Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

Activity

You added a note
1 year, 2 months ago

what gives these scenes their poignant edge

In various films by Ozu, Mizoguchi, Naruse, there will be a scene early on where the main characters are fiddling around in the house and someone comes by, a neighbor or the postman (the traditional Japanese domestic architecture, with its sliding shoji, is particularly good at capturing this inter…

—p.79 Totally, Tenderly, Tragically Diary of a Country Priest: Films as Spiritual Life (73) by Phillip Lopate
You edited a note
1 year, 2 months ago

we will either find or lose our souls for/pq-maybe topic/heartbreak

She had always wanted words, she loved them, grew up on them. Words gave her clarity, brought reason, shape. Whereas I thought words bent emotions like sticks in water.

She returned to her husband.

From this point on, she whispered, we will either find or lose our souls.

Seas move away, wh…

—p.238 The English Patient The Cave of Swimmers (227) by Michael Ondaatje
You edited a note
1 year, 2 months ago

enchantment means to want something inspo/interiority project/teacher-story topic/heartbreak

Rain fell. Every day, heavy rain, and I sat in my apartment and waited for sirens. Just after the rain began, there were always sirens. Rain and then sirens. In a rush to get to where life was happening, life and its emergencies.

Do you understand that I’m alone? I thought at the unnamed friend …

—p.71 The Flamethrowers by Rachel Kushner
You edited a note
1 year, 2 months ago

time was what time is, its own pace inspo/sex

What was wonderful was that the sex was tender, that we kissed, that we were slow, that we were a little clumsy, a lot clumsy when it came to the condom, my clumsiness and the object itself making me self-aware, embarrassed, a bit ashamed. But that faded when she kissed me. I imagined in the middle…

—p.90 So Much Blue by Percival Everett
You edited a note
1 year, 2 months ago

now you have a wife to give you both for/pq-maybe inspo/dialogue

"Yes." A flicker over her stare was the facial equivalent of a shrug. "Now you have a wife to give you both."

They stood fronting one another. Paul removed his hand from the door. "Caro. For pity's sake."

The figure of speech appeared to move her, and for an instant it seemed she might laugh.…

—p.128 The Transit of Venus by Shirley Hazzard