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Plath, of course, wields the powerful and subtle hammer of her art. Solanas on the other hand is like a rat in a trap by the end. She understands, on some level, that material circumstances shape our lives, and must be altered if we are to improve the world. But she’s held back by the limits of her…

By the time I had the courage to think of myself as an artist—had the courage even to ask these questions—I already was in possession of two very adorable and needy children, and abandoning them was a non-option as far as I was concerned. So I wasn’t taking notes on Joni putting her baby up for ado…

In other words, my luck, in Marfa, was very good. I had everything I could possibly want: a beautiful house, a stipend for food, all the time and sunshine I could ask for. Even so, I never quite relaxed. The self I was asked to be there was janky and uncomfortable.

Marfa was confusing. I didn’t …

When I first read The Golden Notebook, I was in fact a free woman. I was twenty-one years old, a college dropout living in a little house on the wild coast of New South Wales. I had ended up in the faraway antipodes for reasons I didn’t really understand. Okay, I followed a boy there—a relationship…

Larkin shows us the ideal writer’s life: the (male) author whose needs are tended to, whose emotional connections are secondary to his work, whose selfishness is unquestioned, whose freedom is total. I mean, it sounds heavenly, right? From the point of view of a regular well-adjusted member of soci…