“I want you to know I’m sorry. I’m sorry for what you’re going through,” she whispered.
But no one has any use for consolation from a young woman in love, a pretty young woman who is probably always in love, both with herself and with others who always return that love, always reflect it brightly back in her direction. Without thinking, I pushed a teal vase from the side table to let it shatter on the floor. A moment passed. I did not apologize.
I turned to Shelley, who was facing away from me as if I were a stranger getting undressed. The line dipped down sharply at the end of the graph for Depth of Love. I wanted to know why, but unlike the other points of ascent and decline there was no explanation, no paragraph detailing an inciting incident with a date and time. Perhaps it takes something to receive love, I thought as I felt my jaw lock and stay there. Perhaps your ability to feel it waned, perhaps you are the one who ruins things, it was you, you—and there it was again, that useless, human blame two people will toss between each other when they become too tired or weak to carry the weight of love.
I stalked down the road as if I had been physically beaten, stepping unevenly. A dreadful, deadly feeling. I have no choice but to put it here, to put it somewhere, to translate it into language so it won’t hang around my neck like a locket filled with poison.
In moments that year I thought I saw X relax a little, as if this achievement had really changed her, but I found several pages of handwritten notes picking apart a single essay that the writer Elvia Wilk published in Future Looks Magazine just weeks before the retrospective opened. One line in particular seemed to have driven X mad: “The problem with her oeuvre, which is also a problem with her personas—her oeuvre and personas cannot be dissociated—is that it fights a merciless battle against complicity with the existing culture, against the incomprehension that accompanies each social and professional recognition, beginning with X’s own.”* All her notes amounted to a single question that Wilk raised and X was unable to resolve—could she both disdain the state of this country’s culture as a whole and still reasonably desire or accept its approval?
the perennial question
I got used to it, in a way, being this sack of skin full of problems, because having a body doesn't give you the right to have one that works correctly. Having a body doesn't seem to give you any rights at all.
:(
[...] Edie won’t tell Marie tonight about the time he threw a book across the room at her, about how it momentarily woke her up and she almost left until he talked her back down into believing it was her fault, that she had to be better, that she had to be more honest with him, more attentive, more giving. She was overreacting, anyway. It was just a book. His shock at her shock! Nothing was going to hurt her. It was all in her head, her damaged little head that only he could see clearly and understand and still love.
damn are all men like this
Tilt your head back, he’d said with the exact intimate tone her father had used when she’d gotten a bloody nose on his watch as a kid, and later she found out that tilting backward is the exact wrong thing to do for a bleeding nose, but she did as she was told, both as a girl and right then, and tasted blood in the back of her throat; but when he’d come toward her with a dish towel, she’d instinctively flinched away from his hand, and he threw the towel at her feet. You’re trying to make me seem like a villain! This is not my fault!
ackkk
You know—I almost do want it to be true. The permission to just fuck around and live alone forever and never need anyone else’s company in particular, and for that never to seem lacking. But maybe it’s the fact that the body decays that makes this kind of intimacy important.
So that someone finds you if you have a stroke? So that someone’s there to clean up your vomit after the chemo?
Yeah, I guess so.
But if that’s the role, then it seems like the selection process is asking all the wrong questions. Or it’s like—people fall in love for reasons that are nice at the time and totally useless a year later.
This is chamomile! I’m fine. I just mean I made the choice to give up my autonomy to him, to trade it for what felt like protection, or deliverance—after how many gender studies classes? How stupid am I?
Well, you skipped class a lot.
lol
[...] That evening, when Marie’s wife asked her how her day had been, Marie had simply not mentioned her lunch with Helena. She didn’t tell her about how Helena had launched immediately into the most intimate conversation Marie had ever had with anyone she didn’t actually, technically, know—Helena had been thinking about the nature of desire and power and men and women and how the reasons she had gotten married just ten years ago now already seemed so retro and regrettable, almost unmentionable, but she did believe in sticking it out, in sticking around even when it seemed doomed, when it seemed like she may never again feel real sexual pleasure with another human body, but then again, What had even been the purpose of sexual pleasure in the first place? she asked, undercutting the urgency with which she had just uttered the phrase “real sexual pleasure with another human body,” and Helena claimed that she distrusted the urge toward sex, how it seemed that the people who regularly followed that urge tended to be led around in circles, but still, lately she spent a lot of time thinking about how being in a couple seemed entirely at odds with being in a family and how it might be better if all the women just took all the children away from the men and raised them collectively, without the men, men who seemed only to get in the way, men who seemed so often to be no different than children, just larger. Oh, but I don’t really mean it, I do love my husband, what am I even saying, he’s a good father, a great father, she took a sip of wine, I mean what am I even saying? And Marie had tried to reassure her that this all seemed to be normal in a long marriage, the irritation at the edges of it, though Marie did not, at least not consciously, feel any of that irritation in her own long marriage. It does seem like a lot to manage, she said to Helena, an observation that seemed to calm Helena, a little, but Marie also noticed the tragic little tick in Helena’s voice when she asked and rapidly answered two questions she’d pushed together into a single line: But you’re married right to a woman right? Marie paused as if she needed to remember whether she was married (right?) to a woman (right?), then she said, as if reading the phrase, Yes, I am. The lunch went on, both of them increasingly tense, overly aware of their own breath and each other’s every gesture, and at times Marie thought she was doing something wrong just by being there (though she couldn’t identify what, exactly, was wrong with it), and at other times she thought she was being presumptuous to assume anything indecent about this lunch of salade niçoise and chenin blanc with Helena, whose intentions, personal history, desires, middle name, fantasies, and current mental health status were all still to be, soon, discovered.