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[...] In Malle's black-and-white world, animated by the haunting strains of Erik Satie's score, Ronet's Alain Leroy is a lost cause, a narcissist with no hope of growing up. Malle claims,

It wasn't really the suicide that interested me, but how a man reflects on his youth and realizes, in the …

A recurrent situationist theme: the idea of 'the vacation' as a sort of loop of alienation and domination, a symbol of the false promises of modern life, a notion that as CLUB MED--A CHEAP HOLIDAY IN OTHER PEOPLE'S MISERY would become graffiti in Paris in May 1968, and then, it seemed, turned into …

Wittgenstein often compares the arbitrariness of the rules of a language to that of the rules of a game, for example, chess: "the purpose of the rules of chess is not to correspond to the essence of chess but to the purpose of the game of chess" [...] We can of course decide, while playing chess, t…

[...] For the reader, the significance of Neal's relationship with Master Gurpreet lies in how it anticipates the end of the story. Despite Neal's repeated promises to explain what happens after death, "Good Old Neon" concludes with the revelation that his entire monologue is the fantasy of a "Davi…

[...] For Watts, the chief value of Zen is that it presents the inability to control one's thoughts as proof of the fundamentally untenable distinction between intentional and unintentional acts--a recognition that gives way to a nondualistic vision of the self as fundamentally empty and interdepen…