For Husserl, knowledge of phenomena is absolutely certain, or as he says 'apodictic', because it is intuitive
the so-called 'phenomenological reduction', is Husserl's first important move. Everything not 'immanent' to consciousness must be rigorously excluded; all realities must be treated as pure 'phenomena', in terms of their appearances in our mind, and this is the only absolute data from which we can begin
Whereas New Criticism sunders the text from rational discourse and a social context
New Criticism's view of the poem as a delicate equipoise of contending attitudes
It was the beginning of a 'reification' of the literary work, the treatment of it as an object in itself, which was to be triumphantly consummated in the American New Criticism.
