Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 month, 4 weeks ago

your heart leaped when they turned out the lights for/pq-done

The only movie theaters that were worth anything, said Charly Cruz, were the old ones, remember them? those huge theaters where your heart leaped when they turned out the lights. Those places were great, they were real movie theaters, more like churches than anything else, high ceilings, red curtai…

—p.314 2666 The Part About Fate (229) by Roberto Bolaño
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2 months ago

to hunt for time to write in the morning

Is there an honorable objection to the serious, humanistic study of film? The idea of humanities is, grammatically and institutionally, fixed in the plural. Thoreau is the only writer I know who uses the singular of ''humanities" to refer to a kind of knowledge. His speaking of a humanity is a part…

—p.265 Pursuits of Happiness: The Hollywood Comedy of Remarriage Appendix: Film in the University (265) by Stanley Cavell
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2 months ago

the perennial question of reformers and revolutionaries

[...] But how can renewal come about? -- the perennial question of reformers and revolutionaries, of anyone who wants to start over, who wants another chance. Even in America, the land of the second chance, and of transcendentalist redeemers, the paradox inevitably arises: you cannot change the wor…

—p.257 The Same and Different: The Awful Truth (229) by Stanley Cavell
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2 months ago

a gay and sociable wisdom

[...] I have had occasion in speaking of the career of Othello to invoke Montaigne's horrified fascination by the being's horror of itself, as if to say: life is human hard, but then let us not burden it further by choosing tragically to call it tragic where we are free to choose otherwise. I under…

—p.238 The Same and Different: The Awful Truth (229) by Stanley Cavell
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2 months ago

a shadow genre of remarriage comedies

[...] the thought that a certain line of horror films form a shadow genre of remarriage comedies, it will be necessary to distinguish the specifically pertinent films of horror from the sets of films merely meant to terrorize us. I am speaking of horror here as I do in The Claim of Reason, as a per…

—p.222 The Courting of Marriage: Adam's Rib (189) by Stanley Cavell