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inspo/characterisation

Michael Ondaatje, Francesco Pacifico, David Foster Wallace, Vladimir Nabokov, Victor Serge, Richard Powers, Mary Beth Keane, Rachel Kushner, Tabitha Lasley

nice character descriptions (fiction, memoir, journalism)

Autumn came early that year. Layers of fallen leaves piled up ankle-deep by the end of August. Velvet-black Camberwell Beauties with creamy borders sailed through the glades. The tutor to whose erratic care my brother and I were entrusted that season used to hide in the bushes in order to spy upon Tamara and me with the aid of an old telescope he had found in the attic; but in his turn, one day, the peeper was observed by my uncle’s purple-nosed old gardener Apostolski (incidentally, a great tumbler of weeding-girls) who very kindly reported it to my mother. She could not tolerate snooping, and besides (though I never spoke to her about Tamara) she knew all she cared to know of my romance from my poems which I recited to her in a spirit of praiseworthy objectivity, and which she lovingly copied out in a special album. My father was away with his regiment; he did feel it his duty, after acquainting himself with the stuff, to ask me some rather awkward questions when he returned from the front a month later; but my mother’s purity of heart had carried her, and was to carry her, over worse difficulties. She contented herself with shaking her head dubiously though not untenderly, and telling the butler to leave every night some fruit for me on the lighted veranda.

—p.231 by Vladimir Nabokov 4 years, 7 months ago

[...] As I reached the top, my livid light flitted across the six-pillared white portico at the back of my uncle’s mute, shuttered manor—as mute and shuttered as it may be today, half a century later. There, in a corner of that arched shelter, from where she had been following the zigzags of my ascending light, Tamara would be waiting, perched on the broad parapet with her back to a pillar. I would put out my lamp and grope my way toward her. One is moved to speak more eloquently about these things, about many other things that one always hopes might survive captivity in the zoo of words—but the ancient limes crowding close to the house drown Mnemosyne’s monologue with their creaking and heaving in the restless night. Their sigh would subside. The rain pipe at one side of the porch, a small busybody of water, could be heard steadily bubbling. At times, some additional rustle, troubling the rhythm of the rain in the leaves, would cause Tamara to turn her head in the direction of an imagined footfall, and then, by a faint luminosity—now rising above the horizon of my memory despite all that rain—I could distinguish the outline of her face; but there was nothing and nobody to fear, and presently she would gently exhale the breath she had held for a moment and her eyes would close again.

—p.233 by Vladimir Nabokov 4 years, 7 months ago

But in England, at least in the England of my youth, the national dread of showing off and a too grim preoccupation with solid teamwork were not conducive to the development of the goalie’s eccentric art. This at least was the explanation I dug up for not being oversuccessful on the playing fields of Cambridge. Oh, to be sure, I had my bright, bracing days—the good smell of turf, that famous inter-Varsity forward, dribbling closer and closer to me with the new tawny ball at his twinkling toe, then the stinging shot, the lucky save, its protracted tingle.… But there were other, more memorable, more esoteric days, under dismal skies, with the goal area a mass of black mud, the ball as greasy as a plum pudding, and my head racked with neuralgia after a sleepless night of verse-making. I would fumble badly—and retrieve the ball from the net. Mercifully the game would swing to the opposite end of the sodden field. A weak, weary drizzle would start, hesitate, and go on again. With an almost cooing tenderness in their subdued croaking, dilapidated rooks would be flapping about a leafless elm. Mists would gather. Now the game would be a vague bobbing of heads near the remote goal of St. John’s or Christ, or whatever college we were playing. The far, blurred sounds, a cry, a whistle, the thud of a kick, all that was perfectly unimportant and had no connection with me. I was less the keeper of a soccer goal than the keeper of a secret. As with folded arms I leant my back against the left goalpost, I enjoyed the luxury of closing my eyes, and thus I would listen to my heart knocking and feel the blind drizzle on my face and hear, in the distance, the broken sounds of the game, and think of myself as of a fabulous exotic being in an English footballer’s disguise, composing verse in a tongue nobody understood about a remote country nobody knew. Small wonder I was not very popular with my teammates.

I LOVE HIM

—p.267 by Vladimir Nabokov 4 years, 7 months ago

The weekend her father left – left the house, the town, the country, everything, packing so lightly I believed he would come back – he had said, ‘You can raise Nickie by yourself. You’ll be good at it.’

And I had said, ‘Are you on crack?’

And he had replied, continuing to fold a blue twill jacket, ‘Yes, a little.’

the line in the subject kills me

—p.78 Thank You for Having Me (73) by Lorrie Moore 4 years, 5 months ago

Lana, the joyful, curious chimpanzee who learned how to use the computer to talk to Tim, ended up being kept in the lab at Yerkes and became part of the breeding programme. I recently met a woman who worked with her on that original language study. She had returned to Yerkes and met Lana again, forty years later. She said that Lana clearly remembered her. Lana had had several kids at Yerkes, all of them taken away from her for various studies. The woman said that Lana’s eyes were distant, and sad.

the last line kills me

—p.104 Please Tim Tickle Lana (91) missing author 4 years, 5 months ago

he braided hair so elaborately that in high school she started charging for it. She ate frozen waffles out of the freezer, claiming they tasted better that way. She would dive off any rock, cliff or board without hesitation. When she shaved off her long hair, when she went swimming in the icy Atlantic in December on a dare, when she stood up to a teacher who accused her of cheating, we thought she was brave, and she was brave, no question. Our daughter was brave. Even after she became addicted to heroin. Maybe especially then. The things she did. The places she went. When I said this at Family Day during one of the many excruciating Family Days we went to – Massachusetts, Florida, Arizona – people acted like I was Susan Sontag saying the men who flew into the World Trade Center weren’t cowards.

—p.153 Saint Ivo (147) missing author 4 years, 5 months ago

Now that I’m older, I suspect my mother used marriage as a way to reinvent herself. As if she could slough off the past and emerge whole and unmarked, ready to slip into the circumstances of someone else’s life. Her own circumstances, the ones she was born into, were poverty, eight younger siblings, a brick and aluminum bungalow, a backhoe parked out in the yard. Thick, golden-brown hair that fell to the middle of her back. Eyes the color of an azure butterfly. A tall, graceful frame. The broad-faced bone structure she inherited from her grandmother. An accent that wherever she went would betray her origins, a variation on the Ozark hillbilly and Deep South. When she left the small town where she’d grown up, she found a dialect coach and “neutralized” the accent. Evidence perhaps that she had ideas about the kind of person she wanted to appear to be. Also that she understood how to cork the past, contain it inside her.

—p.159 The Creature (149) by Sarah Resnick 3 years, 11 months ago

[...] she had to wait for an uncle in Havana to find a husband for her - she had been a matrimonial defective, a reject. To come out of it gave her a revolutionary impulse. There was going to be no sign of her early humiliation, not in any form, no bitter residue. What you didn't want you would shut out decisively. You had been unhealthy, lumpish. Your fat had made you pale and clumsy. Nobody, not even a lout, had come to court you. What do you do now with this painful record of disgrace? You don't bury it, nor do you transform it; you annihilate it and then use the space to draw a more powerful design. You draw it in freedom because you can afford to, not because there's anything to hide. The new design, as I saw it, was not an invention. The Sorella I saw was not constructed but revealed.

damn

—p.51 The Bellarosa Connection (35) by Saul Bellow 4 years, 4 months ago

[...] Relatives were sympathetic, but this sympathy of aunts and cousins Max sensed to be self-congratulatory. He coldly rejected it, looking straight before him and lengthening his straight mouth. When people spoke sympathetically to him about his daughter, he seemed to be considering the best way to put them to death.

—p.244 Zetland: By a Character Witness (240) by Saul Bellow 4 years, 4 months ago

My uncle Bobby, who hauled dirt for a living, spent his final moments of life jerking his leg to depress the clutch while lying in a hospital, his body determined to operate his dump truck, clutching and shifting gears as he sped toward death on a hospital gurney. “He died on the job,” his two sons said, unmoved. Bobby was too mean for them to love. Scott and Andy had been forced to oil Bobby’s truck every Sunday and now he was dead and they had Sundays to themselves, to oil their own trucks. Bobby was my mother’s brother. Growing up, we’d all lived together. My mother worked nights, and Bobby was what we had as a parent. Done driving his dump truck, he sat inexplicably nude watching TV and made us operate the dial for him, so he wouldn’t have to get up. He’d fix himself a big steak and give us instant noodles. Sometimes he’d take us to a casino, leave us in the parking lot with bottle rockets. Or play chicken with the other cars on I-80, with me and Scott and Andy in the backseat covering our eyes. I come from reckless, unsentimental people. [...]

—p.5 by Rachel Kushner 4 years, 4 months ago