Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 year, 4 months ago

repairs were being made to the empty grand houses

He hated intellectuals, pansies, and “rich swine,” as he called millionaires, and nothing made him angrier during the war than the fact that repairs were being made to the empty grand houses in the West End. He was also incensed at the suggestion that rationing should end. His extreme egalitarianis…

—p.163 Writing on the Wall The Writing on the Wall (153) by Mary McCarthy
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1 year, 4 months ago

Orwell detested and resented every form of power

It is as though, once he had resigned from the Indian Service, he wished to be acted upon, rather than to act, that is, to follow the line of least resistance and see where it led—a quite common impulse in a writer, based on a mystical feeling that the will is evil. Blair-Orwell detested and resent…

—p.158 The Writing on the Wall (153) by Mary McCarthy
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1 year, 4 months ago

the term “committed literature” is an antique

In fact the term “committed literature” is an antique, dating back to the post-war period and designating an alliance of certain writers with the then-Stalinist Party. It has no other meaning—as was demonstrated, if that was necessary, by the two speakers’ reluctance to define it—and for the radica…

—p.100 Crushing a Butterfly (95) by Mary McCarthy
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1 year, 4 months ago

Charles has responded to it with worship

Through Charles, Emma acquires poetry. But he could not possibly put into words what she means to him, and if he could have articulated a thought on the subject, would have declared that she had brought poetry into his life. This is so. There was no poetry with his first wife, the widow. Emma’s bea…

—p.91 On Madame Bovary (72) by Mary McCarthy
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1 year, 4 months ago

they are alluding, through those coins, to their inner riches

In Emma’s day, mass-produced culture had not yet reached the masses; it was still a bourgeois affair and mixed up, characteristically, with a notion of taste and discrimination—a notion that persists in advertising. Rodolphe in his château would be a perfect photographic model for whiskey or tobacc…

—p.88 On Madame Bovary (72) by Mary McCarthy