relating to or characteristic of an elegy.
As with so many of his works, it is invariably elegiac in tone, overladen with a pervasive sense of sadness, fatalism and resignation, though the mood is soothed by Wong’s impeccable artistry and good taste.
As with so many of his works, it is invariably elegiac in tone, overladen with a pervasive sense of sadness, fatalism and resignation, though the mood is soothed by Wong’s impeccable artistry and good taste.
[...] it is this faculty of keeping secrets which, the heroine believes, sets man apart from animals. The ‘secret’ of Chow’s affair becomes a sort of metaphysical back story in 2046 which is evoked by the hole; but the hole raises a persisting enigma. As Chow muses later in his own monologue: ‘I once fell in love with a woman and wondered whether she loved me or not.’ Tak himself voices this same line in his own affair with Faye Wong’s character.
[...] it is this faculty of keeping secrets which, the heroine believes, sets man apart from animals. The ‘secret’ of Chow’s affair becomes a sort of metaphysical back story in 2046 which is evoked by the hole; but the hole raises a persisting enigma. As Chow muses later in his own monologue: ‘I once fell in love with a woman and wondered whether she loved me or not.’ Tak himself voices this same line in his own affair with Faye Wong’s character.
(noun, Italian for light and dark) an oil painting technique developed during the Renaissance that uses strong tonal contrasts between light and dark to model three-dimensional forms
Wong’s cinematographers are almost as adept at rendering chiaroscuro as the great Caravaggio
Wong’s cinematographers are almost as adept at rendering chiaroscuro as the great Caravaggio