Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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charm is availability

The man looking at me was in his late fifties. Stout and rumpled. Comfortably cushioned. Grey-haired, with a lock that fell across his forehead. A fleshy sensual mouth and a podgy mobile nose. A good coarse face full of robust health and a lustiness one could tell at a glance owed nothing to outdoo…

—p.22 The Old Man and Me The Old Man and Me (1) by Elaine Dundy
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a subtle sophisticated Old World incompetence

The waiters looked as if they’d staggered out of an old dark hole. They creaked and wobbled and limped and trembled under their loads, their turkey-gobbler necks rising pink from their stiff wing collars. They rattled and shuffled to and fro groaning, “Y’en a plus!” in hoarse strangled Cockney-Fren…

—p.21 The Old Man and Me (1) by Elaine Dundy
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its air of frank senility

From my very first glimpse of the battered neon trout sign that hung outside the entrance with its fish-eye winking and sputtering and every now and then slowly dying away, the Truite Bleue impressed me with its air of frank senility. Passing through the shabby entrance hall and coming upon a cubic…

—p.20 The Old Man and Me (1) by Elaine Dundy
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2 minutes ago

a sort of coal hole in the heart of Soho

There is a sort of coal hole in the heart of Soho that is open every afternoon: a dark, dank, dead-ended subterranean tunnel. It is a drinking club called the Crypt and the only light to penetrate it is the shaft of golden sunlight slipping through the doorway from time to time glancing off someone…

—p.5 The Old Man and Me (1) by Elaine Dundy
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2 minutes ago

you can either be a monster or a doormat

My specific aim in writing this novel was to present an anti-heroine in response to all the anti-heroes so popular of the day, beginning with Kingsley Amis’s Jim Dixon in Lucky Jim, John Osborne’s Jimmy Porter in Look Back in Anger, and all the anti-heroes who followed in their wake. Loosely bound …

—p.viii Introduction (vii) by Elaine Dundy