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99

Under the Rose

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notes

Pynchon, T. (1984). Under the Rose. In Pynchon, T. Slow Learner: Early Stories. Little Brown and Company, pp. 99-138

107

[...] An alignment like this, he felt, could only have taken place in a Western World where spying was becoming less an individual than a group enterprise, where the events of 1848 and the activities of anarchists and radicals all over the Continent seemed to proclaim that history was being made no longer through the virtù of single princes but rather by man in the mass; by trends and tendencies and impersonal curves on a lattice of pale blue lines. So it was inevitably single combat between the veteran spy and il semplice inglese. They stood alone — God knew where — on deserted lists. [...]

it just takes my breath away it does

—p.107 by Thomas Pynchon 1 year ago

[...] An alignment like this, he felt, could only have taken place in a Western World where spying was becoming less an individual than a group enterprise, where the events of 1848 and the activities of anarchists and radicals all over the Continent seemed to proclaim that history was being made no longer through the virtù of single princes but rather by man in the mass; by trends and tendencies and impersonal curves on a lattice of pale blue lines. So it was inevitably single combat between the veteran spy and il semplice inglese. They stood alone — God knew where — on deserted lists. [...]

it just takes my breath away it does

—p.107 by Thomas Pynchon 1 year ago
132

[...] Porpentine closed his eyes. He'd blown it, all right. This was what happened when one blundered right in. The policemen surrounded them, stood at attention. "All right," Porpentine said. He and Goodfellow arose and were escorted out of the theater. "We shall desire your passports," one of them said. Behind them on the breeze came the first sprightly chords of the opening scene. They marched down a narrow path, two police behind, two in front. Signals had, of course, been arranged years before. "I shall want to see the British Consul," Porpentine said and spun, drawing an old single-shot pistol. Goodfellow had the other two covered. The policeman who had asked for their passports glowered. "No one said they would be armed," another protested. Methodically, with four raps to the skull, the policemen were neutralized and rolled into the underbrush. "A fool trick," Goodfellow muttered: "we were lucky. "[...]

i love how dry this is

—p.132 by Thomas Pynchon 1 year ago

[...] Porpentine closed his eyes. He'd blown it, all right. This was what happened when one blundered right in. The policemen surrounded them, stood at attention. "All right," Porpentine said. He and Goodfellow arose and were escorted out of the theater. "We shall desire your passports," one of them said. Behind them on the breeze came the first sprightly chords of the opening scene. They marched down a narrow path, two police behind, two in front. Signals had, of course, been arranged years before. "I shall want to see the British Consul," Porpentine said and spun, drawing an old single-shot pistol. Goodfellow had the other two covered. The policeman who had asked for their passports glowered. "No one said they would be armed," another protested. Methodically, with four raps to the skull, the policemen were neutralized and rolled into the underbrush. "A fool trick," Goodfellow muttered: "we were lucky. "[...]

i love how dry this is

—p.132 by Thomas Pynchon 1 year ago
143

[...] one night they'd had a serious division of views over Berlin. "I know what they ought to do," Grover yelled (he always yelled — at walls, at anything else solid that happened to be around -to let you know it wasn't you he was mad at but something else, something to do with the scaled-up world adults made, remade and lived in without him, some inertia and stubbornness he was too small, except inside himself, to overcome), "exactly what they should do." But when Tim asked what, Grover only said, "Never mind. The thing we argued about isn't important. But now we don't talk; that is important. When I'm home now they let me alone and I let them alone." [...]

—p.143 by Thomas Pynchon 1 year ago

[...] one night they'd had a serious division of views over Berlin. "I know what they ought to do," Grover yelled (he always yelled — at walls, at anything else solid that happened to be around -to let you know it wasn't you he was mad at but something else, something to do with the scaled-up world adults made, remade and lived in without him, some inertia and stubbornness he was too small, except inside himself, to overcome), "exactly what they should do." But when Tim asked what, Grover only said, "Never mind. The thing we argued about isn't important. But now we don't talk; that is important. When I'm home now they let me alone and I let them alone." [...]

—p.143 by Thomas Pynchon 1 year ago