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[...] I could explain my process. I made a document called CONTENTS with a long list from which I would make the final selections. They were ordered chronologically. (By the year of their fictional release, not the order in which I wrote them.) Some of them were just a name with no film attached. I…

Picking a favourite film from a selection of films that were never made is tough. What do you leave out? There's so much. [...] My only real disclaimer is that if any of these film are actually real ones, I apologise. I have no way of knowing. [...]

So Chocolae Cassette is my favourite film, at least until I see it. I've thought of it as a cool title, a terrible one, a clever one, too clever, dumb. It doesn't matter. Chocolate Cassette is a mantra, a promise. No matter how bad things are, don't worry. One day you will make Chocolate Cass…

[...] My reactions to films such as Andrei Tarkovsky's Stalker (1979), Andrzej Zulawski's Possession (1981) and Hans Wilmots' Die Stadt, La Ville, The City (1985) were, initially at least, based on their spaces. All, in different ways, show a crumbling post-industrial Europe. Stalker's po…

[...] Some are still lost, just vague structures of image and movement, evoking that line about memory being what is left when something hapens and doesn't completely unhappen. I forget who said it. Hybrid scenes, overlapping plots, snatches of story. I started keeping track of films I had seen, fi…