Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 5 months ago

the offspring of all those past parties

[...] These stories would spin out and hook up with others, like the one about the time when Paul got caught by a blizzard on I-89 and spent the better part of a day trapped in his car in the company of a bunch of his own graduate students. These were stories of other times and other parties, essen…

—p.29 Hanging Out: The Radical Power of Killing Time Hanging Out at Parties (3) by Sheila Liming
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3 years, 5 months ago

what Raymond Williams calls a "structure of feeling"

Between McCullers and Green, then, we have two snapshots of what it was like to party in the year 1939, in the midst of the Great Depression, or the “Great Slump” as it was known in England. Though ostensibly quite different, and with a whole ocean separating their respective authors, these two nov…

—p.22 Hanging Out at Parties (3) by Sheila Liming
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3 years, 5 months ago

the point is not to work toward self-promotion

I know that I said this at the time because it’s something that I have often said, and often felt. In a world where every party is a Facebook party—meaning that it comes with expectations about the public advertising and dispersal of essentially private acts—the idea of self-promotion starts to ope…

—p.13 Hanging Out at Parties (3) by Sheila Liming
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3 years, 5 months ago

we assert our right to be non-productive

But this view of hanging out obscures the creative nature of indolence: creativity takes thought and thought takes time. What I’m arguing for here, then, is the reclaiming of time, which is both the essence of hanging out and its main ingredient, along with the reclaiming of the basic material comp…

—p.xix Introduction (vii) by Sheila Liming
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3 years, 5 months ago

exigent

What she’s saying is that manifestos, as a genre, aspire to an impossible kind of exigence. They conjure feelings of immediacy that cannot be borne out since, by nature, any published manifesto is doomed to make a delayed entrance

cool

—p.xviii Introduction (vii) by Sheila Liming
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