Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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2 years, 5 months ago

the films are attributed to a fictional director

[...] There he found a group already churning out copies of Hollywood thrillers, and with them he'd make over five hundred films between 1948 and 1956. They were filmed in a mixture of English and Spanish, and starred American nobodies, European never-weres, and young Hispanic talent. These picture…

—p.135 Fictional Film Club DONNA, OR THE POWER OF CONSTANT THOUGHT - Hermoso Equipo, 1951 (131) by Mark Savage
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2 years, 5 months ago

we used this book as a doorstep

A Book of Books: Quotes, Aphorisms and Sayings From The World of Literature (Norton 1985). We used this book as a doorstep to keep the living room door open. I referenced it when my homework needed some extra juice. The more tired or distracted I was, the quicker I turned to it. In April 1993 Mrs…

—p.123 THE LIBRARY AT QUEEN OF ALL SOULS - Leo McCarey, 1943 (121) by Mark Savage
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2 years, 5 months ago

he must have smoothed over his footprints

[...] He must have smoothed over his footprints with snow in order to make this shot look perfect, Olga says at one point, referring to a composition called The Arrival. As the search goes on, they discover that some of the shots defy physics, particularly an image of Jan and the party on top o…

—p.105 BEHOLD THE AWESOME MOUNTAIN - Dexter Himmler, 1938 (101) by Mark Savage
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2 years, 5 months ago

to harness the power without understanding it

Inadvertent magic is, we think, the best kind: the hazy coincidence, the series of signs not quite decoded. It can be the first recording of a song, before the words have clicked into place, when the flawed syntax catches the edge of a chord, and the hum of a misplaced microphone spills into the mi…

—p.103 BEHOLD THE AWESOME MOUNTAIN - Dexter Himmler, 1938 (101) by Mark Savage
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2 years, 5 months ago

a world where there is endless money

For me, a strength of Opulence is also a point for which it received criticism: there is no explanation of where the money comes from, of how the country gets its riches. The film noirs were about the bad things that people would do for cash, but Opulence imagines a world where there is endle…

—p.98 OPULENCE - Josef von Sternberg, 1937 (91) by Mark Savage