Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 year, 4 months ago

if Anna had not met Vronsky on the train

Emma does not see the difference. She is disappointed in both her lovers and in “love” itself. Her principal emotions are jealousy and possessiveness, which represent the strong, almost angry movement of her will. In other words, she is a very ordinary middle-class woman, with banal expectations of…

—p.85 Writing on the Wall On Madame Bovary (72) by Mary McCarthy
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1 year, 4 months ago

the judge’s view of a merino ram

Rodolphe is superior to Léon, in that his triteness is a calculation. An accomplished comedian, he is not disturbed, at the agricultural fair, by the drone of the voice awarding money prizes for animal flesh, manure, and flax, while he pours his passionate platitudes into Emma’s fluttered ears. “Te…

—p.85 On Madame Bovary (72) by Mary McCarthy
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1 year, 4 months ago

yet he became Madame Bovary

All novelists do this, but Flaubert went beyond the usual call of duty. Madame Bovary was not Flaubert, certainly; yet he became Madame Bovary and all the accessories to her story, her lovers, her husband, her little greyhound, the corset lace that hissed around her hips like a slithery grass snake…

—p.77 On Madame Bovary (72) by Mary McCarthy
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1 year, 4 months ago

kill your friend or I will kill you

As a sample of moral fineness on the part of Miss Arendt’s critics, I offer the following sentence from Abel’s piece: “If a man holds a gun at the head of another and forces him to kill his friend, the man with the gun will be aesthetically less ugly than the one who out of fear of death has killed…

—p.68 The Hue and Cry (54) by Mary McCarthy
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1 year, 4 months ago

like somebody who criticizes at a funeral

No Gentile who was an adult in the years of the Final Solution can read Eichmann in Jerusalem without some remorse and self-questioning. American Jews, far from the scene then and now, may feel certain misgivings too, reading the book, especially the richer ones who paid large sums of money to the …

—p.68 The Hue and Cry (54) by Mary McCarthy