The screen in the cafe is playing a music video by Zayn Malik, the half-Pakistani singer from Bradford, England, propelled to stardom by a TV talent show. The video begins with Malik gazing wearily at the baying paparazzi gathered to catch a shot of him as he emerges from his limousine on a rainy night and disappears into a luxury hotel. Celebrity produces no joy in him. Existence is ‘cruel’, he sings, as he trudges towards his hotel room. A photographer leaps out behind him, trying to catch another photo, and is summarily dealt with by a bodyguard – but Zayn is too preoccupied to notice, and walks on, hitting his chorus. Life is ‘in vain’. He doesn’t want to live forever.
a thought i had while reading this (by no means original): given the importance of capitalism (and effects thereof) to contemporary human existence, and given that popular artists are shielded from the worst impacts of capitalism because art is itself made into a commodity, what does that say about the possible trajectory of their music? does this mean every artist that gets big eventually sells out and loses the thing that made them relevant (if it existed in the first place)?
something to think about for eminem essay