Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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4 years ago

what I admire most in an individual

7/29/41

What I admire most in an individual is a kind of activity—a liveliness either of mind or body or both—which alone can assure the development of the character I prefer. I believe liveliness and animal energy are the sine qua nons.

—p.61 Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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4 years ago

there are some people we like instantly for/pq topic/love

6/22/41

There are some people we like instantly, before they have even had a chance to flatter us (which is the greatest encouragement to liking a person), because they have that quality of seeing in us what we desire to be, what we are trying to be, and of not seeing that which we are at the mo…

—p.50 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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4 years ago

wherever we feel this understanding

6/21/41

We like to say it is love we search our whole life long, or we like to say it is Fame. But it is neither. It is understanding. We seek forever one other human heart we can touch and who can touch ours. We seek indefatigably like a hungry animal. For our heart is forever lonely. Forever a…

—p.50 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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4 years ago

poetry opens a new vista of the world why/write

5/25/41

It’s so important that people—especially young people write some poetry during their lives. Even if it is bad poetry. Even if they think they do not like poetry or have no talent for writing it, they should write, and even badly, if it is sincere. And really sincere poetry is seldom bad …

—p.41 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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4 years ago

the silver sea dissolved into a sordid room

5/24/41

That night at the party, when I sat down beside you on the couch and we started talking, you might have been anyone else, any of the other people in the room I talked with that night. I can’t say yet what it was exactly that made you suddenly different. But I loved you then, because you …

—p.40 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith