Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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1 year, 5 months ago

not only the best woman novelist

[...] The twentieth century, besides, was a century of radical change for women. Feminist thought and feminist practices liberated energies, set in motion the most radical and profound transformation of the many that took place in the last century. I wouldn’t recognize myself without women’s strugg…

—p.266 Frantumaglia: A Writer's Journey LETTERS: 2011-2016 (217) by Elena Ferrante
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1 year, 5 months ago

because it seemed unbearable

Ferrante: I’ve received letters that speak of this double effect. I think it depends on the fact that, when I write, it’s as if I were butchering eels. I pay little attention to the unpleasantness of the operation and use the plot, the characters, as a tight net to pull up from the depths of my exp…

—p.226 LETTERS: 2011-2016 (217) by Elena Ferrante
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1 year, 5 months ago

I share with them an intense relationship

Dear Alberta, I feel that Delia, Olga, Leda, who are fictional characters, are very different women. But I am close to all three, in the sense that I share with them an intense relationship that is real. I believe that in fiction one pretends much less than one does in reality. In fiction we say an…

—p.213 TESSERAE: 2003-2007 (163) by Elena Ferrante
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1 year, 5 months ago

film digs into literature absent-mindedly

Naturally not all those intermediate books give good results. Among the many ways of reading, I disapprove of the one that smooths, normalizes stories. Movie readings often run that risk. Film increasingly digs into literature absent-mindedly, in search only of a starting point, raw material. What …

—p.193 TESSERAE: 2003-2007 (163) by Elena Ferrante
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1 year, 5 months ago

abandonment changes her without annihilating her

Ferrante: Bovary and Karenina are, in some way, descendants of Dido and Medea, but they have lost the obscure force that pushed those heroines of the ancient world to use infanticide or suicide as rebellion or revenge or curse. Rather, they experience the time of abandonment as a punishment for the…

—p.187 TESSERAE: 2003-2007 (163) by Elena Ferrante