I watched the beginning of La Règle du jeu on video. It’s marvellous but I’ve never been able to sit still long enough to get to the end. Renoir’s love of people, that unfashionable thing: the sense of a rich, three-dimensional, teeming life away there beyond the flat screen and spreading out from it in all directions. A kind of fizzing and bubbling that goes on. Everyone busy living.
<3
I made a plan: in the mornings I’ll try to write my book, and in the afternoons I’ll work on the translations of the Malraux programs for SBS. I started this morning at 8 am. I loved it in my room, quiet all around, barely even properly light. I rewrote Vicki and Elizabeth, the very beginning of the book. I worry that I ought to pour out a whole draft and then go back and rewrite. What I do is write a page, then fix it up straight away and go back to the beginning to see if everything fits. So my progress is slow. But the work is solid. After lunch I sat at my desk with the big dictionaries, the mild afternoon sun on my back through the window, and wrestled away. Writing in the morning is battling through jungle. Translating in the arvo is riding along a flat country road on a bicycle.
:)
The only way I can keep a rhythm going is to keep off booze, go to bed early, and not drink too much coffee. 8.30–12.30 work on novel in office. 2.00–4.00 translate at home. 7.30–10.00 read Vogel Award manuscripts at home. Most of them are unbelievably terrible. One was like a black hole in space: all my energy was sucked into it, it drained and sucked and gave back no spark. It scared me.
i need to spend more time writing :(
I’m worried about art, what it’s for, whether what I do is any use to anyone, whether I’ve been kidding myself all these years that I’m any good at it, that I’ve got anything at all to offer the human race, whether I should just chuck it in and look for a job.
I don’t enjoy the way the therapist fixes me with her unblinking gaze. She seems to want to urge me to undertake a search and reconstruction of myself such as the one she herself is attempting. When I think of her ugly clothes and the quite stunning, almost deathly ugliness of the inside of her house I shiver. She is trying to get me to face the most difficult area in myself. I don’t have the courage to do it. Not now, anyway. Thinking about it is like contemplating a mountain range in winter.
If I were a man of a pre-feminist generation, with a wife to provide my meals and clean my house and bring up my children, perhaps I would have a free mind for the large thought, the unlimited plan; and free time for night work, for hours without the necessity to think ahead about trivia—will we have veal for dinner or will I send the girls out for Lebanese take-away? Will the dog be lonely all day? Why didn’t I defrost the fridge before I went to the market? Or is my mind slack and small for other reasons?
I went to work and broke through a brick wall or went round the side of it or dug under it or something: Athena’s moral crisis and flight. The pace picked up incredibly. Present tense. A weaving and twining of many a disparate thread. All these years of note-taking, of being what Joan Didion calls ‘a lonely, anxious re-arranger of things’, are now paying off. I even got in the skier on the colour TV in the Italian cafe! That image has been dogging me for ten years at least.
<3
The day I realised my novel was going to be a short one, and that its domestic subject and setting were quite proper, I walked home from work and passed a print shop, in the window of which stood a copy of that van Gogh painting of the inside of his bedroom: floorboards, a bed, two cane-bottomed chairs, a window. I thought, That’s a beautiful painting. And it’s only the inside of a room.
To Paul Crossley’s piano masterclass at the Con. After three hours of intense concentration I was completely exhausted. His teaching was very challenging. He was not a giver of praise or even of encouragement, except to one girl who played Ravel; everyone else played Debussy. I loved the language he used: not only because it was clever and striking but because it showed me that the way I have been trying to write about music is not, as I had feared, hopelessly romantic or amateurish. ‘A furtive texture,’ he said. ‘A harmonic wash in the left hand. Then he clears the texture. Let the harmony settle again, before we take off. Hover above what you’re going to do.’ The concept of phrasing began to have meaning for me, not to mention texture. And now I know what the pedal is for: to ‘avoid breaking the sound’.
<3
At Castlemaine it was very warm. Even the night was milder than I’d expected. Discouraging memories presented themselves as I roved about the slopes picking up firewood. What does this almost-finished book say about men and women? There doesn’t seem to be a way of planning this. My attitude emerges as the story tells itself. I couldn’t help agonising over it, thinking of the smallness of my scope, the ordinariness of it, its bourgeois nature. What critics will say. What my friends will think and not say. How I will appear before the world. Oh shut up.
We stood on a slope and watched the moon rise: up it came, round as a drawing. We saw how the stars became brighter, sat deeper in space. M and her friend struggled to philosophise. They laughed, and were excited. ‘I can’t sort of grasp,’ said M, ‘what there is beyond the universe.’ We all played the ukulele when we felt like it. She made up a song called ‘In the Paradise Cafe’. The boy read Tom Sawyer aloud: he couldn’t restrain his laughter. I woke at two in the morning, lay there filled with a kind of shame. Looking out at the moonlit bush, silver by night, grey by day. Don’t be so proud. Accept criticism, accept editing and guidance. No one will think less of you. I got up at dawn. There were tasks and I did them: finding wood, making a fire, boiling water. The sky became more orange and the wind began to stir. The coming light. It creeps across the dull grass and pinkens it, between the thin trunks. My panic left me. The problem becomes merely the work I still have to do, rather than an indictment of my whole personality and talent and social position.