Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 3 months ago

films that he wanted to see for the first time in New York

Gil checked the listings in Time Out. He had saved up a list of films that he wanted to see for the first time in New York (Jules et Jim; Breathless; Battleship Potemkin; La Dolce Vita; Bicycle Thieves; The Leopard; all of Kurosawa, Mizoguchi, Ozu, because if there is a season you want to be able t…

—p.44 Some Trick: Thirteen Stories On the Town (43) by Helen DeWitt
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3 years, 3 months ago

was that not the general point of having money

Peter said, Please.

He tried to think of the sort of thing Americans say.

He said, It would mean a lot to me to work with someone who admired Bertrand Russell.

He said, It would really mean a lot to me.

The statement seemed, if not meaningless, then uselessly imprecise.

(The first bo…

—p.32 My Heart Belongs to Bertie (25) by Helen DeWitt
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3 years, 3 months ago

the cut-off age for the Turner Prize

She said people didn’t talk about the War when she was growing up. There was this very tidy surface and you didn’t know there was anything but the surface. They didn’t talk about the camps. So then when she was 16 Max told her about them and she understood the Baader-Meinhof, she wanted to blow up …

—p.5 Brutto (3) by Helen DeWitt
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3 years, 3 months ago

the illusory quest of a perfectly mathematized reality

Ludo’s failure would seem to support the conclusion that the critics Caroline Marie and Christelle Reggiani reach about The Last Samurai. In a typology of how mathematics has been incorporated into contemporary literature, they suggest that DeWitt’s novel ultimately disavows Sibylla’s mathematicize…

—p.64 The Last Samurai Reread Fuck The Chicago Manual of Style (56) by Lee Konstantinou
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3 years, 3 months ago

DeWitt’s vision of art is political

We can now see the gap between DeWitt and formalism. DeWitt is not much concerned with art’s effect on the habituated consciousness of a hypothetical general reader, nor does she develop new artistic devices through which to render lost objects again visible. She is, in one sense, indifferent to th…

—p.30 Helen DeWitt’s Aesthetic Education (17) by Lee Konstantinou