Toril Moi, in her essay "Nothing Is Hidden", identifies this difference between the kind of criticism practiced by many in her academic discipline and philosophically therapeutic criticism: whereas the suspicious literary theorist presumes that the "text is hiding something from us," she writes, the Cavell/Wittgenstein critic presumes that "the problem is in me, in us". In other words, the artwork's value comes from showing readers something about themselves. [...]