Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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7 years, 6 months ago

reality becoming like games

[...] it is mistakenly assumed that human consciousness is a constant "original" which computers will either "copy" or fail to "copy". In fact, the distinction is far less sustainable, and human consciousness is already becoming computerized. This book is concerned with the question of what conscio…

—p.8 The PlayStation Dreamworld Tutorial (1) by Alfie Bown
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7 years, 6 months ago

let's call it a nubbin

[...] wondered in a speculative way why people on the sidewalks all along Commonwealth seemed to be waving at us and holding their heads and pointing and jumping wildly up and down, and Orin waving cheerfully back and holding his own head in a sort of friendly imitation, but it was not until we got…

—p.1049 Infinite Jest by David Foster Wallace
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7 years, 6 months ago

elegant admissions of defeat

[...] E.L.D., whose post-Gödelian theorems and nonexistence proofs amount to extremely lucid and elegant admissions of defeat in certain cases, hands thrown up w/ complete deductive justification. Incandenza, whose frustrated interest in grand-scale failure was unflagging through four different car…

—p.994 by David Foster Wallace
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7 years, 6 months ago

organs going in and out of other organs

[...] Himself felt his jaw and pushed his glasses up several times and shrugged and finally said he supposed he was afraid of the film giving Orin the wrong idea about having sex. He said he'd personally prefer that Orin wait until he'd found someone he loved enough to want to have sex with and had…

—p.956 by David Foster Wallace
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7 years, 6 months ago

only after Himself's death

[...] Did Himself subject us to 500 seconds of the repeated cry 'Murderer!' for some reason, i.e. is the puzzlement and then boredom and then impatience and then excruciation and then near-rage aroused in the film's audience by the static repetitive final 1/3 of the film aroused for some theoretica…

—p.946 by David Foster Wallace