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134

Wong’s Time Odyssey: 2046

2
terms
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notes

Teo, S. (2005). Wong’s Time Odyssey: 2046. In Teo, S. Wong Kar-Wai: Auteur of Time. British Film Institute, pp. 134-152

relating to or characteristic of an elegy.

136

As with so many of his works, it is invariably elegiac in tone, overladen with a pervasive sense of sadness, fatalism and resignation, though the mood is soothed by Wong’s impeccable artistry and good taste.

—p.136 by Stephen Teo
notable
4 months ago

As with so many of his works, it is invariably elegiac in tone, overladen with a pervasive sense of sadness, fatalism and resignation, though the mood is soothed by Wong’s impeccable artistry and good taste.

—p.136 by Stephen Teo
notable
4 months ago
139

[...] it is this faculty of keeping secrets which, the heroine believes, sets man apart from animals. The ‘secret’ of Chow’s affair becomes a sort of metaphysical back story in 2046 which is evoked by the hole; but the hole raises a persisting enigma. As Chow muses later in his own monologue: ‘I once fell in love with a woman and wondered whether she loved me or not.’ Tak himself voices this same line in his own affair with Faye Wong’s character.

—p.139 by Stephen Teo 4 months ago

[...] it is this faculty of keeping secrets which, the heroine believes, sets man apart from animals. The ‘secret’ of Chow’s affair becomes a sort of metaphysical back story in 2046 which is evoked by the hole; but the hole raises a persisting enigma. As Chow muses later in his own monologue: ‘I once fell in love with a woman and wondered whether she loved me or not.’ Tak himself voices this same line in his own affair with Faye Wong’s character.

—p.139 by Stephen Teo 4 months ago

(noun, Italian for light and dark) an oil painting technique developed during the Renaissance that uses strong tonal contrasts between light and dark to model three-dimensional forms

150

Wong’s cinematographers are almost as adept at rendering chiaroscuro as the great Caravaggio

—p.150 by Stephen Teo
notable
4 months ago

Wong’s cinematographers are almost as adept at rendering chiaroscuro as the great Caravaggio

—p.150 by Stephen Teo
notable
4 months ago