Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.
502

INNOCENCE

5
terms
6
notes

Brodkey, H. (2008). INNOCENCE. In Eugenides, J. (ed) My Mistress's Sparrow is Dead: Great Love Stories, from Chekhov to Munro. Harper, pp. 502-536

502

Orra Perkins was a senior. Her looks were like a force that struck you. Truly, people on first meeting her often involuntarily lifted their arms as if about to fend off the brightness of the apparition. She was a somewhat scrawny, tuliplike girl of middling height. To see her in sunlight was to see Marxism die. I’m not the only one who said that. It was because seeing someone in actuality who had such a high immediate worth meant you had to decide whether such personal distinction had a right to exist or if she belonged to the state and ought to be shadowed in, reduced in scale, made lesser, laughed at.

lol

—p.502 by Harold Brodkey 9 months, 3 weeks ago

Orra Perkins was a senior. Her looks were like a force that struck you. Truly, people on first meeting her often involuntarily lifted their arms as if about to fend off the brightness of the apparition. She was a somewhat scrawny, tuliplike girl of middling height. To see her in sunlight was to see Marxism die. I’m not the only one who said that. It was because seeing someone in actuality who had such a high immediate worth meant you had to decide whether such personal distinction had a right to exist or if she belonged to the state and ought to be shadowed in, reduced in scale, made lesser, laughed at.

lol

—p.502 by Harold Brodkey 9 months, 3 weeks ago

(adjective) exceeding the usual, stated, or prescribed number / (adjective) not enumerated among the regular components of a group and especially of a military organization / (adjective) exceeding what is necessary, required, or desired / (adjective) more numerous / (noun) a supernumerary person or thing / (noun) an actor employed to play a walk-on

503

She had a great desire not to trouble or be troubled by supernumeraries and strangers.

like extras i guess?

—p.503 by Harold Brodkey
uncertain
9 months, 3 weeks ago

She had a great desire not to trouble or be troubled by supernumeraries and strangers.

like extras i guess?

—p.503 by Harold Brodkey
uncertain
9 months, 3 weeks ago
505

I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but who is obviously calm, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to reenter and be riven. An acrobat after spinning through the air in a mockery of flight stands erect on his perch and mockingly takes his bow as if what he is being applauded for was easy for him and cost him nothing, although meanwhile he is covered with sweat and his smile is edged with a relief chilling to think about; he is indulging in a show-business style; he is pretending to be superhuman. I am bored with that and with where it has brought us. I admire the authority of being on one’s knees in front of the event.

—p.505 by Harold Brodkey 9 months, 3 weeks ago

I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but who is obviously calm, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to reenter and be riven. An acrobat after spinning through the air in a mockery of flight stands erect on his perch and mockingly takes his bow as if what he is being applauded for was easy for him and cost him nothing, although meanwhile he is covered with sweat and his smile is edged with a relief chilling to think about; he is indulging in a show-business style; he is pretending to be superhuman. I am bored with that and with where it has brought us. I admire the authority of being on one’s knees in front of the event.

—p.505 by Harold Brodkey 9 months, 3 weeks ago
510

Orra said coming was a minor part of sex for a woman and was a demeaning measure of sexuality. She said it was imposed as a measure by people who knew nothing about sex and judged women childishly.

It seemed to me she was turning a factual thing, coming, into a public-relations thing. But girls were under fearful public pressures in these matters.

lol

—p.510 by Harold Brodkey 9 months, 3 weeks ago

Orra said coming was a minor part of sex for a woman and was a demeaning measure of sexuality. She said it was imposed as a measure by people who knew nothing about sex and judged women childishly.

It seemed to me she was turning a factual thing, coming, into a public-relations thing. But girls were under fearful public pressures in these matters.

lol

—p.510 by Harold Brodkey 9 months, 3 weeks ago
514

I set myself for her being rude and difficult although she hadn’t been rude and difficult to me for a long time, but those traits were in her like a shadow, giving her the dimensionality that made her valuable to me, that gave point to her kindness toward me. She had the sloppiest and most uncertain and silliest and yet bravest and most generous ego of anyone I’d ever known; and her manners were the most stupid imaginable alternation between the distinguished, the sensitive, the intelligent, with a rueful, firm, almost snotty delicacy and kindness and protectiveness toward you, and the really selfish and bruising. The important thing was to prevent her from responding falsely, as if in a movie, or in some imitation of the movies she ’d seen and the books she ’d read—she had a curious faith in movies and in books; she admired anything that made her feel and that did not require responsibility from her, because then she produced happiness like silk for herself and others. She liked really obscure philosophers, like Hegel, where she could admire the thought but where the thought didn’t demand anything from her. Still, she was a realist, and she would probably learn what I knew and would surpass me. She had great possibilities. But she was also merely a good-looking, pseudorich girl, a paranoid, a Perkins. On the other hand, she was a fairly marvelous girl a lot of the time, brave, eye-shattering, who could split my heart open with one slightly shaky approving-of-me brainy romantic heroine ’s smile. The romantic splendor of her face. So far in her life she had disappointed everyone. I had to keep all this in mind, I figured. She was fantastically alive and eerily dead at the same time. I wanted for my various reasons to raise her from the dead.

—p.514 by Harold Brodkey 9 months, 3 weeks ago

I set myself for her being rude and difficult although she hadn’t been rude and difficult to me for a long time, but those traits were in her like a shadow, giving her the dimensionality that made her valuable to me, that gave point to her kindness toward me. She had the sloppiest and most uncertain and silliest and yet bravest and most generous ego of anyone I’d ever known; and her manners were the most stupid imaginable alternation between the distinguished, the sensitive, the intelligent, with a rueful, firm, almost snotty delicacy and kindness and protectiveness toward you, and the really selfish and bruising. The important thing was to prevent her from responding falsely, as if in a movie, or in some imitation of the movies she ’d seen and the books she ’d read—she had a curious faith in movies and in books; she admired anything that made her feel and that did not require responsibility from her, because then she produced happiness like silk for herself and others. She liked really obscure philosophers, like Hegel, where she could admire the thought but where the thought didn’t demand anything from her. Still, she was a realist, and she would probably learn what I knew and would surpass me. She had great possibilities. But she was also merely a good-looking, pseudorich girl, a paranoid, a Perkins. On the other hand, she was a fairly marvelous girl a lot of the time, brave, eye-shattering, who could split my heart open with one slightly shaky approving-of-me brainy romantic heroine ’s smile. The romantic splendor of her face. So far in her life she had disappointed everyone. I had to keep all this in mind, I figured. She was fantastically alive and eerily dead at the same time. I wanted for my various reasons to raise her from the dead.

—p.514 by Harold Brodkey 9 months, 3 weeks ago

loud, reverberating, and often melancholy

514

the air was plangent

—p.514 by Harold Brodkey
notable
9 months, 3 weeks ago

the air was plangent

—p.514 by Harold Brodkey
notable
9 months, 3 weeks ago

of or in counterpoint

515

Her willed softness, her inner seriousness or earnestness, her strength, her beauty, muted and careful now in her anxiety not to lose me yet, made the pleasure of being with her noble, contrapuntal, and difficult in that one had to live up to it and understand it and protect it

—p.515 by Harold Brodkey
notable
9 months, 3 weeks ago

Her willed softness, her inner seriousness or earnestness, her strength, her beauty, muted and careful now in her anxiety not to lose me yet, made the pleasure of being with her noble, contrapuntal, and difficult in that one had to live up to it and understand it and protect it

—p.515 by Harold Brodkey
notable
9 months, 3 weeks ago

(noun) showy or unnecessary ornament in architecture, dress, or language

515

I’d screwed without any fripperies, coolly, in order to leave in us a large residue of sexual restlessness but with the burr of immediate physical restlessness in me removed

—p.515 by Harold Brodkey
notable
9 months, 3 weeks ago

I’d screwed without any fripperies, coolly, in order to leave in us a large residue of sexual restlessness but with the burr of immediate physical restlessness in me removed

—p.515 by Harold Brodkey
notable
9 months, 3 weeks ago

(adjective) dear treasured / (adjective) ; discreetly cautious; as / (adjective) hesitant and vigilant about dangers and risks / (adjective) slow to grant, accept, or expend

516

The pain made me chary and prevented me from being excited except in an abstract way

—p.516 by Harold Brodkey
notable
9 months, 3 weeks ago

The pain made me chary and prevented me from being excited except in an abstract way

—p.516 by Harold Brodkey
notable
9 months, 3 weeks ago
519

What I did took nerve because it gave her a tremendous ultimate power to laugh at me, although what the courtship up until now had been for was to show that she was not an enemy, that she could control the hysteria of fear or jealousy in her or the cold judgments in her of me that would lead her to say or do things that would make me hate or fear her; what was at stake included the risk that I would look foolish in my own eyes—and might then attack her for failing to come—and then she would be unable to resist the inward conviction that I was a fool. Any attempted act confers vulnerability on you, but an act devoted to her pleasure represented doubled vulnerability since only she could judge it; and I was safe only if I was immune or insensitive to her; but if I was immune or insensitive I could not hope to help her come; by making myself vulnerable to her, I was in a way being a sissy or a creep because Orra wasn’t organized or trained or prepared to accept responsibility for how I felt about myself: she was a woman who wanted to be left alone; she was paranoid about the inroads on her life men in their egos tried to make: there was dangerous masochism, dangerous hubris, dangerous hopefulness, and a form of love in my doing what I did: I nuzzled nakedly at the crotch of the sexual tigress; any weakness in her ego or her judgment and she would lash out at me; and the line was very frail between what I was doing as love and as intrusion, exploitation, and stupid boastfulness. There was no way for me even to begin to imagine the mental pain—or the physical pain—for her if I should fail and, to add to that, if I should withdraw from her emotionally, too, because of my failure and hers and our pain. Or merely because the failure might make me so uncomfortable I couldn’t go on unless she nursed my ego, and she couldn’t nurse my ego, she didn’t know how to do it, and probably was inhibited about doing it.

—p.519 by Harold Brodkey 9 months, 3 weeks ago

What I did took nerve because it gave her a tremendous ultimate power to laugh at me, although what the courtship up until now had been for was to show that she was not an enemy, that she could control the hysteria of fear or jealousy in her or the cold judgments in her of me that would lead her to say or do things that would make me hate or fear her; what was at stake included the risk that I would look foolish in my own eyes—and might then attack her for failing to come—and then she would be unable to resist the inward conviction that I was a fool. Any attempted act confers vulnerability on you, but an act devoted to her pleasure represented doubled vulnerability since only she could judge it; and I was safe only if I was immune or insensitive to her; but if I was immune or insensitive I could not hope to help her come; by making myself vulnerable to her, I was in a way being a sissy or a creep because Orra wasn’t organized or trained or prepared to accept responsibility for how I felt about myself: she was a woman who wanted to be left alone; she was paranoid about the inroads on her life men in their egos tried to make: there was dangerous masochism, dangerous hubris, dangerous hopefulness, and a form of love in my doing what I did: I nuzzled nakedly at the crotch of the sexual tigress; any weakness in her ego or her judgment and she would lash out at me; and the line was very frail between what I was doing as love and as intrusion, exploitation, and stupid boastfulness. There was no way for me even to begin to imagine the mental pain—or the physical pain—for her if I should fail and, to add to that, if I should withdraw from her emotionally, too, because of my failure and hers and our pain. Or merely because the failure might make me so uncomfortable I couldn’t go on unless she nursed my ego, and she couldn’t nurse my ego, she didn’t know how to do it, and probably was inhibited about doing it.

—p.519 by Harold Brodkey 9 months, 3 weeks ago
521

[...] Her body jumped and contracted interestingly but not at any length or in any pattern that I could understand. My mind grew tired. There is a limit to invention, to mine anyway: I saw myself (stupidly) as a Roman trireme, my tongue as the prow, bronze, pushing at her; she was the Mediterranean. Tiers of slaves—my God, the helplessness of them—pulled oars, long stalks that metaphorically and rhythmically bloomed with flowing clusters of short-lived lilies at the water’s surface. The pompous and out-of-proportion boat, all of me hunched over Orra’s small sea—not actually hunched: what I was was lying flat; the foot of the bed was at my waist or near there, my legs were out, my feet were propped distantly on the floor, all of me was concentrated on the soft, shivery, furry delicacies of Orra’s twat—the pompous boat advanced lickingly, leaving a trickling, gurgling wake of half-response, the ebbing of my will and activity into that fluster subsiding into the dark water of this girl’s passivity, taut storminess, and self-ignorance.

lmao

—p.521 by Harold Brodkey 9 months, 3 weeks ago

[...] Her body jumped and contracted interestingly but not at any length or in any pattern that I could understand. My mind grew tired. There is a limit to invention, to mine anyway: I saw myself (stupidly) as a Roman trireme, my tongue as the prow, bronze, pushing at her; she was the Mediterranean. Tiers of slaves—my God, the helplessness of them—pulled oars, long stalks that metaphorically and rhythmically bloomed with flowing clusters of short-lived lilies at the water’s surface. The pompous and out-of-proportion boat, all of me hunched over Orra’s small sea—not actually hunched: what I was was lying flat; the foot of the bed was at my waist or near there, my legs were out, my feet were propped distantly on the floor, all of me was concentrated on the soft, shivery, furry delicacies of Orra’s twat—the pompous boat advanced lickingly, leaving a trickling, gurgling wake of half-response, the ebbing of my will and activity into that fluster subsiding into the dark water of this girl’s passivity, taut storminess, and self-ignorance.

lmao

—p.521 by Harold Brodkey 9 months, 3 weeks ago