Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You added a note
4 months, 3 weeks ago

his line-breaks did seem a bit arbitrary

Back in the early sixties, when I first started out, insolvency spelt glamour. It was OK to be broke – more than OK, since money was well-known to be the super-foe of books. It was Mammon v. the Muses: take your pick. In those days, if a writer owned up to caring about money, he was instantly brand…

—p.62 Granta 49: Money The Trouble with Money (59) missing author
You added a note
4 months, 3 weeks ago

the world was there to be conquered

In the Cambridge market square, there was an old brass fountain, tarnished with age and gummed up with drinking straws and cigarette butts and always smelling of urine. Drunks lolled on its steps, cradling tins of Carlsberg Special Brew or bottles of Anglia Sherry. The story was that one of them wa…

—p.21 Rich Rich Rich (9) missing author
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4 months, 3 weeks ago

I stole a first edition

I had in fact stolen my first book when I was fourteen–a paperback edition of Dracula; the second was Nik Cohn’s Awopbopaloobopalapbamboom, the Paladin edition, a lovely thing with a Guy Peellart illustration of Elvis on the jacket. But now I couldn’t be stopped. I stole a first edition of Scoop–Wa…

—p.19 Rich Rich Rich (9) missing author
You added a note
4 months, 3 weeks ago

believed in almost nothing

In fact the trouble I was having with ethics was that I’d never thought about them before–in any sense. I had opinions on almost every subject, could argue any position and believed in almost nothing. I grew up, not necessarily with the belief, but with the feeling powerfully impressed on me, that …

—p.11 Rich Rich Rich (9) missing author
You added a note
4 months, 3 weeks ago

don’t surround yourself with dictionaries advice/living

There’s a real closeness between imagination and forgiveness. I mean that in a phenomenological way. If you notice where you go when you have to forgive someone, it’s the place of supply, the place of extra. I think it’s worth spending a lot of time attending to that, so that when chance or fate or…

—p.218 The Paris Review, Issue 254, Winter 2025 The Art of Poetry No. 119 (188) missing author