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Wong’s features have not vitiated to the level of MTV because of the contexts they invoke: their historical nexus with past eras, their identification with the times, their interconnectedness of the local with the global, and, above all, their depth of meaning and feeling.

Wong’s cinematographers are almost as adept at rendering chiaroscuro as the great Caravaggio

[...] it is this faculty of keeping secrets which, the heroine believes, sets man apart from animals. The ‘secret’ of Chow’s affair becomes a sort of metaphysical back story in 2046 which is evoked by the hole; but the hole raises a persisting enigma. As Chow muses later in his own monologue: ‘I on…

As with so many of his works, it is invariably elegiac in tone, overladen with a pervasive sense of sadness, fatalism and resignation, though the mood is soothed by Wong’s impeccable artistry and good taste.

Yet, for all its elegance in re-creating the past and in capturing nostalgia, the idea of change over time is marked with an iron brand that makes the film somewhat cool and distant. The key in unlocking the secret that Tony Leung whispers into the hole in the wall lies, I believe, with the Maggie …