inspo/characterisation
Lucia Berlin,
Helen Garner,
Shirley Hazzard,
Michael Ondaatje,
Rachel Kushner,
Francesco Pacifico,
David Foster Wallace,
Vladimir Nabokov,
Elizabeth Hardwick
nice character descriptions (fiction, memoir, journalism)
The Bedouin were keeping me alive for a reason. I was useful, you see. Someone there had assumed I had a skill when my plane crashed in the desert. I am a man who can recognize an unnamed town by its skeletal shape on a map. I have always had information like a sea in me. I am a person who if left alone in someone’s home walks to the bookcase, pulls down a volume and inhales it. So history enters us. I knew maps of the sea floor, maps that depict weaknesses in the shield of the earth, charts painted on skin that contain the various routes of the Crusades.
<3
We were a small clutch of a nation between the wars, mapping and re-exploring. We gathered at Dakhla and Kufra as if they were bars or cafés. An oasis society, Bagnold called it. We knew each other’s intimacies, each other’s skills and weaknesses. We forgave Bagnold everything for the way he wrote about dunes. ‘The grooves and the corrugated sand resemble the hollow of the roof of a dog’s mouth.’ That was the real Bagnold, a man who would put his inquiring hand into the jaws of a dog.
ugh i love this
He said later it was propinquity. Propinquity in the desert. It does that here, he said. He loved the word – the propinquity of water, the propinquity of two or three bodies in a car driving the Sand Sea for six hours. Her sweating knee beside the gearbox of the truck, the knee swerving, rising with the bumps. In the desert you have time to look everywhere, to theorize on the choreography of all things around you.
When he talked like that she hated him, her eyes remaining polite, her mind wanting to slap him. She always had the desire to slap him, and she realized even that was sexual. For him all relationships fell into patterns. You fell into propinquity or distance. Just as, for him, the histories in Herodotus clarified all societies. He assumed he was experienced in the ways of the world he had essentially left years earlier, struggling ever since to explore a half-invented world of the desert.
ahhhhhhhh
He himself would have been happier to die in a cave, with its privacy, the swimmers caught in the rock around them. Bermann had told him that in Asian gardens you could look at rock and imagine water, you could gaze at a still pool and believe it had the hardness of rock. But she was a woman who had grown up within gardens, among moistness, with words like trellis and hedgehog. Her passion for the desert was temporary. She’d come to love its sternness because of him, wanting to understand his comfort in its solitude. She was always happier in rain, in bathrooms steaming with liquid air, in sleepy wetness, climbing back in from his window that rainy night in Cairo and putting on her clothes while still wet, in order to hold it all. Just as she loved family traditions and courteous ceremony and old memorized poems. She would have hated to die without a name. For her there was a line back to her ancestors that was tactile, whereas he had erased the path he had emerged from. He was amazed she had loved him in spite of such qualities of anonymity in himself.
After that month in Cairo she was muted, read constantly, kept more to herself, as if something had occurred or she realized suddenly that wondrous thing about the human being, it can change. She did not have to remain a socialite who had married an adventurer. She was discovering herself. It was painful to watch, because Clifton could not see it, her self-education. She read everything about the desert. She could talk about Uweinat and the lost oasis, had even hunted down marginal articles.
I was a man fifteen years older than she, you understand. I had reached that stage in life where I identified with cynical villains in a book. I don’t believe in permanence, in relationships that span ages. I was fifteen years older. But she was smarter. She was hungrier to change than I expected.
for pano i maybe dont want this specific passage but i want something similar about people being able to change
My uncle Bobby, who hauled dirt for a living, spent his final moments of life jerking his leg to depress the clutch while lying in a hospital, his body determined to operate his dump truck, clutching and shifting gears as he sped toward death on a hospital gurney. “He died on the job,” his two sons said, unmoved. Bobby was too mean for them to love. Scott and Andy had been forced to oil Bobby’s truck every Sunday and now he was dead and they had Sundays to themselves, to oil their own trucks. Bobby was my mother’s brother. Growing up, we’d all lived together. My mother worked nights, and Bobby was what we had as a parent. Done driving his dump truck, he sat inexplicably nude watching TV and made us operate the dial for him, so he wouldn’t have to get up. He’d fix himself a big steak and give us instant noodles. Sometimes he’d take us to a casino, leave us in the parking lot with bottle rockets. Or play chicken with the other cars on I-80, with me and Scott and Andy in the backseat covering our eyes. I come from reckless, unsentimental people. [...]
Ardito! Your name means courage, as their first commandment went. Run into battle! Victory at any cost!
Switzerland for schooling.
Holidays at Como. Waiting in short pants. Waiting for a shiny car to come and take him. His father’s driver.
The occasional weekend in Brera. Trips to Rome with his father, twice visiting Cinecittà to see producers his father knew. Movie stars. Sports cars like wraparound sunglasses. Umbrella pines above the studio café, Sandro unsure how to speak to his own father. Sipping his aranciata as a camera slid past on a dolly — it was a big black heart, with its two film reels, a heart or an upside-down ass, and the cameraman peered through its viewfinder, trailing the slinky steps of a woman in a white dress.
The most striking of the three, but only because of his quality of charm, was Paul Blackenhurst. He was the young man I used in Frontiers of War for the character of 'gallant young pilot' full of enthusiasm and idealism. In fact he was without any sort of enthusiasm, but he gave the impression of it, because of his lively appreciation of any moral or social anomaly. His real coldness was hidden by charm, and a certain grace in everything he did. He was a tall youth, well-built, solid, yet alert and light in his movements. His face was round, his eyes very round and very blue, his skin extraordinarily white and clear, but lightly freckled over the bridge of a charming nose. He had a soft thick shock of hair always falling forward on his forehead. In the sunlight it was a full light gold, in the shade a warm golden brown. The very clear eyebrows were of the same soft glistening brightness. He confronted everyone he met with an intensely serious, politely enquiring, positively deferential bright-blue beam from his eyes, even stooping slightly in his attempt to convey his earnest appreciation. His voice, at first meeting, was a low charming deferential murmur. Very few failed to succumb to this delightful young man so full (though of course against his will) of the pathos of that uniform. It took most people a long time to discover that he was mocking them. I've seen women, and even men, when the meaning of one of his cruelly quiet drawling statements came home to them, go literally pale with the shock of it; and stare at him incredulous that such open-faced candour could go with such deliberate rudeness. [...]
[...] She said quickly: 'I think you're making your father out to be much more simple than he is. I don't think he has an undivided mind: he once said being a big businessman these days was like being a rather superior office boy. And you forget that in the 'thirties he had a spell of being a communist, and he was even a bit of a bohemian for a while.'
'And his way of remembering that now is to have affairs with his secretaries-that's his way of persuading himself he's not just an ordinary respectable cog in the middle-class wheel.' [...]
DAMN
Siobhán was positive Jess had met him at some party or other, their wedding at the very least. As if Jess would be able to recollect all three hundred people who’d attended Siobhán and Patrick’s wedding seventeen years ago, after an entire bottle of prosecco and a mishap with the shuttle bus. As if she ever talked to anyone at those parties other than the people she already knew. That was Malcolm’s thing. He was the host of their table. He was the host of the elevator that brought everyone to the top floor. He was the host of the line that snaked its way to the buffet, cracking jokes and pumping the hands of everyone he knew and hadn’t seen in ages. [...]