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This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

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inspo/dialogue

Sally Rooney, Rachel Kushner, Shirley Hazzard, Jennifer Egan, Jonathan Franzen, Raymond Carver, Nick Hornby, Viet Thanh Nguyen, Annie Proulx

good dialogue, with or without quotation marks

She took up a parched sandwich whose lifting corners bared a scaled sardine. She left the tough crusts with the half-gherkin on her plate. When they went out the man at the bar looked at her openly, tenderly, ignoring Christian's claim or seeing through it.

In the street Christian said, "You had an admirer in there." He did not mean himself.

"Yes."

Having drawn the man to her attention, he was displeased to find she had seen him. In no time obviously she will take up with someone else. You iron your hair, you nickname God's creatures, go thy ways.

—p.238 by Shirley Hazzard 1 year ago

He said, "I am near thirty-four years of age, and live with too much vacancy." She saw his rectitude existing in a cleared space like his parents' uncluttered house. He told her, "You cannot imagine--well, I do not mean that unkindly. But you, with your completeness--love, children, beauty, troops of friends--how would you understand such formlessness as mine? How would you know solitude, or despair?"

They were matters she had glimpsed in a mirror. She felt his view of her existence settling on her like an ornate, enfeebling garment; closing on her like a trap. She leaned back on the unyielding sofa, and he stood confronting. It was an allegorical contrast--sacred and profane love: her rapture offered like profanity. To assert, or retrieve, she said, "Yet there has been nothing lovelier in my life than the times we sat together at the hospital and looked at the photographs."

—p.286 by Shirley Hazzard 1 year ago

I didn’t know you would be here, the famous author said when I arrived at the book party. Before he left he put his arm around me for a moment, and I ran my hand down his back like an idiot.

Did you get your Porsche? I asked disdainfully, to punish him for my unmanageable feeling. He’d just received an enormous book advance and wanted to buy himself a vintage 911.

Strong, vibrating shame. I wanted to hit him with a car. I wanted to sit next to him at a dinner that would never happen, his fingers tickling the skin under my knee.

I wrote him the next morning at 7:42 a.m. with clear purpose. I’m sorry I teased you about your Porsche. Please don’t hate me.

Then all I had to do was accept the fact that he wouldn’t write back, and then discreetly masturbate about it for ten years.

But three hours later he wrote back. I didn’t realize you were teasing me until now, so just starting hating you this very minute. Plus, I may get a Jaguar instead and you will want a ride at some point.

cute

—p.69 by Sarah Manguso 4 months ago

That strange word “believe,” with “lie” in it, is still going through her head when he has pulled down the straps of her dress, and spun her around, the dress slips over her narrow hips to the floor, and she’s standing in front of him in a little white slip. On the way to the couch they walk hand in hand through the dark corridor, and pause for a moment in front of the large mirror.

Do you suppose a mirror remembers all the people it’s ever reflected?

Maybe, he replies, but you know I — I will remember the picture of you in this mirror as long as I live.

So will I, she replies.

And they go on.

—p.46 by Jenny Erpenbeck 3 months ago

“He is. Great American Artistitis,” Phoebe Delmar said. “Ever bigger. Ever louder. Jostling for the highest perch in the hegemony. You don’t think that’s some sort of sickness that befalls men when they try to do art in this country? Tell me, why did Lotto write a war play? Because works about war always trump works about emotions, even if the smaller, more domestic plays are better written, smarter, more interesting. The war stories are the ones that get the prizes. But your husband’s voice is strongest when he speaks most quietly and clearly.”

She looked at Mathilde’s face and took a step back, and said, “Whoa.”

—p.342 by Lauren Groff 3 months ago

'Why did she leave you?'

'Because I became a bore and a fool too. But I wasn't born one, Henry. You created me. She wouldn't leave you, so I became a bore, boring her with complaints and jealousy.'

He said, 'People have a great opinion of your books.'

'And they say you're a first-class chairman. What the hell does our work matter?'

He said sadly, 'I don't know anything else that does,' looking up at the grey cumulus passing above the south bank. The gulls flew low over the barges and the shot-tower stood black in the winter light among the ruined warehouses. The man who fed the sparrows had gone and the woman with the brown-paper parcel, the fruit-sellers cried like animals in the dusk outside the station. It was as if the shutters were going up on the whole world; soon we should all of us be abandoned to our own devices. 'I wondered why you hadn't been to see us all that time,' Henry said.

</3

—p.53 The End of the Affair (1) by Graham Greene 2 months, 2 weeks ago

“Remind me never to be pregnant in the summer,” said the first assistant. The pregnant woman did look quite uncomfortable. She was wearing a black dress.

“You have to make sure you plan it right,” said the second assistant. “The best time to have a baby is in the late fall.”

I was interested to learn that other young women had given this much thought to the then (to me) seemingly abstract ideas of pregnancy and birth. I mean, I suppose I did picture myself as a parent to some unimaginable infant in some ethereal future realm, but five, ten, fifteen years stretched out in front of me like some other kind of eternity.

“I wonder if I’ll ever have a baby,” said the first assistant. “Sometimes I don’t think it will ever happen for me.”

“All I want,” said the second assistant distantly, “is for someone to save me.”

lmao

—p.64 by Adrienne Miller 2 months, 2 weeks ago