I were one, and this must be a reflection of my own sense of myself. They give me presents, potted plants and tins of jellied chicken, and ask me if I am all right. Am I all right? Rosemary has given me some pottery soup bowls.

Last night someone on a BBC quiz did not know who I was.

Then I reappeared and made it, quite suddenly, abundantly clear to her that I did not hate her or blame her, that I had gone on loving her without resentment. Her first feeling was one of gratitude, and with this relief came a sense of a love revived. Perhaps this was what she felt on the night when she came to me about Titus. As I learnt in the case of myself and Peregrine, one often feels guilt not because one has sinned but because one has been accused! The withdrawal of the imagined accusation caused Hartley to feel gratitude, affection, at first. But as the guilt, and the vibrating explosive intensity which it had brought into our relationship, began to fade, the more deeply buried reality of her feelings for me became apparent. After all, it had been very hard to leave me and she must have had very compelling motives. It had required great courage to run away to her auntie at Stoke-on-Trent. Why did she go? Because I was in love and she was not; because she simply did not like me enough, because I was too selfish, too dominating, as she put it ‘so sort of bossy’. I had deluded myself throughout by the idea of reviving a secret love which did not exist at all. After her liberation from the tie of guilt, that old saving resentment returned to her, she regained that sheer basic indifference to my company which in the past had enabled her to go away, and take her hopes for life elsewhere. And perhaps in that elsewhere she had soon met with a sexual awakening which I had been unable to give her.

But these speculations are too nightmarish. Better to feel ‘I shall never know’.