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topic/female-subjugation

Jonathan Franzen, Lucia Berlin

On the morning of Chip's conception she'd merely looked like she was shamming sleep, but on the morning of Denise's, seven years later, she really was pretending. Alfred in middle age had invited such venial deceptions. A decade-plus of marriage had turned him into one of the overly civilized predators you hear about in zoos, the Bengal tiger that forgets how to kill, the lion lazy with depression. To exert attraction, Enid had to be a still, unbloody carcass. If she actively reached out, actively threw a thigh over his, he braced himself against her and withheld his face; if she so much as stepped from the bathroom naked he averted his eyes, as the Golden Rule enjoined the man who hated to be seen himself. Only early in the morning, waking to the sight of her small white shoulder, did he venture from his lair. Her stillness and self-containment, the slow sips of air she took, her purely vulnerable object- hood, made him pounce. And feeling his padded paw on her ribs and his meat-seeking breath on her neck she went limp, as if with prey's instinctive resignation ("Let's get this dying over with"), although in truth her passivity was calculated, because she knew passivity inflamed him. He had her, and to some extent she wanted to be had, like an animal: in a mute mutual privacy of violence. She, too, kept her eyes shut. Often didn't even roll from the side she'd been lying on but simply flared her hip, brought her knee up in a vaguely proctologic reflex. Then without showing her his face he departed for the bathroom, where he washed and shaved and emerged to see the bed already made and to hear, downstairs, the percolator gulping. From Enid's perspective in the kitchen maybe a lion, not her husband, had voluptuously mauled her, or maybe one of the men in uniform she ought to have married had slipped into her bed. It wasn't a wonderful life, but a woman could subsist on self-deceptions like these and on her memories (which also now curiously seemed like self-deceptions) of the early years when he'd been mad for her and had looked into her eyes. The important thing was to keep it all tacit. If the act was never spoken of, there would be no reason to discontinue it until she was definitely pregnant again, and even after pregnancy no reason not to resume it, as long as it was never mentioned.

—p.278 by Jonathan Franzen 2 years ago

It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.

—p.288 by Jonathan Franzen 2 years ago

To the boardinghouse a few years after the war came a young steel engineer newly transferred to St. Jude to manage a foundry. He was a full-lipped thick-haired well- muscled boy in a man's shape and a man's suits. The suits were themselves luxuriantly pleated wool beauties. Once or twice every night, serving dinner at the big round table, Enid glanced over her shoulder and caught him looking, and made him blush. Al was Kansan. After two months he found courage to take her skating. They drank cocoa and he told her that human beings were born to suffer. He took her to a steel-company Christmas party and told her that the intelligent were doomed to be tormented by the stupid. He was a good dancer and a good earner, however, and she kissed him in the elevator. Soon they were engaged and they chastely rode a night train to McCook, Nebraska, to visit his aged parents. His father kept a slave whom he was married to.

Cleaning Al's room in St. Jude she found a much- handled volume of Schopenhauer with certain passages underlined. For example: The pleasure in this world, it has been said, outweighs the pain; or, at any rate, there is an even balance between the two. If the reader wishes to see shortly whether this statement is true, let him compare the respective feelings of two animals, one of which is engaged in eating the other.

What to believe about Al Lambert? There were the old- man things he said about himself and the young-man way he looked. Enid had chosen to believe the promise of his looks. Life then became a matter of waiting for his personality to change.

While she waited, she ironed twenty shirts a week, plus her own skirts and blouses.

AHHH

—p.308 by Jonathan Franzen 2 years ago

[...] "Folks," the tour guide urged, "just sit back and drink it in." But that which can be drunk can also drown. Enid had slept for six of the previous fifty-five hours, and even as Sylvia thanked her for inviting her along she found she had no energy for touring. The Astors and the Vanderbilts, their pleasure domes and money: she was sick of it. Sick of envying, sick of herself. She didn't understand antiques or architecture, she couldn't draw like Sylvia, she didn't read like Ted, she had few interests and no expertise. A capacity for love was the only true thing she'd ever had. And so she tuned out the tour guide and heeded the October angle of the yellow light, the heart-mangling intensities of the season. In the wind pushing waves across the bay she could smell night's approach. It was coming at her fast: mystery and pain and a strange yearning sense of possibility, as though heartbreak were a thing to be sought and moved toward. [...]

—p.362 by Jonathan Franzen 2 years ago

That was the extent of Maya’s objections. Gratitude was still a big part of her feeling toward Paul. Her first husband had left her when Sammy was nine months old and she was pregnant with Max. It had seemed like a miracle when Paul came along and loved Sammy and Max as well as her. She was determined to have a good marriage, to be a good wife. Still only nineteen, she had no idea what being a good wife meant. She did things like hold the hot part of the cup when she passed him coffee, offering him the handle.

noooo girl

—p.91 The Adobe House with a Tin Roof (90) by Lucia Berlin 2 years ago