on DFW being a novelist of ideas. most criticism refers to the essay-interview nexus of E Unibus Pluram & the preceding McCaffery interview. mentions his Dostoyevskian influences. centered about three pieces of dialogue: LaVache and Lenore talking about Gramma on the hill; Marathe talking about freedom-to vs freedom-from; section 19 of TPK and what it says about DFW's own beliefs (in finding a moral system in a moralless landscape, and moving beyond politics).
on DFW being a novelist of ideas. most criticism refers to the essay-interview nexus of E Unibus Pluram & the preceding McCaffery interview. mentions his Dostoyevskian influences. centered about three pieces of dialogue: LaVache and Lenore talking about Gramma on the hill; Marathe talking about freedom-to vs freedom-from; section 19 of TPK and what it says about DFW's own beliefs (in finding a moral system in a moralless landscape, and moving beyond politics).
8 / 0examining the idea that DFW is a vanguard in this post-postmodernism wave of authorial sincerity, through the lens of Lionel Trilling's 1972 book Sincerity and Authenticity, where sincerity has to do with inter-personal communication and authenticity simply means being true to the self. sincerity is dialogic in the sense that it requires the reader to participate. great essay
examining the idea that DFW is a vanguard in this post-postmodernism wave of authorial sincerity, through the lens of Lionel Trilling's 1972 book Sincerity and Authenticity, where sincerity has to do with inter-personal communication and authenticity simply means being true to the self. sincerity is dialogic in the sense that it requires the reader to participate. great essay
5 / 3