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Ferrante: I publish to be read: it’s the only thing that interests me about publishing. So I employ all the strategies I know to capture the reader’s attention, stimulate curiosity, make the page as dense as possible and as easy as possible to turn. But I don’t think the reader should be indulged a…

[...] The twentieth century, besides, was a century of radical change for women. Feminist thought and feminist practices liberated energies, set in motion the most radical and profound transformation of the many that took place in the last century. I wouldn’t recognize myself without women’s strugg…

Ferrante: I’ve received letters that speak of this double effect. I think it depends on the fact that, when I write, it’s as if I were butchering eels. I pay little attention to the unpleasantness of the operation and use the plot, the characters, as a tight net to pull up from the depths of my exp…

Dear Alberta, I feel that Delia, Olga, Leda, who are fictional characters, are very different women. But I am close to all three, in the sense that I share with them an intense relationship that is real. I believe that in fiction one pretends much less than one does in reality. In fiction we say an…

Naturally not all those intermediate books give good results. Among the many ways of reading, I disapprove of the one that smooths, normalizes stories. Movie readings often run that risk. Film increasingly digs into literature absent-mindedly, in search only of a starting point, raw material. What …