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xi

Preface

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terms
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notes

Sue Cobble, D. (1992). Preface. In Sue Cobble, D. Dishing It Out: Waitresses and Their Unions in the Twentieth Century. University of Illinois Press, pp. 11-16

xi

My interest in unionism—and more specifically unionism in a traditionally female occupation—undoubtedly had its roots in my own particular family history and my desires to recast that history. From my father I learned male union traditions, both noble and shortsighted. The railroad brotherhood gave him a route to dignity and an alternative to upward mobility, but the battles against technological change, an inept railroad management, and the dissolving fraternity of craftsmen inspired more bitterness than hope. His union culture also offered few resources for a revaluing of the contributions and power of those outside the white male craft brotherhood. In contrast, my mother operated in inclusive ways and seemed infinitely flexible in the face of political, social, and economic upheaval. Yet she found it difficult, if not impossible, to see her own work in a nonunion department store as worthy of romance and a living wage.

Was there a working-class institution that captured the best of these traditions? One that could lay claim to rights, provide a sense of identity and power to its members while granting the same to those outside its ranks? An institution to which I as a woman could belong? Perhaps only a union built by women could forge such a vision. What I found, however, was that history resists mythology, and that my desire to revise the work and union histories of my parents was not to be fulfilled in the ways I anticipated.

—p.xi by Dorothy Sue Cobble 1 month, 2 weeks ago

My interest in unionism—and more specifically unionism in a traditionally female occupation—undoubtedly had its roots in my own particular family history and my desires to recast that history. From my father I learned male union traditions, both noble and shortsighted. The railroad brotherhood gave him a route to dignity and an alternative to upward mobility, but the battles against technological change, an inept railroad management, and the dissolving fraternity of craftsmen inspired more bitterness than hope. His union culture also offered few resources for a revaluing of the contributions and power of those outside the white male craft brotherhood. In contrast, my mother operated in inclusive ways and seemed infinitely flexible in the face of political, social, and economic upheaval. Yet she found it difficult, if not impossible, to see her own work in a nonunion department store as worthy of romance and a living wage.

Was there a working-class institution that captured the best of these traditions? One that could lay claim to rights, provide a sense of identity and power to its members while granting the same to those outside its ranks? An institution to which I as a woman could belong? Perhaps only a union built by women could forge such a vision. What I found, however, was that history resists mythology, and that my desire to revise the work and union histories of my parents was not to be fulfilled in the ways I anticipated.

—p.xi by Dorothy Sue Cobble 1 month, 2 weeks ago