[...] For the reader, the significance of Neal's relationship with Master Gurpreet lies in how it anticipates the end of the story. Despite Neal's repeated promises to explain what happens after death, "Good Old Neon" concludes with the revelation that his entire monologue is the fantasy of a "David Wallace" who has imagined, in the literal blink of an eye, Neal's life and death while scanning photos in his high school yearbook. In place of the cosmic language of oneness employed by Neal throughout, the final lines of the story depict Wallace trying to defend these imaginative efforts against his own mocking awareness that "you can't ever truly know what's going on inside somebody else" (181).