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A line from a recent interview in the White Review might explain this strange aporia
A former pornographer, he would transform himself into a Marxist saboteur and an AIDS activist, made and remade by the exigencies of each successive decade.
The horror has passed, and what remains is the slow, lingering bathos as people shuffle into the future.
Bathos flutters over this later novel like a pennant: tragedy has been abolished.