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I think I’m searching everywhere for a model, someone to show me how to write a book about my widowed sister and her rage and grief. I don’t know where to stand, to write the story. Is it even ‘a story’? Where to grab hold of it. Whether to build this not-knowing into the story, or to blast a way through the uncertainty and pretend (to myself, or to whoever I fantasise as reader) that I know what I’m doing and how to do it.

—p.611 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

With a friend who is married to a painter I compared notes about our respective husbands and their demands. In his determination to deter visitors, hers has disabled the buzzer and made adjustments to the heavy street door of their house that make it impossible for her to get in, even with her key, without putting down everything she is carrying. Like me, she is expected to run the house, do the shopping and cooking, and keep the home fires burning, all this without being permitted on the premises during work hours. I saw in her face my unhappiness. We did not know whether, or how, we could go on tolerating their regimes, or what we could do to change them. When I was leaving she said, ‘I’m beginning to experience it as violence.’

—p.619 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

H: ‘Let’s take out hospital insurance.’

V: ‘Why.’

Pause.

H: ‘I’ve got an idea. Let’s agree not to ask each other why in that aggressive way. Could we avoid that tone? Do you think? For the New Year?’

V: ‘Why is one of the most important words in the language. It’s an absolutely crucial word. It’s a much better word than Let’s.’

Short silence.

H: ‘Do we have to be in competition all the time?’

He makes out he doesn’t know, can’t imagine what I mean. I point out his placing of why and let’s in opposition. He acts as if he’s amazed by this ridiculous suggestion.

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—p.620 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

I think he’s lying to me. I said, ‘If you don’t tell me you’re seeing her, if you sneak behind my back and I find out accidentally, it makes me feel mad. It makes me crazy.’ He appears to take my point. But in a darker area of my thoughts I’m remembering his declaration, made to me several times over the years, in various contexts, and always with a note of defiant eternal-verity-ness which I would have to describe as smug: ‘All men are moral cowards.’

—p.622 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

‘Now that you’re starting to go to things,’ he said, on our walk this morning, ‘I was thinking that’d be a good time for me to see X. In the evenings.’ Whereas he once used to think, he said, that it was ‘ridiculous and wrong’ of me to get up in the night and sleep in the spare bed (because he snored! which is not mentioned), he has now begun to see that ‘separateness, for adults, is a natural and good thing’. If it weren’t for X, I’d be fine with this. But somehow I feel manipulated, roughed-up by him. As if he’s turning me against myself. You want separateness? I’ll show you separateness!

—p.623 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

Still. I’m going to find a place in myself to stand, from which I can engage better with V. I would like him to know that I don’t see him and his inflexible regime as my only possible source of happiness.

And I’m determined that I’ll give this marriage the best I’ve got, without thinking about ‘flight’, till he finishes his book. I’m going to work hard at not wallowing and being abject. I’m going to tell him what I feel, and not in an accusing tone. I’ll keep on inviting him to ‘things’, and going to them anyway whether he comes or not. Plus, I’ll try not to turn X the painter into the mule to carry all this anger.

girlll he doesnt deserve u

—p.627 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

V has raised again the possibility of my buying a little flat, as a work space and for visitors to stay. (Renting is anathema to him: ‘money down the drain’.) Tried to stay calm. Asked him if he could see any other way of resolving our situation about the flat. I can’t remember what (if anything) he said. I have a pathetic, unspoken hope, or fantasy, that one day he’ll say, ‘Look, we can solve it all in one simple stroke: I’ll rent an office.’ So many times this suggestion has been blasted away that I know it’s never going to happen. He offered to speak to a real-estate agent for me, to a tax accountant. I’m being very firmly pushed. Horrid little spurts of fear.

—p.628 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

Only a man distracted by love will get up from the dinner table and return with a single glass of water; will barge first out the heavy front door of the building and let it slam in his wife’s face. The sick power of knowing something he thinks I don’t know; of knowing that he’s lying to me. The clumsiness of the lies, the humiliation of being clumsily lied to.

—p.629 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

The morning after the Frenchwoman’s visit, as we walked, he took up his railing against ‘self-obsessed people’. His particular bugbear is people who never ask him questions. I asked him whether he’d always found himself surrounded by such people, or if it was a recent development. ‘Oh, there’ve always been some, but there are more lately. And when I went to live in Melbourne and met your family, I really started to become aware of it.’ I said, working at not being ‘emphatic’, that I’d had a bit of an idea about this problem. I said I’d noticed that when he met someone new he would soon begin to ask them quite intimate questions. They, surprised, would reply; and then he, rather than offering corresponding information about himself and his own life, as most people do in the give-and-take of conversation, would push on with further questions (always intelligent and sensitive) into the other person’s territory. In this way the other was drawn into revealing himself, while V remained veiled, and thus, in the end, more powerful. This made him furious. He said I’d ‘shifted the blame’ on to him. I said I didn’t think I was blaming anyone. I said I was trying to examine the dynamic of the phenomenon that bothered him so much. He battered away, declaring that men’s way of conversing is ‘better and wiser’ than women’s, because it doesn’t ‘depend on subjective anecdote’.

lol

—p.630 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago

I stayed a night with friends at Mona Vale. V wouldn’t come. Ashamed to be sleepless, to be in this much pain. And yet this is life. The toughness of life. People’s utter, bottomless selfishness. This is what people do. The fact that I’ve been faithful to V for ten years has no weight, in the big scales of what will become of us. No ‘virtue’, no ‘self-control’ can save us, or protect us from each other. We can’t make room for each other. We push each other into the most extreme versions of ourselves, and then with a gritty determination we fight.

:(

—p.631 How to End a Story: Diaries Volume III 1995-1998 (559) by Helen Garner 4 months ago